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Four Newton brothers are a poor farmer family in the 1920s. The oldest of them, Willis, one day realizes that there's no future in the fields and offers his brothers to become a bank robbers. Soon the family agrees. They become very famous robbers, and five years later execute the greatest train robbery in American history.
The story of the Newton gang, the most successful bank robbers in history, owing to their good planning and minimal violence.
The film is very banal. Bank robbers and postal train robbers, déjà vu, blasé, passé. Nothing particularly interesting or exciting. Yet the film has a slight flaw that makes it maybe of some interest. These bank robbers and postal train robbers survived the whole business in 1924, got through the trial with rather light sentences and they most of them died of old age fifty or so years later after giving, for some of them, some TV interviews about that profession of their young age. Then that was not a film but a fictionalized documentary. Shucks! Those who got the heaviest sentences were the few real profiteers who were the real organizers behind those young cowboys who got misled, by their own dream, into getting by force the money they desired to have. But the worst part in all that story is that they got caught on their last venture, the postal train robbery, because one of the gang of brothers shot another member of that brotherly gang because he did not stick to what he was supposed to do, went on the other side of the train and got frightened by someone who did not have the identifying hat they were all supposed to wear. A mistake, another mistake and the whole venture came to a stop, though they apparently did not recuperate all the money, neither the authorities, not the Newton Boys, because the part that was hidden away by one of them was done so under the influence of alcohol, not the money of course, but the Newton Boy who was supposed to bury it and he could never, so he says at least, remember where it was. If you are not afraid of the strong cowboy Texan accent of these boys, you can watch it and entertain yourself with the dream of what you could do with three million 1924 dollars. I guess you would favor buying a new hybrid car to be economical and nice with the planet.
Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines
Richard Linklater, as a writer and director, loves to let his characters breathe while on screen and confine them to a day's worth of events. However, with The Newton Boys, he attempts to infuse his laidback style with a true crime caper, concerning the Newton Gang, a group of four brothers who robbed banks in the United States during Prohibition. He conducts the film in an episodic manner, devoting over two hours to these brothers, their robberies, and their schemes by simply allowing their conversations to prevail and the charm of the actors to carry the film.
The ringleader of the gang is Willis Newton, played by Matthew McConaughey, a suave, smooth-talker who maps out these heists. His brothers are the amiable ladies man Jess (Ethan Hawke), the lovable softy Dock (Vincent D'Onofrio), and the youngest and wiliest Joe (Skeet Ulrich). In addition, the brothers seek the help of Brentwood Glasscock (country singer Dwight Yoakam) to help blow the safes of banks with ample amounts of nitroglycerine. The Newton's work under a simple code of conduct, which states they won't kill, they won't harm or rob any women or children, and they won't snitch.
Immediately, what The Newton Boys lacks is the element of perspective. Examining successful biopics of recent time, like Jersey Boys and The Wolf of Wall Street, both films benefited from the perspective of many of their individuals, particularly Jersey Boys, which showed how one story was told with bias from each of the band members. Despite spending two hours with these brothers, we feel like we're hanging out with them more than we're being told their story or learning of the men themselves. The brothers never transcend past caricatures, and Linklater's energy level and interest in these characters seems greatly diminished, especially considering his last several films.
The irony with Linklater and The Newton Boys is here's a film about bank robbers running from the law, and it manages to be less interesting than Linklater's formal directorial debut Slacker, which focused for no more than five minutes on a single character and Before Sunrise, which simply featured two characters walking and talking. Linklater's investment in his characters is noted with every film I've seen from him, but here, it's as if he's within arm's length of his characters at all times, never gravitating towards them to learn about them, despite the glacial-pace of the film. The conversations between the men reiterate tired ideas describing how robbing the banks isn't a bad thing because they're essentially stealing from insurance companies, so clearly, stealing isn't so bad. These conversations undermine the titular characters, and the coffin-sealing nail is no perspective is ever provided on these men to show how we're supposed to view them.
So The Newton Boys drags on without much energy, like someone who worked a forty-five hour week and begrudgingly took on a twelve hour shift to follow it up. As it meanders and rifts around, it manages to drain the energy out of us, the audience, as well, and we're left with a film that's lifeless and impotent, two traits I never thought I'd associate with Linklater. All the pieces are here aesthetically, with the costumes, the music, and the aura of the Roaring 20's all captured with visual flair, and the four young leading men prove they have charisma, but at the end of the day, that's all they have, and a film about bank robbers needs more than that.
Starring: Matthew McConaughey, Ethan Hawke, Skeet Ulrich, Vincent D'Onofrio, and Dwight Yoakam. Directed by: Richard Linklater.
You have seen this movie before, every morsel of it.
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