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April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened Army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Outnumbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
1945, in World War II Germany, the tough Sergeant Don 'Wardaddy' Collier commands a tank and survives a German attack with his veteran crew composed of Boyd 'Bible' Swan, Trini 'Gordo' Garcia and Grady 'Coon-Ass' Travis. He receives a rookie soldier Norman Ellison as the substitute for his deceased gunner and he tries to harden the youth along the way.
War is hell. And in the case of 2014's Fury (my latest review), war is sometimes a popcorn flick. In other words, this thing is not gonna wow the Academy nor is it gonna garner any award nominations come January. It is alas, just another battlefield relic, a sort of second tier Saving Private Ryan that also lacks any sort of poetic grandeur from other WWII vehicles such as 1998's The Thin Red Line. Granted, my halfhearted recommendation will stem from it having a few decent performances and a compelling, final thirty minutes involving the protective stand of a broken down Sherman tank. But my bar for scope and sophistication via war movies has always been set very high, and Director David Ayer, who was once in the armed forces himself, unfortunately only raises it a couple of notches here.
Edited by Dody Dorn who handled Ayer's last picture in Sabotage, filmed primarily in England, UK (masquerading as East Germany), and having an opening shot that is equal parts scintillating and downright horrific, Fury is an October release that could possibly be labeled as true fact (that's if in the 1940's, killing a defenseless, innocent man wasn't a war crime and head decapitation was how every soldier bit the dust). But come on, does it really matter? As you view it, this dirty, grimy, overcast looking flick is almost plot free in its otherwise two hour-plus running time. What precludes is something minimal about a time during WWII (April of 1945 to be exact), where a five-man tank crew must take on a deadly mission behind enemy lines. They must stop hundreds of German Nazis (who else?) at all cost. So in retrospect, watching Fury made me wonder two things: 1. could what have transpired in this movie succeed more as a sort of documentary shot by an ancient TV crew patiently following a bunch of soldiers around? 2. why is director David Ayer so hellbent on having his characters one up each other, measure each other's manhood (figuratively speaking of course), and having their scenes of conflict being taken way too far (beyond the point of reason)? There's a sequence where these five grubby tankers sit down at a dinner table to eat with two German woman. It's drawn out, cruel, boring, and unnecessary.
Regardless, the cast in Fury is for the most part, pretty decent besides the clunky dialogue that they sometimes have to belt out. Sure, they are your typical war stereotypes with lousy attitudes, born to kill instincts, somewhat fake southern accents, and plenty of nasty battle scars. But their acting is way better than in any John Wayne war film (The Green Berets, ugh!) or any John Woo war film (Windtalkers, double ugh!). First off, there's Brad Pitt looking Kelly's Heroes chic in the title role as Sergeant Don "Wardaddy" Collier. His character is the leader of the five-man crew and his performance sort of riffs off his Nazi-hating role in Inglorious Basterds. Is it entirely similar? Sort of. But where his Lieutenant Raine in "Basterds" was more of a cartoonish impersonation, this is something much deeper. Then we have young Logan Lerman playing effectively, the rookie US Army Private Norman Ellison. He's been a working actor for fourteen years (and he's only 22). Here's hoping this role is a sure-fire breakout one for him. And for the record, his frightened, bewildered military rook reminded me solely of Jeremy Davies as Tim Upham in "Ryan". Finally, we have Shia LaBeouf giving Fury its strongest performance. I've always thought of him as being extremely overrated as an actor. But when you put a mustache on him, he totally immerses himself into his role as a bible-thumping Technician 5th Grade. His Boyd Swan is a stultified standout. As for the other two thespians that make it up the gritty five-men crew, well we've got Michael Pena (an Ayer veteran) and Jon Bernthal. Their roles are equal parts token, bigoted, and misogynistic.
