Download 310 To Yuma
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Rancher Dan Evans heads into Bisbee to clear up issues concerning the sale of his land when he witnesses the closing events of a stagecoach robbery led by famed outlaw Ben Wade. Shortly thereafter, Wade is captured by the law in Bisbee and Evans finds himself one of the escorts who will take Wade to the 3:10 to Yuma train in Contention for the reward of $200. Evans's effort to take Wade to the station is in part an effort to save his land but also part of an inner battle to determine whether he can be more than just a naive rancher in the eyes of his impetuous and gunslinging son William Evans. The transport to Contention is hazardous and filled with ambushes by Indians, pursuits by Wade's vengeful gang and Wade's own conniving and surreptitious demeanor that makes the ride all the more intense.
The rancher Daniel Evans, who lost part of his leg in the Civil War, is broken and owing a large amount to a powerful man in Bisbee. When the outlaw Ben Wade is captured after the heist of a stagecoach, Dan offers to escort the cold blood killer to the city of Contention to take the 3:10 PM train to Yuma to be sent to trial. In return, he would receive US$ 200,00, enough to save his land and give a better life to his family. During their journey, Ben gets closer to Dan while his gang of criminals follows the group to rescue their boss.
It's not a bad movie watched in isolation, however, as a remake of a classic it's not feasible to judge it on its own. It has to be compared to the 1957 version and it clearly doesn't stand up to the original.
It adds a lot of story arcs and action sequences that don't really add anything to the story and in effect detract from it.
The original was elegant and cohesive in its simplicity. The remake is fairly chaotic and doesn't seem to know where it's going.
The cinematography was also a lot better in the original, with many scenes reminding of Ansel Adams photographs. The cinematography in the remake is nothing special and misses the epic feel of the better Westerns.
The characters aren't as well developed, although Crowe gives a reasonable performance and Bale, though a bit whiny, is doing a decent job as much as the script lets him.
Fonda, Foster and Durand stand out well as supporting cast.
Overall, it's not a bad movie at all, but it feels like a letdown compared to the original which even after 50+ years seems to have very little flaws and has aged really well.
My suggestion - start with the original.
It seems as though back in the fifties every other western seemed to have Frankie Laine singing the theme song. The 1957 version of 3:10 to Yuma is one of my favorite westerns. Part of the reason is that theme which echoed through out the film.
What I liked about 3:10 to Yuma is that the hero/protagonist is an ordinary man trying to support his wife and two sons through some very hard times. When a killer is caught and because he needs the money he agrees to help transport him to Yuma State Prison on the 3:10 train from Contention. A lot happens between the capture and the boarding of that fateful train.
Russell Crowe and Christian Bale make admirable updated substitutes for Glenn Ford and Van Heflin. Though Ford's performance as the sly rogue of a gunman is good, the previous film was driven by what I always considered Van Heflin's greatest screen role.
The original holdup was hardly the violent affair that this one was. Only one shot was fired and that was by Ford when the shotgun guard momentarily overpowered one of the gang. That's here too, but the holdup itself was taken from The War Wagon.
One part was totally eliminated and that was the part of the town drunk, played by Henry Jones in the original version, who was the only other man to volunteer his services. Jones was killed in a gut wrenching scene then, but in fact my favorite scene from the original was when Heflin's wife Leora Dana pleads with him to let Ford go, he responds with a heartfelt speech about how he couldn't look himself in the face after the sacrifice the town drunk made. I've seen the 1957 version dozens of times and am never failed to be moved by that scene.
In its place the part of the oldest son is built up and conversely the wife's part is cut down. Young Logan Lerman plays the older son who tags along after the group taking Crowe to Contention. Lerman is 14 and he and Bale have the usual father/son issues. Lerman feels his Dad to be a failure with things going so wrong against them. Bale and he bond during the shared experience and you know no matter what the outcome of things, he'll leave a good legacy for his children.
The usual tension between Bale and Crowe is present as it was in the original when Ford kept trying to bribe Heflin. Added to this is a whole lot of violence, most of it started by Ben Foster who's part as the young punk outlaw in the original was played by Richard Jaeckel. Foster is one murderous thug in this film, only Crowe is able to keep him somewhat in line.
The characterization is still there, the violence is expected in this day and age even though a lot of it is gratuitous. This version of 3:10 to Yuma is fine, but it can never take the place of the original in my affections.
This review is dedicated to young Harve Stewart of Stephenville, Texas and one of the Professional Bull Riders best young stars. I saw an interview with him where he mentions this is a film he likes. I liked it too, but I would commend him to watch the original 3:10 To Yuma which is just one of the best western dramas ever made. It was out in 1957 and I was 10 years old at the time. I'm old enough to be Harve's grandfather and I'm sure back in the day 3:10 To Yuma was enjoyed by his real grandparents in the theater.
This film is an example of a Western that ought to appeal to a healthy-sized contemporary audience, and is also a remake of the 1957 film of the same name, which is a hallmark of the type of psychological Western.
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