Beverly Hills Cop II Full Movie In Hindi Free Download
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A series of strange robberies brings Axel Foley back to Beverly Hills to help his two fellow cops solve the case. All the familiar faces of the first film are back...
Detroit cop Axel Foley is watching the news on TV when the reporter tells a story that Axel's friend, Beverly Hills police Captain Andrew Bogomil, has been shot by a tall woman. Axel heads out to Beverly Hills to visit Bogomil in the hospital, and this is where Axel is reunited with Bogomil's daughter Jan Bogomil. Axel is also reunited with Detective Billy Rosewood and Sergeant John Taggart. Billy and Taggart decide to let Axel help them find the woman who tried to kill Bogomil, even though abusive police chief Harold Lutz has been deliberately trying to find a reason to fire Billy and Taggart. Axel, Billy, and Taggart soon discover that the alphabet robberies, a series of robberies that have been going on in the area, are masterminded by weapons kingpin Maxwell Dent, and Dent had sent his fiancee Karla Fry to try to kill Bogomil because Bogomil had been after Dent. With this information, Axel, Billy, and Taggart try to find Dent and Karla.
Beverly Hills Cop II (1987)
** 1/2 (out of 4)
It's clear this sequel was made because the original was such a hit and it's another example of Hollywood doing something clever, making money and then just delivering a by-the-numbers film. This time out Alex Foley (Eddie Murphy) heads from Detroit to Beverly Hills to investigate the shooting of his friend. He talks Rosewood (Judge Reinhold) and Taggart (John Ashton) intro trying to bring down an operation dealing with robberies and guns. There's no doubt about the fact that BEVERLY HILLS COP II is a major letdown from the previous film and in many ways it's pretty much just a copy of it, with a few things changed around. With that said, as unoriginal as the film is and as weak as certain elements are, I still managed to have a decent time with the picture thanks in large part to the three leads who deliver fine and fun performances. Murphy, Reinhold and Ashton all fit back into their roles perfectly and even though the material doesn't help them, all three at least rise to the occasion and appear to be having fun together. The chemistry between the three is unmistakable and no matter what type of scene is going on it just seems like the three are really having a blast and enjoying working together. Jürgen Prochnow and Ronny Cox add nice support and Brigitte Nielsen makes for a couple good Murphy jokes about how big she is. Again, the story itself is rather weak and just thrown together and it's clear that they were just trying to copy what worked in the first film. This certainly doesn't work for the better as none of the reworked stuff here comes anywhere close to that in the original. We have Murphy's undercover stunt at the start, Murphy lying to the big shots in Beverly Hills and doing all sorts of things to get into places he shouldn't be. None of these scenes are as good as in the original but they still contain some charm. Tony Scott does a nice job with the action scenes and there's no doubt that he manages to keep the film moving at a good pace.
Eddie Murphy, Judge Reinhold, and John Ashton return for this sequel to the surprise box-office smash, which finds Axel Foley returning to Beverly Hills to investigate a series of high-tech robberies, involving a beautiful woman(Brigitte Nielsen) and her gang. The expected wise-cracks and explosions follow.
Film is hated by some critics, but is really a minor step down from the first. Axel is portrayed the same way here as in the first, only a little more so. Again, Foley succeeds because everyone else is so dumb, and the plot, while slick, is also convoluted, but hardly the point of the film, being just a showcase for Murphy's wise-guy persona, which once again wears thin.
Cop II doesn't sizzle like the original. It plays like a movie made by the numbers, an excuse to trot out Murphy and let him reprise the moves that earned the first Cop $350 million and status as the top-grossing comedy in film history. [20 May 1987, p.D1]
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