Performances and direction are key, but when Fury is about to reach its forgone conclusion, the film score actually becomes the main star. It's stirring and it deviates from the pedestrian battle scenes that clearly lack the brilliant technicality of the similar themed (and similar looking) Saving Private Ryan. As mentioned earlier, Fury is sadly, a unintentional popcorn flick rooted in the concept of being non- monumental. It will entertain you like any other vague action film. But the battle sequences depicted (and there are many) are not that compelling. I mean, they are violent but they are laughably rooted in midnight horror fare more than anything else. Case in point: an M4 Sherman tank runs over an already dead corpse and it's the equivalent of a motorcycle squishing a pop can. Also, the outside, facial imprint of a mutilated assistant bow gunner is shown in detail and it would make Hannibal Lecter (or even Nic Cage's Castor Troy from Face/Off) supremely jealous. Anyway, towards the end of Fury's exhausting third act, Pitt's Collier grabs a bottle of liquor, takes a long, slow drink out of it and says, "that's better than good." The same can't quite be said about this rollicking grimfest. It's just good enough so I'll roll with a three star rating.
Walking back home a few days ago,I decided to take a look in a second hand DVD shop,and I was surprised to find that they were selling a rather recent DVD release at a very cheap price,that I could trade in to another shop,and get double the money back!,which led to me getting ready to jump in the tank.
The plot-
Nazi Germany 1945:
After Hitler declares that every man,women & child must join the war so that the Nazis can win,The Allies decide to push into Germany,in the hope that the war is reaching its final stages.
As they attempt to enter into Germany,the crew of a M4A3E8 Sherman tank suffer the loss of a servicemen.Meeting up with fellow soldiers, US Army S/Sgt. Don "Wardaddy" Collier is told that the only replacement soldier available for him is a man called Norman "Machine" Ellison,who has been an army typist,who has never set foot on the battle ground.Finding Ellison to be a weakling,Collier & his men take Ellison on reluctantly.With having never seen a war zone before,Ellison holds the heroic tales which he has heard as something similar to what he will experience,only to discover that the fury on the battlefield is merciless.
View on the film:
Going from the cops vs gangsters war on the streets,to the war on the battlefield,writer/director David Ayer & cinematographer Roman Vasyanov drain their extremely loose take on Staff Sergeant Lafayette G. Pool fight against the Nazis of any primary colours,with Ayer and Vasyanov rubbing dirt into the movie,as the tank (which was not a prop,but actually the last known surviving version of a Tiger I) crushes the mountains of broken bodies & gunfire in its way.Locking the Tiger I down for the final 30 minutes,Ayer and Vasyanov cast a rusty mist across the title to create a ghostly atmosphere,as the Nazis stomp out of the shadows.
Aiming for a "realistic" feel by having the characters speak in a harsh,brittle dialogue,the screenplay by Ayer completely misses its target,and fails to explode.Failing to give even the barest outline as to what locations the tank finds itself in,Ayer makes "Wardaddy" and his crew flat,cardboard cut outs,who are each shown to be extremely vicious bullies,who experience a sudden change of heart towards Ellison,despite Ellison not having done anything to make "Wardaddy's" gang of jerks display such a sudden difference of option towards him.
Appearing this time without a paper bag on his head, Shia LaBeouf gives a good,rough performance as the worn-down Boyd 'Bible' Swan,whilst Brad Pitt does well at barking orders as the stiff- drinking Don 'Wardaddy' Collier,in a film which fails to strike down with furious anger.
Fury is a punchy, muscular action film, confidently put together and never anything other than watchable.
