The Star Trek Generations
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With the help of long presumed dead Captain Kirk, Captain Picard must stop a renegade scientist willing to murder on a planetary scale in order to enter a space matrix.
In the late 23rd century, retired Starfleet officers James T. Kirk, Montgomery Scott and Pavel Chekov are guests of honor aboard the newly-christened Enterprise-B. However, her maiden voyage takes an unexpected turn when the starship encounters two vessels trapped inside the Nexus, a mysterious energy ribbon. During a perilous rescue attempt, Kirk sacrifices himself in a heroic attempt to save the lives of the ships' passengers. 78 years later, Captain Jean-Luc Picard and the Enterprise-D crew encounter Dr. Tolian Soran, a renegade scientist with a deadly plan to harness the power of the Nexus at the cost of millions of innocent lives. Picard's only hope for the future now rests within the Nexus... and a legendary captain from the past.
People have complained before that Star Trek Movies seem like two hour episodes in a movie theater. This one i'll agree with them. This does seem like a two hour episode and it sounded like one to. Dennis McCarthey's music score made this sound like an episode on TV because he did some of the episodes of The Next Generation. Other than that, the movie is good. Malcolm McDowell is a good villan as he always is and William Shatner returns as the Legendary Captain James T. Kirk and plays a good performance along with The Next Generation actors. My favorite is Data. (*SPOILERS*) There are two scenes where I just love Data's part. The first is on the Amargosa Station with Geordi and Data continually laughs like an idiot. The second is on the bridge with Riker asks Data to scan for life forms and Data plays the tune on the console. Those scenes are the best in the entire movie, aside from some of the action scenes. A good Star Trek film. A bit of a drag but Good.
The wonderful thing about Star Trek: The Next Generation as a television show is that it doesn't lean on a lot of fan gratification. The writers and producers of that show have the imagination and the confidence to put together a show with such a keen human touch that it doesn't need to pander to us. It doesn't need a lot of references to the original series. It is, I think, a show that stands very well on its own two legs.
I wish – oh how I wish – that I could say the same about Star Trek: Generations a movie that is clumsily and hap-haphazardly put-together in an effort to join Captain Jean Luc Picard and Captain James T. Kirk on screen together. I don't object to the joining of these two science fiction icons, but the story on which their meeting is mounted is nonsense. It doesn't matter how you get there . . . just GET THERE! Star Trek: Generations, opens with a scene that takes place in the 23rd century, and seems superfluous if you examine the rest of the plot as a whole. Three members of the old Enterprise crew, Kirk, Chekov and Scotty are on hand to witness the maiden voyage of the new Starship Enterprise (that's Enterprise 'B', if you're keeping track). No sooner are they out of space dock then a distress call informs them that two ships are in danger of being destroyed by something called a "Nexus Ribbon", an energy anomaly that looks like a volcanic crack in space. The Ribbon threatens to rip the Enterprise to shreds, and Captain Kirk makes his way to the engine room to reprogram . . . something that will allow them to get away. The situation is diffused, but in the excitement, Captain Kirk turns up missing.
Shoot forward to the 24th century and we find the crew of the Next Generation (that's Enterprise 'D', if you're keeping track) facing the same problem. The "Nexus Ribbon" is about to destroy a research space station loaded with people. They are beamed aboard and, among them, is a crazy-eyed scientist named Soran (Malcom McDowell) who demands to be sent back. Captain Jean Luc Picard (Patrick Stewart) won't hear of it. Some pep talk with the ship's bartender Guinan (Whoopi Goldberg) reveals that Soran is willing to destroy planets and moons in an effort to hitch a ride on this Nexus Ribbin. Inside it, she explains, is like being "inside joy", a place where you can live out your wildest dreams, a place where time and space have no meaning. Uh-huh.
Here is where I have a logical question. Why is Soran obsessed with hitching a ride on the Nexus Ribbon to live out his fantasies when he lives in an age that provides the holodeck, a recreation room that can replicate pretty much anything you can imagine? Doesn't it seem like a colossal waste to spend all that time causing stars to go supernova in order to hitch a ride to an anomaly that might have the potential to kill you when the technology to do the same thing already exists? The question plagued me all through the movie.
I was also unhappy about the subplot involving the android Data (Brent Spiner) who is easily the most interesting and curious character on the show. Here he reveals his desire to have an "emotion chip" implanted in his head, to make him feel what human beings feel. Question: Why? Why with all this Soran business going on is he so worried about his emotion chip? When he gets it hooked in, he becomes insufferable, laughing out loud at inopportune moments and making inane jokes. Worse? The plot involving Data and his emotion chip are left unresolved.
Finally, I was plagued by questions about why it was necessary to have Captain Kirk in this movie to begin with (other than the obvious). Kirk reappears inside the Nexus Ribbon and has a conversation with Picard that is so innocuous and so wholly tilted toward the plot that any wonder what these two giants might talk about in the downtime is left for you imagine. The movie is no help. Finally, when they team up to take down Soran, it is on top of a rickety metal scaffolding where the battle comes down to the ancient formula of western fist fights. Here we have a series dedicated to reaching out into the galaxy and finding out what lies beyond and this movie whittles down to the oldest cliché in the book. Don't Star Trek fans deserve better? Don't they deserve something more than this for all their years of loyal service to this enterprise? This is a movie that feels like a very weak episode of the series. Where's the grandeur? Where's the wonder? Where's the excitement? Where's a script doctor when you need one?
