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American Maxwell Smart works for a Government spy agency in an administrative capacity. When the agency's head office is attacked, the Chief decides to assign Maxwell as a spy and partners him with sexy Agent 99, much to her chagrin. The duo nevertheless set off to combat their attackers by first parachuting off an airplane and landing in Russian territory - followed closely by an over seven feet tall, 400 pound goon, known simply as Dalip. The duo, handicapped by Maxwell's antics, will eventually have their identities compromised, and may be chalked up as casualties, while back in America their attackers have already planted a bomb that is set-up to explode in a concert.
A highly intellectual but socially awkward spy is tasked with preventing a terrorist attack from a Russian spy agency.
Is Get Smart a comedic spy caper or an action-packed buddy flick ala Rush Hour? The filmmakers clearly could not decide, and instead attempted to make the movie both. The result is a film that lacks an identity and feels a bit half-baked and in need of a few more re-writes.
Steve Carell essentially turns his Michael Scott character from TV's The Office into a comedic secret agent for this movie, and though he really isn't breaking any new comedic ground, he's still the best thing about this movie. Anne Hathaway is surprisingly adept as both an action heroine and a sexy comedic straight woman, and she may have gained the most out of anyone appearing in this film due to this role successfully expanding her repertoire. Her character, however, could have been utilized for laughs a bit more. Dwayne "The Rock" Johnson, Alan Arkin, Masi Oka and Terry Crews all have comparatively limited screen time but generally make the most of it.
The film's biggest handicap is its hit-or-miss script, which quite often drags down its actors with jokes that are often eye-rollingly corny and/or unnecessarily lewd. The movie's funniest moments seem to come when the filmmakers take the cuffs off of Carell and Hathaway and allow them to improvise their way through scenes; the two have great spontaneous comedic chemistry together. Unfortunately, those moments are few and far in between.
The action scenes are well-shot and fairly entertaining (especially the film's climax), but regardless, this is a perfect example of the film's lack of focus: Get Smart should be more about comedy than action. It almost seems as if the filmmakers spent too much time perfecting the action scenes and not enough time perfecting the comedy and trimming the fat of the script. Maybe this is the biggest reason why the movie felt like it was 10 to 15 minutes too long. Had the writers edited out or retooled just a few more of the really bad jokes in the script, the movie would have been shorter and likely better off for it.
Still, there was enough good in this movie to give me hope that the filmmakers learned from their mistakes. When the inevitable sequel comes out in a few years, hopefully the filmmakers will give the script a bit more focus and a definitive tone while limiting the corny jokes, let Carell and Hathaway do more of what they do best, and remember to keep the movie more in tune with the spirit of its source material.
I have to disagree with everyone who says the film isn't funny. I'm a fan of the original series, and I can say that the film holds its own while never letting us forget the original. The audience at my screening were laughing so loudly most of the time that I missed a lot of dialog. Carrell is perfectly cast as Smart, and Arkin and Johnson give good performances as well. It did take a while to warm up to Anne Hathaway because she was just too abrasive towards Max for the first half of the film. Also wasted was Terrence Stamp. They really didn't give Seigfried enough to do. It was cool to see Bernie Koppel though in a cameo (but where were Barbara Feldon and Dick Gauthier?). I liked the two nerdy guys who were like Bond's Q (squared!), and overall I thought the film was extremely well done and didn't suck the life out of the room like "Bewitched" did. I think the movie "Get Smart" can co-exist very well with the classic TV series. If you want to see a bad "Get Smart" film, check out "The Nude Bomb," which reunited Adams and Feldon on the big screen. Even worse, check out the Fox re-boot TV series with Andy Dick as Max and 99's son (they had twins on the classic show which was never addressed on that show!). "Get Smart" is much, much better than "Bewitched," "The Beverly Hillbillies" and "Speed Racer" combined!
This redux is a rare device: a TV remake for the big screen that works on its own terms.
CONTROL is a secret, but inept, U.S. government spy agency based in Washington, D.C.. that does battle against its equally inept nemesis known as KAOS (or sometimes CHAOS). Despite being capitalized, CONTROL and KAOS are not acronyms and do not stand for anything. Bernie Kopell, who played the original Siegfried, has a cameo as an irate motorist who says that Max shouldn't run out in the middle of the street because he might get hit by a car. Leonard Stern, the executive producer of the TV series, appears as an airplane pilot. Yes, it appears in a museum exhibit in the beginning of the movie and gets called into use toward the end. The way it gets used plays on the idea of "why would you use a shoe phone when you have a cell phone?"Barbara Feldon played the original CONTROL agent known as "99". On the MTV movie blog site, it was announced that Feldon couldn't make the trip to Montreal on the day that they were shooting what could have been her cameo. The reason she couldn't make the trip was not given, but rumor has it that she was in ill health. That information is classified. Agent 99's real name is not revealed in the movie, but some viewers think it would have been a lovely tribute to Barbara Feldon to at least have had her first name be "Barbara". In a single episode of the old 1960s show Get Smart, Agent 99 claims her name is Susan Hilton. However, at the end of the episode, she confesses that Susan isn't her real name. None of the old TV shows or movies reveal her true name. a5c7b9f00b
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