His tank was the first one destroyed in the battle with the Tiger tank. These are not laser beams, they are "tracer rounds". They are typically loaded in machine guns and tank shells as a way to determine where the rounds are actually firing. Should they miss, you can adjust your aim accordingly by watching the direction the round is firing. The average lifespan can't really be confirmed. But it is a generalization that Allied tank crews suffered heavy losses at the hands of the superior German armour, which is true. The Sherman tank was used by the Allies in every theatre of World War 2 and was famed for its speed, maneuverability, reliability, ease of mass production and ease of repair/maintenance. However, its' initial 75mm, and later on 76mm gun, was generally incapable of penetrating the main armour of its' German counterparts, the Panther, Tiger 1E, and later King Tiger. The Panther's high-velocity 75mm gun, and the Tiger and King Tiger's 88mm gun (initially designed for anti-aircraft roles) could easily defeat the Sherman's armoured protection, as could German infantry anti-tank weapons. The Sherman's high profile also made it comparatively easy to spot, and its' use of a petrol (gasoline) engine gave it an unfortunate propensity to burst into flames when hit. British and Canadian troops nicknamed them 'Ronsons' due to this fact in reference to a brand of cigarette lighters that are guaranteed to 'Light every time'. The Germans rather more bluntly referred to them as 'Tommy cookers'. The German tanks also used petrol engines, but one model of the Sherman, the M4A2, did use a diesel engine, but most of its production went to the US Marines in the Pacific, and the Russians.
You can find the armor stats for almost any armored fighting vehicle in history online. Look up the Tiger I, King Tiger, and the Panther; both later models had sloped armor which greatly added to deflecting armor piercing rounds, compared that with the Sherman. It was simply pitiful for the General in charge of Ground Forces, Lesley McNair, to be allowed to send so many soldiers into battle in such an inferior weapon, that was practically obsolescent after the introduction of the Tiger. But the Sherman was designed as an infantry support tank, not a tank-vs-tank unit, like its German opponents (and most modern-day 'main battle' tanks).
Generally, German tanks were technically superior to Allied tanks. The problem the Germans had was that with a war on two fronts, and heavy Allied bombing, they simply couldn't produce the tanks quick enough. Their tanks were also over-engineered, and units produced towards the end of the war tended to break down too easily. Additionally, on the last year, they also ran out of manpower to crew the tanks. The Tiger tank was a heavy tank at 54 tonnes, versus the Sherman at 30-33.5 tonnes but (as shown by the film) it could only be knocked out by the Sherman's cannon at close quarters, from the side or behind where the armor was thinner. The Sherman could also do it with the specialized 76mm High-Velocity Armor-Piercing ammunition (type M93 HVAP) but this was in very limited supply, and priority went to the M36 'Jackson' and other tank destroyers. Battlefield comments from Normandy onwards showed that on average it took the loss of 7 Shermans to knock out one Tiger tank. The US did, however, have a lot more tanks than the Germans. The German antitank weapon called the Panzerfaust (seen in the film, being pulled from its packing crates in the darkness) was also greatly feared by Allied tank crews. The one-shot LAW-type device had a hollow charge and could knock out any Allied tank at close range (the Panzerschreck was a heavier reloadable bazooka-like weapon). During the last months of the war in Europe, the Allies also had greatly superior air power as well and this helped to negate the tank advantage on the ground that the Germans had. The film showcases the Sherman's main strengths in combat - bristling with machine guns (including the powerful .50 M2HB, nicknamed the 'Fifty' or 'Ma Deuce') and its maneuverability, which made it an excellent infantry support weapon.
Its interesting to note that the tanks shown in the movie were a mixed bag: 'Fury' was an M4A2E8 (76)W HVSS Sherman tank, and 'Lucy Sue' an M4A2 Sherman, but as you don't see the engine decks, so for sake of the story, they could be mistaken for petrol-fueled units (the A2's carried a diesel powerplant. 'Matador' is an M4E8 (76)W HVSS Sherman, 'Murder, Inc.' an M4A4 Sherman, and 'Old Phyllis' an M4A1 (76)W Sherman. All but Lucy Sue were later 'W' or wet-stowage ammunition types, and only Matador and Fury had the main gun capable of doing serious damage to the Tiger, and the later HVSS wide suspension track system. They carefully did not use the up-gunned British Shermans, which got a powerful 17-pounder QF gun of equivalent calibre to the 76mm, but with considerably more penetration - this Sherman was called the Firefly. a5c7b9f00b
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