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Mild mannered American David Pollock, a professor of ancient hieroglyphics at Oxford, has been hired by Middle Eastern shipping magnate, Nejim Beshraavi, to decode a hieroglyphic written cipher, of which he has the original. What Beshraavi is unaware of is that David only took the job as a favor to Middle Eastern Prime Minister Hassan Jena, who David admires. David just met Jena for the first time on his clandestine visit to London prior to his official visit to sign a business treaty with the British government in two days' time. Jena tells him that what Beshraavi is asking him to do involves some plot orchestrated by Beshraavi, a countryman of Jena's, against his government. For Jena's security, David is not to disclose to anyone that he is doing this job for Jena, that he has even met Jena, or that Jena is already in London. This job also entails some personal risk to David's life as Beshraavi is not averse to killing to achieve whatever his goal. As David progresses on his task, he is approached by Yasmin Azir, the beautiful owner of the house where Beshraavi is staying and where David is doing the work, she who is Beshraavi's lover. She provides information which suggests that his task is more dangerous than it appears on the surface, as there are more players beyond Beshraavi interested in the cipher and its message, they who will also kill as needed to achieve their goal. However, David, who initially takes her information at face value, begins to have doubts if she is truly working in his best interest.
Story of international intrigue involving a university professor, an Arab prime minister, a ruthless businessman, a beautiful spy, and hieroglyphics.
"Arabesque" is one of those 60's films that mixes political intrigue with tongue-in-check humor that benefits from a stellar cast, featuring Oscar winners Gregory Peck and Sophia Loren. Peck plays a college professor whose talents in deciphering hieroglyphics is needed by an Arabian businessman (Alan Badel) with sinister motives for his homeland.
Loren plays Badel's "kept woman" but is hiding her involvement in her benefactor's doings. Her character uses her womanly wiles to encourage Peck's stiff-as-nails professor to "loosen up" somewhat and decode the cipher.
Both Peck and Loren play off each other well, equally balancing sexual tension with distrust. Badel exhibits the characteristics of the perfect 60's villain: smooth, devious, and cunning. He would fit perfectly in a Bond film, ranking up there with Blofeld or Goldfinger in the dastardly department.
Praise can also be given to Maurice Binder, who contributed the Bond-like opening credits, along with Oscar-winning composer Henry Mancini who composed a thrilling yet playful score.
Silly, dumb, wannabe James Bond spoof. Gregory Peck is one of my favorite actors of all time, and it is painful to watch him try to ham it up in this lame, juvenile attempt at humor. Right about on the same level as "Green Acres", maybe a cut below "Gilligan's Island". Try "Mirage" or even "Spies Like Us" instead.
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