Jesse Stone Benefit Of The Doubt In Hindi Free Download
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When the man who replaced Jesse as Paradise Police Chief was killed when his car exploded, Jesse is asked to return and he does. So he goes to the crime scene and the evidence leads people to believe that the man may have been corrupt. And Jesse, who didn't like him because he took his job, says that he is allowed the benefit of the doubt. Jesse finds himself alone because Suitcase and Rose left when the other Chief was there. Jesse suspects that Hasty might know something, and a guy is following Jesse.
Jesse Stone comes out of involuntary retirement after the sheriff who replaced him exploded in their police car. The other officers Jesse worked with have left the department so he is forced to solve the crime on his own.
Imagine that you and I could live our lives over again - or even a portion of them - and use the life lessons we have garnered, the hard way, to help ourselves and others. Police Chief Jesse Stone, portrayed by Tom Selleck, in the small Massachusetts town of Paradise, seizes such an opportunity. Divorce, alcoholism, murder, loyalty and betrayal, stupidity, false trust and false pride, dist integrating integrity, Stone has deposited lessons in some bank inside himself; and in these made-for-television modern morality plays, ironically, he is the right man in just the right place to help both himself and the small town.
Stone is no Ebenezer Scrooge. The ghosts that terrified him back in Los Angeles where he took to binge drinking and lost a high profile law enforcement job, are within his soul still, permanently goading and guiding him.
From 2005 through 2012, I watched, with increasing curiosity, involvement, and enthusiasm, as Tom Selleck and his cast maneuvered through five movies about Jesse Stone. Now, I have the distinct feeling that Selleck has assembled his favorite fellow actors to join in producing art and serious fun.
Thirty years ago, after "Magnum P.I.," Selleck is still refining and perfecting his acting skills. The actor who lost the Indiana Jones franchise to Harrison Ford, is selecting his vehicles carefully, systematically.
The dialog in the Stone movies is unusual, like the repartee one might overhear, by accident, between aged, battle-scarred warriors, or experienced EMT workers, in private, or out of ear shot, making ironic comments about life and love, death and destruction treating very serious subjects in a manner that sounds like light banter.
The Jesse Stone movies will not be for everyone's tastes. Its humor evolves out of people continually reminding themselves of how easily they could become corrupted or dead, the kind of humor that keeps characters and audiences on edge. Serious drama tipped just enough on edge to allow the audience to glimpse just a bit of Abbott and Costello or "Waiting for Gogot," reflecting on what well-intentioned but often self-deceiving creatures we human beings are.
Stone's drinking and womanizing somehow make him a sympathetic character where another actor might come across as a cad or pervert, a creep or monster. That is acting skill. This is Horation satire. It mocks and ridicules wrongs and weaknesses, but it is forgiving, unlike Juvenalian satire which is serious, grim, caustic and unforgiving, going straight for the jugular.
Selleck and cast treat even gruesome death with the dark humor MASH surgeons use to keep their sanity as they continually patch up wounded soldiers sending them back again and again to try to kill other human beings.
Some of the wittiest repartee since the 1980's "Equalizer" starred Edward Woodward and Robert Lansing, shows the verbal counter punching skills of Selleck and McHattie.
This movie may appeal to students of successful failures. It may even appeal to people who believe in atonement and forgiveness, reformation and redemption.
The movie manages to evoke an almost Vaudevillian humor out of events which in reality might feel like distilled sorrow or overwhelming grief.
Devane, shrink, ex-cop and almost ex-drinker, is a reflector for Stone's struggles and misadventures with both women and the bottle, and their interludes are played both for serious intent and droll comedy, as men, as lovers, as drinkers, and as human beings struggling to help themselves and others.
Aristotle said that a memorable character is (a) true to life (b) true to type and (c) true to self. The Stone movies turn the first two definitions on their heads a bit, but we know that it takes all kinds to make a world. Being true to oneself entails continual contemplation and application of the Serenity Prayer.
The eighth Jesse Stone movie, Benefit of the Doubt, was on the tube last night. I loved the first seven in the series but was disappointed in this one. Tom Selleck and Michael Brandman co-wrote it, with Brandman probably supplying the plot and Selleck the character. Just as Robert Urich became Spenser, Selleck has become Jesse Stone, the laconic, dark drinker of black coffee and Johnny Walker Red. This time, though, I got the feeling they were stretching for the Parker style and not quite reaching it. For example, after the new chief and one of his deputies are killed in an auto explosion, everyone keeps saying, "You didn't like him, did you, Jesse?" to which Jesse replies, "I don't believe I ever said that." Four times he's asked and four times he replies with the same words. Parker might have gone for two times, but never four. In fact, almost all the dialog is short and repetitive, but not quite up to Parker's standards. What can I say about the plot? Well, there wasn't much plot and much of what there was didn't make any sense. After the double killing, Jesse is temporarily made chief again. He goes to the police station but has to break in because they've changed the locks and the security code. He discovers a day-calendar sheet for April 24 with a cryptic series of letters and numbers. Why did he assume it was a clue into the death of the chief? Neither the viewer nor anyone else in Paradise knows. Rose and Suit have resigned from the force and both make only brief appearances. And Jesse seems to be the only one on the force. Paradise is a large enough city that there would be at least fifteen officers serving, but not a single one is ever seen after Jesse takes over as chief. Someone has been following Jesse for several days, following in a car almost riding Jesse's bumper. Jesse pulls him over and tells him not to follow him anymore. In the final scene, it's revealed that the man was a hit man with a contract on Jesse. Hasty Hathaway, the obnoxious auto dealer who had originally hired Jesse, is really the boss of Gino Fish, one of the biggest fish in the Boston racketeering pool. When Jesse seems to be getting close to the truth, Hasty takes his ill-gotten gains, what looks like nearly a million, and flees by speedboat. Jesse kills the hit man and is about to take Hasty, but Hasty gets away. End of movie. It felt too much like a series cliff-hanger looking forward to the next episode. I don't think there'll be another episode, and if there is, it had better be better than this one. The good news about Benefit of the Doubt is that ex-wife Jen is nowhere around and that Reggie, the sad-eyed retriever, is still trying to win Jesse's love.
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