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World War I In American Fiction: An Anthology of Short Stories

by Scott D. Emmert

->>>DOWNLOAD BOOK World War I In American Fiction: An Anthology of Short Stories

 

Overshadowed by the so-called Good War that followed, the Great War―the First World War―captured the imagination of American writers both while the conflict was underway and during the

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

World War I In American Fiction: An Anthology of Short Stories Scott D. Emmert

 

 

 

 

 

 

 

 

Indirectly, or with purpose, for example, various narratives examine the impact of the war on the earth as a living entity"'I got some great stories to write when I get back to God's country,'" claims the protagonist of Richard Harding Davis's "The Man Who Had Everything," a story included in a new anthology, edited by Scott DBookseller Inventory # Z1606351966ZN More Information About This Seller Ask Bookseller a Question Buy New US$ 42.65 Convert Currency Add to Basket Shipping: FREE Within U.S.ATo encourage further literary discoveries, for each author included, the editors give a brief historical overview and provide additional titles of publications by the authorCorrespondingly, when taken collectively, we can grasp how several of the authors approach their chosen war themes from antithetical interpretations, delineating their views through varying prose styles and sometimes only marginally achieving a marked outcomeView all subjects More like this User lists Similar Items Borrow / obtain a copy Buy it Add library to Favorites Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yoursDetails Genre/Form: Short storiesFiction Material Type: Fiction Document Type: Book All Authors / Contributors: Scott Emmert; Steven Trout Find more information about: Scott Emmert Steven Trout ISBN: 9781606351963 1606351966 OCLC Number: 864411151 Description: x, 396 pages ; 23 cm Contents: The namesake (1907) / Willa Cather -- The man who had everything (1916) / Richard Harding Davis -- The strange-looking man (1917) / Fanny Kemble Johnson -- One hundred per cent (1918) / Edna Ferber -- The permissionaire (1918) / Dororthy Canfield -- How Walter regained his manhood (1919) / Carita Collins -- Writing a war story (1919) / Edith Wharton -- The four-leaved wildcat (1919) / Hugh Wiley -- May Day (1920) / FEdited by acclaimed novelist and National Book Award nominee Jessica Hagedorn, Charlie Chan Is Dead Paperback.Author Search by McLean (Catherine EEmmert and Steven Trout (review) Your Web browser is not enabled for JavaScript

 

The stories highlight the lingering effects of the war on veterans, women, and African Americans, and they take the reader from the contested skies over the Western Front to the influenza-ravaged American home frontIf you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'Book Condition: NewArnold Chronologically ordered, the stories progresssometimes cohesivelyfrom the immediacy of the war to the reflection, often symbolically, on the permanent transformations that ensuedBook Condition: NewStout -- The soldier's return (1925) / Claude McKay -- The Kentucky boy (1925) / Thomas Boyd -- Big eyes and little mouth (1927) / Elliot White Springs -- The great tradition (1928) / James Warner Bellah -- One hundred per cent (1928) / Leo VQuickview The Best American Short Stories 2010 Edited by theaward-winning, best-selling author Richard Russo, this years collection boasts a satisfying chorus oftwenty stories that are by turns playful, ironic, somber, and meditative (Wall Street Journal).With the masterful Russo picking the best of the Scott Fitzgerald, Langston Hughes, Katherine Anne Porter, and Edith Wharton alongside writers who deserve a wider readership, such as Thomas Boyd, Kay Boyle, Claude McKay, and Laurence StallingsSubject: The E-mail message field is requiredPAPERBACKYou are not currently authenticatedNevertheless, as an indispensable addition to the American representation of the Great War, World War I in American Fiction succeeds in its objective: presenting the assorted and expansive richness of the writing born out of the periodCorrespondingly, when taken collectively, we can grasp how several of the authors approach their chosen war themes from antithetical interpretations, delineating their views through varying prose styles and sometimes only marginally achieving a marked outcome 064a88f820

Scott D Emmert

 

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