The New Avengers In Tamil Pdf Download
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John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face mutated giant rats, flocks of killer birds and fanatical mysterious monks. Later episodes find Steed's loyalty under question and an increasing number of assignments overseas.
If you were a child of the 1970s, then you will probably remember this as the definitive Avengers, and find the original rather odd. It's not to say I dislike the original, but when I watched The New Avengers in the 1970s, it had that sense of realism and style that was very formative in my younger days.
Technically, the 1970s saw lighter cameras and greater use of location filming, two things that made The New Avengers different from its forebear. These enabled the series to be grittier, in keeping with the mood of the time. Preserving the fanciful, "British Batman" ideals of the 1960s' series would have gone sharply against the realism that viewers demanded in the 1970s. Britons (and plenty of people worldwide) wanted to see Britain, not a studio mock-up of it. And car chases were de rigueur. On these counts, The New Avengers delivered.
Purdey, not Emma Peel, was the first strong female character I knew on television. Columbia Pictures Television's Police Woman seemed phoney with Angie Dickinson getting her gun out of her handbag; it was Joanna Lumley's willingness to do her own action sequences that made her Purdey character more convincing. The fact she did her high kicks while wearing Laura Ashley, and not encased in PVC, did not seem strange; it was more her short hair that naice girls on telly did not have.
And because I was introduced to the Avengers' mystique through this series, I have always been used to the idea of Patrick Macnee's John Steed being the elder statesman. The suggestive nature of his relationships with his female partners in the 1960s seemed inappropriate when I viewed The Avengers in re-runs (and Macnee once quipped that he felt John Steed did consummate his relationships 'continuously and in his spare time'). The Gambit character played by Gareth Hunt was more my idea of the action-oriented British gent who had spent time in the military, though I recall both being relatively wooden, save for a few episodes.
The spy story lines were entertaining, and I understand the original series' fans being less than impressed. But they were a clever differentiation from the typical cop shows of the decade, and even though there were some corners cut (using old footage of Diana Rigg in one episode), I never felt cheated by The New Avengers. The thriller style that Brian Clemens and his team introduced to this series kept viewers on the edge of their seats, and it must have been good enough to warrant a second season at the timeeven if the latter was partly made in France and Canada. Even then, the episodes were not as bad as some have made outContinental filming, in particular, gave me one of my earliest impressions of Europe. I don't think I had seen anything made in Canada prior to The New Avengers.
In many respects, The New Avengers was more a forerunner to The Professionalsone of the greatest British TV actioners madethan a successor to The Avengers. It had the same producers and very similar crews. By coincidence, The Professionals' Lewis Collins and Martin Shaw guest-starred together in one episode. And, like The Professionals, it gave the sense that after an hour, you got great value. The same could not be said for most TV series of this genre today, made to please a network and an accounting firm rather than the audience.
"The New Avengers"was my introduction to the "Avengers" world and I thought Patrick Macnee was great as John Steed,the perfect English gentleman,with bowler hat and umbrella and his charm,in no way making him less able to defend his country. Joanna Lumley was excellent as high kicking Purdey,she holds her own against Mrs Peel,she is very funny when telling Steed,he doesn't need to be so protective to women "as we're liberated now!". I liked Gareth Hunt,his presence is often treated as an interloper by "Avengers" fans but the fact is if it had just been Steed and Purdey,with Steed doing the stunts(or a very obvious stand in as in the Emma Peel/Tara King eras when Macnee's stand in for fights,was clearly seen)it would have looked bizarre. The rapport between Purdey and Gambit is spot on,I love the way they chatter or bicker away in the middle of an action scene,there were changes in the 2nd season after Patrick Macnee complained and poor old Gambit is put on the back burner,in the 2nd season,in the last ever episode,in Canada(the one about the secret base)the closing shot doesn't even feature Gambit. the stories themselves do vary in story quality,the first series started with "Nest Of Eagles"about Nazi's alive and well in Scotland all three New Avengers work great together,Purdey's high kicking,beauty and great humour working great with Macnee's charm and Gambit's 70s gritty edge. Other stories include "House of Cards"about an enemy agent faking his death,it features a humorous scene of a lady guest of Steed's looking at pictures of Cathy Gale,Emma Peel and Tara King. As the lady asks about each Avenger,Steed describes them as excellent or"faithful,reliable" then on Tara King,he says she had a "real kick in her"and he had to have her shot,it turns out,Steed thought she was asking about his three favourite horses! The first series comes across well with varied stories a man whose touch can kill,the dreaded Cybernauts return in one of the best stories,a man who can control birds by music,the first season ends with "Dirtier By The Dozen" about crazed mercenaries,the closing shot of Purdey rescued from a minefield by helicopter by Steed,on a rope ladder,drinking champagne,is one ofthe times,we see some of the old Avengers magic. The second series is more varied,Emma Peel makes an appearance in "K Is For Killing"(using old footage of Diana Rigg and a voice dub) when an old case comes tolight again as enemy soldiers are reanimated,its a good story and the Paris scene really give the series so much needed glamour. The Paris stories work well,the last four episodes of "The New Avengers" are set in Canada,one of them "Complex" about a crazed computer is one of the better ones,"Gladiators" about super powered assassins is good too,the real dull on is "Emily",its like a really bad "Charlie's Angels" episode and is a real turkey. I'll always have a soft spot for The New Avengers",the three leads are excellent,(I met Gareth Hunt,a few years ago,what a nice guy)Joanna Lumley is superb,Patrick Macnee is excellent as ever,Gareth Hunt is a welcome and necessary character,there were mistakes made,like not showing Steed driving his classic cars anymore,too much attention on car chases and violence(but it was the 70s)if maybe more writers from "The Avengers" had been involved maybe it would have been better liked by "Avengers" fans but I like it and I'm glad it was made.
Steed didn't normally use a firearm as Patrick McNee had an aversion to them after his wartime combat experiences as motor torpedo boat commander. However in The New Avengers he does use firearms in episodes such as 'Dead Men are Dangerous', 'The Gladiators', 'Hostage' and 'Trap', killing at least 2 men. He keeps an antique Colt .45 revolver from his cowboy days as a momento in his house. The New Avengers breaks many of the traditional rules of the original Avengers such as including uniformed policemen, blood visibly on display and Steed using firearms in episodes such as 'Dead Men are Dangerous', 'The Gladiators', 'Hostage' and 'Trap'. Steed also keeps an antique Colt 45 from his cowboy days in his house. The lower classes are now portrayed including tramps and the central conflict is explicitly the Cold War between NATO and the Warsaw Pact rather than some unnamed 'foreign power'. In many ways the series is seen as bridging the gap between the pure fantasy of 'The Avengers' and the gritty realism of creator Brian Clemens' next project 'The Professionals'. a5c7b9f00b
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