At least the special effects and outer space vistas are more handsome than usual.
Captain James T Kirk (William Shatner) is back, but the only ones from his crew to return with him are chief engineer Montgomery "Scotty" Scott (James Doohan) and Pavel Chekov (Walter Koenig), although Majel Barrett returns as the voice of the Enterprise computer. This is the movie where the crew from the TV series Star Trek: The Next Generation (1987) (1987-1994) moves into the films. Led by Captain Jean-Luc Picard (Patrick Stewart), the new Enterprise crew consists of Commander Will Ryker (Jonathan Frakes), Lieutenant Commander Data (Brent Spiner), Lieutenant Commander Geordi LaForge (LeVar Burton), Lieutenant Commander Worf (Michael Dorn), Dr Beverly Crusher (Gates McFadden), counselor Deanna Troi (Marina Sirtis), and bartender Guinan (Whoopi Goldberg). In the late 23rd century, a mysterious energy ribbon called the Nexus cripples the Enterprise-B, taking Captain Kirk with it. Seventy-eight years later, the Enterprise-D finds itself facing this same energy ribbon, and now it's Captain Picard's turn to deal with it. Unfortunately, El-Aurian scientist Tolian Soran (Malcolm McDowell) who was previously pulled from the Nexus by Kirk and his crew, has been desperately trying to get back into it and will stop at nothing to make it so, even if it means destroying entire star systems. Guinan, who has also been inside the Nexus, thinks that the only one who can help Picard stop Soran is Captain Kirk, who has been living in the Nexus since he was pulled into it all those years ago. The prologue takes place in the events of the previous film in the year 2293 A.D., while the majority of the film takes place 78 years later in the year 2371 A.D. (seven years after the introduction of Picard's crew in the the first episode, "Encounter at Farpoint" (1987), of Star Trek: The Next Generation). Trilithium is a fictional compound that works as a nuclear inhibitor able to stop all fusion within a star and cause it to go supernova. Soran stole it from the Romulans, which is why they came looking for it and killed everyone on the observatory. He has made a deal with the treacherous Klingon Duras sisters—Lursa (Barbara March) and B'Etor (Gwynyth Walsh)—to supply them with his research on trilithium in return for their aid in returning him to the Nexus. Picard convinces Kirk to leave the Nexus and accompany him to Veridian-3 in order to stop Soran from launching the rocket that will blow up their sun and kill the 2.5 million inhabitants on Veridian-4. As the Nexus approaches Veridian-3, Soran runs off with the controller. Picard notices that the control pad is still on the bridgespan, so Kirk agrees to fetch it while Picard goes after the launcher. In order to reach the controller pad, Kirk must make his way out onto the broken bridge. He reaches the pad and makes the rocket visible again, but the bridge breaks, sending him plummeting. On the other hand, Picard makes it to the launcher and lock the missile into place so that, when Soran attempts to fire the rocket, it blows up in place, killing him. As the Nexus passes harmlessly overhead, Picard climbs down to rescue Kirk, but he is dying. "It was fun," Kirk says and closes his eyes in death. Picard buries him under a pile of rocks. Starfleet rescue ships begin arriving to pick up Picard and the survivors of the Enterprise crash. In the final scene, the crew searches through the Enterprise debris. Data comes across Spot and, with the emotion chip still in place, he displays extreme Joy in finding his cat alive. Picard locates his family picture album, which also pleases him, although he tells Ryker that "what we leave behind is not as important as how we lived." They are then beamed onto the Farragut and head back to Earth. Yes. Star Trek Generations, a novelization of the movie by American science fiction writer J.M. Dillard (pen name for Jeanne Kalogridis), was released in 1994. So far, there are 13. Star Trek: Generations was preceded by Star Trek: The Motion Picture (1979) (1979), Star Trek: The Wrath of Khan (1982) (1982), Star Trek III: The Search for Spock (1984) (1984), Star Trek IV: The Voyage Home (1986) (1986), Star Trek V: The Final Frontier (1989) (1989), and Star Trek VI: The Undiscovered Country (1991) (1991), all of which feature the Enterprise captained by James T Kirk. It was followed by Star Trek: First Contact (1996) (1996), Star Trek: Insurrection (1998) (1998), and Star Trek: Nemesis (2002) (2002), all of which feature the Enterprise captained by Jean-Luc Picard. Star Trek (2009) (2009), Star Trek: Into Darkness (2013) (2013) and Star Trek: Beyond (2016) (2016) harken to an alternate reality in which Kirk was just beginning his career with Starfleet Academy. It might be possible, but it's extremely unlikely. For one thing, there doesn't seem to be any reason why Picard's fantasies would include the Enterprise being destroyed (to say nothing of being destroyed in exactly the same way as in reality, which he didn't witness) and Kirk's death. For another, Picard never leaving the Nexus would mean that the Enterprise crew all died when Veridian III was destroyed, which would make it impossible for Worf to become a regular cast member on Star Trek: Deep Space Nine (1993), or for Troi and Barclay to guest-star on Star Trek: Voyager (1995). a5c7b9f00b
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