Find accurate guitar chords and lyrics for the song 'Chole Jodi Jabi Dure Sharthopor'. This page provides the full progression and a simple strumming pattern to play it.

Accurate Chole Jodi Jabi Dure Sharthopor Chords and Strumming by Fossils

For an authentic rendition of this piece about leaving, center your playing around an A minor - G major - C major - F major sequence. A simple down-down-up-up-down-up pattern in 4/4 time provides a solid rhythmic foundation. Pay close attention to the transition into the F major barre; a clean execution is what separates a novice attempt from a polished performance of this musical framework.

To capture the song's melancholic mood, alternate between full strumming and a sparse, arpeggiated fingerstyle pattern during the verses. A basic P-i-m-a (thumb, index, middle, ring) plucking motion across the strings will add a delicate texture. The harmonic structure intentionally uses the tension of G major resolving to C major to reflect the lyrical contrast between fond memories and the pain of the present situation.

Placing a capo on the third fret allows you to use the same fingering shapes while shifting the entire song to C minor, which may better suit certain vocal ranges. Experiment with suspended (sus2 or sus4) additions to the primary C and G major shapes. Briefly switching from G major to a Gsus4 before returning to G adds a beautiful, unresolved quality that mirrors the song's central theme of uncertain farewell.

Chole Jodi Jabi Dure Sharthopor Chords

Begin with the key of A minor for a faithful interpretation of this Bengali rock ballad. The foundational harmonic progression for the verses cycles through A minor (Am), G major (G), C major (C), and F major (F). Maintain a single measure for each harmonic shape in this sequence.

For the strumming pattern, a Down-Down-Up-Up-Down-Up rhythm provides the correct feel. During the introductory verses, apply light palm-muting to the strings. This technique creates a percussive effect and builds dynamic tension leading into the more powerful refrain.

The refrain, or chorus, alters the harmonic sequence to F - C - G - Am. Play these shapes with more open and forceful strums to match the heightened vocal delivery. Allowing the resonance to sustain longer here contrasts effectively with the tighter verse sections.

The instrumental bridge or guitar solo section introduces a new harmonic flavor. A typical arrangement involves D minor (Dm) - A minor (Am) - E major (E) - A minor (Am). The use of E major creates a strong harmonic pull, resolving satisfyingly back to the song's root of A minor.

To simplify the fingerings or to match a higher vocal pitch, place a capo on the 2nd fret. The transposed shapes become G minor (Gm) - F major (F) - Bb major (Bb) - Eb major (Eb). This adjustment retains the original key's sound while offering a different feel on the fretboard.

Complete Chord Progression and Tablature for the Main Riff

The core harmonic structure for the main musical theme is built upon A minor, G major, C major, and F major, played in that sequence. The distinctive sound comes from arpeggiating these shapes rather than strumming them. The following tablature details the precise picking pattern for one full cycle of the progression.

Am                G                 C                 F
e|-------0---------|-------3---------|-------0---------|-------1---------|
B|-----1---1-------|-----0---0-------|-----1---1-------|-----1---1-------|
G|---2-------2-----|---0-------0-----|---0-------0-----|---2-------2-----|
D|-2---------------|-0---------------|-2---------------|-3---------------|
A|-0---------------|-----------------|-3---------------|-----------------|
E|-----------------|-3---------------|-----------------|-----------------|

To execute this pattern, begin with the A minor shape. The arpeggio starts on the open A string, moves to the fretted D and G strings, and peaks at the B string before descending. Immediately transition to the G major shape, initiating the pick on the low E string (3rd fret) and following a similar ascending pattern. The third measure uses a C major shape, with the bass note on the A string (3rd fret). The sequence resolves on an F major bar-shape, starting the arpeggio from the D string (3rd fret) to complete the loop.

For a fluid sound, allow each note to sustain until the next is played. This creates a connected, flowing effect central to the tune's character. Employ strict alternate picking (a continuous down-up motion) to maintain rhythmic accuracy and build speed. Focus on clean transitions between the shapes, particularly the final move from F major back to A minor, which requires precise finger placement to restart the pattern without hesitation.

Guidance on the Strumming Pattern and Song Structure

The primary strumming rhythm for this piece is Down - Down Up - Up Down Up. This pattern is executed over a 4/4 time signature. For beginners, a simplified version using only down strums on each beat (D-D-D-D) is a functional alternative.

• Rhythmic Accent: Emphasize the first beat of every measure to establish a strong pulse.


• Dynamic Control: Use palm-muting during the verses to create a tight, percussive sound. Release the palm mute for the chorus sections to produce a fuller, louder tone.

The composition's framework is built from distinct sections, each with a specific harmonic sequence and dynamic intensity.

1. Introduction: Begins with a simple, repeated two-bar progression of Am - G. These initial note combinations can be fingerpicked for a more delicate texture.


2. Verse: The progression expands to Am - G - C - F. The performance here should be restrained, with a quiet and steady rhythmic feel.


3. Pre-Chorus: To build tension, the harmonic sequence shifts to F - C - G. Increase strumming pressure and volume gradually through this part.


4. Chorus: This is the energetic peak, using a C - G - Am - F progression. Employ forceful, open strumming to deliver maximum sonic impact.


5. Bridge: This section provides a harmonic shift with a Dm - Am - E - Am progression. Simplify the strumming to single down strums per voicing to let the vocal melody take focus.


6. Outro: The track concludes by fading out on a repeated Am - G sequence, often with a ritardando (a gradual slowing of tempo).

How to Play a Simplified Version Using Basic Chords

Utilize the four-part progression of A minor (Am), G major (G), C major (C), and F major (F) for the entire tune. This set of harmonies provides the foundational structure for a simplified rendition. The fingerings are standard open-position shapes, accessible to novice guitarists.

For the verse, play the sequence Am - G - C - G. For the chorus, transition to the C - G - Am - F progression. Apply one full measure of strumming to each harmonic change. Repeat these patterns for each corresponding section of the composition.

A consistent strumming pattern suitable for this piece is Down-Down-Up-Up-Down-Up. Maintain https://cassinopix.pro , allocating one complete iteration of the pattern per harmony. This creates a fluid and continuous accompaniment for the melody.

If the F major barre voicing presents difficulty, substitute it with an F major 7 (Fmaj7). To form this voicing, press the 1st fret on the B string, the 2nd fret on the G string, and the 3rd fret on the D string, leaving the high E and A strings open. This alternative produces a similar sound with a much simpler finger placement.

To alter the key to match a specific vocal range, apply a capo to the guitar's neck. Placing the capo on the 2nd fret, for example, transposes the entire arrangement up to B minor, while allowing you to use the same Am, G, C, and F finger shapes.