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An ex-con reunites with his estranged wayward 17-year old daughter to protect her from drug dealers who are trying to kill her.
Mel Gibson has not been starring in major blockbuster hits lately, with his last attempt on a large screen is with ensemble cast in Expendables 3 (2014). Here in this under the table movie, which I can bet many would not have heard of is Blood Father, based on a book of the same name by Peter Craig. The movie has many elements which reminds you of Taken (2008), and some which reminds you of Gibson himself in Lethal Weapon.
The Taken (2008) aspect of this movie has Gibson's character Link (an ex-convict tattoo artist) willing to do anything he can based on his skills as a biker gang member and links in prison to protect his daughter. The Lethal Weapon part in this movie has Gibson's character pull out crazy stunts and do crazy things, putting his life in danger.
Not dripping down with much of a cast, the movie makes the best of the cast it has, and Gibson's weird beard and weird view of the world were an awesome side attraction when he and his daughter were not trying to get out of the way of flying bullets to get to safety.
The movie plot isn't solid, but the directing by Jean-Francois Richet (who was the man behind the camera in the action thriller Assault of Precinct 13 (2005)) was well done and captured my interest as the movie glides gently, to a climatic end.
The movie starts with a girl, Lydia buying bullets. She gives the bullets to her boyfriend who leads a crew of men to a house in an attempt to kill the inhabitants. Lydia was asked to prove her loyalty by killing a lady who lived in the house in a panic frenzy she shoots her boyfriend unintentionally and ran away while being chased by his crew.
Link was an ex-con now tattoo artist, who has been looking everywhere for his daughter Lydia. She finally contacts him and ask for help to get away from the men trying to kill her.
Link gets to her before the men does and tries to help her by keeping her away from the men who she claims are her friends. When the crew storms Link's place and a shoot-out begins which only ended because Link's neighbours came to save his ass, Link and his daughter are now on the run from the goons after them.
With Link contacting his own crew to be able to bring this chase to an end without involving the cops.
This is a movie I will advise you get the time to see and enjoy.
www.lagsreview.com
Since his antisemitic remarks surfaced to the media, Mel Gibson, the man who made himself in star in George Miller's Mad Max franchise, has slowly fell from the fame. Many fans have wonder when the old star would return to the big screen. After a short hiatus from major roles, Gibson returns to the screen in this gritty action thriller directed by Jean-Francois Richet. Taking on the role as a man wrestling with his inner demons, Gibson becomes the cinematic force to reckon with, spawning a performance that is far from more visceral and electrifying than what he has played in the past decade. His magnetic portrayal becomes the film's major peak that manages to rise above its hefty narrative. Although the film follows a rather familiar story, Richet handles it with great versatility and substance. By the end, it feels something more than just your average shoot-em-up powerhouse. This follows John (played by Mel Gibson), a ex-convict living in a trailer park, trying to sober up from his alcoholism. He spends his days attending support groups sponsored by his neighbor Kirby (played by William H. Macy). When he gets a call from his estranged daughter Lydia (played by Erin Moriarty) who's hooked on drugs and is involved with a vicious drug cartel, John shelter her in his trailer home where he must protect her from the cartel who are setting out to kill her.
Perhaps the film is more of a drama with violent action scenes than a straightforward action flick. After all, it is the emotionally jarring nature of the Mel Gibson's character that serves as the driving force of the film. The story depicts the lead character as a man trying to recover from his dreadful past and move on to a new road of sobriety, but suddenly must fight an intense battle against the life he's tried leaving behind when his estranged child races to his aid from a situation he greatly frowns upon. From there on, the relationship between him and his unclean daughter is developed without resorting to typical cliché of the girl hating her father for the man he's become. The man is greatly shined with a powerful performance by Mel Gibson who's made his return as an action hero since his final outing in the 'Lethal Weapon' franchise. He greatly invests himself in the role that allows him to do more than show off his muscular physique, but to expand his acting muscle in a genre he has since veered away from for many years. When the guns starts blazing and the bullets begin brutally tearing through the baddies, is when Gibson exercises the role to his fullest extent while also feeling reminiscent to his role as Mad Max in the early days (especially with the hot western setting). Erin Moriarty is good at her role as well, but far from matching up her much older co-star. In terms of the narrative, the plot moves at fairly an equitable pace and packs an emotional punch that can felt from the opening five minutes to the jarring final stretch.
Blood Father marks a triumphant on screen return for Mel Gibson in arguably the most visceral role he endured in recent years. It is a smart, gripping action thriller blossoming with grit and atmosphere as well as one that may never render as a classic, but will entertain those looking for Gibson to return as the action hero that made him a star.
A serviceable piece of B-movie entertainment without an ounce of originality
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