Piranha Full Movie In Hindi Free Download Mp4
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As the financial headquarters of London slowly awakens to another day of business as usual, not so far away a nervous junior banker experiences nightmarish visions of rioters and looting across the city, before leaving his flat to make his first journey to work at a major investment bank. Yet, in the surreal calm of the financial district, unbeknown to him the greatest danger he faces is not from the rioters, but the corruption of his individuality in the corporate bubble. Here, as differences between him and the perceived rioters blur, he faces a choice to resist or succumb to the very same desires that the looters share: adrenaline, greed, and power at the expense of others.
Haunted by visions of chasing rioters, a junior banker tries to make it safely to the central business district for his first day at work, but little does he know the greatest danger facing him is not from the rioters.
From the opening skyscraper shots of London, you can get a sense that PIRANHA is a short film worthy of your attention.
With the bold use of shooting black and white, director Elcid Asaei directs confidently with a visual flare that separates this film from most others that you'll find on the festival circuit.
The film builds an eerie sense of dread throughout it's short running time, with our main character being chased through the deserted city streets.
With an industrial sound design and most of the film being completely silent, one is reminded of Lynch's Eraserhead. Strong praise indeed, but praise that is worthy.
Looking forward to what this young filmmaker has to offer in the future.
Piranha (2014) is probably the only fiction that depicts the juxtaposition of London riots and the economic recession in a stylized yet unbiased manner. While the blend of symbols and sound appoint a pre-defined meaning, the film as a whole leaves ample room for introspection, allowing viewers to form their own perspectives.
The opening montage of shots have an unmistakable resemblance to the city shots of Metropolis (1927) by Fritz Lang as is the close-up shot of the clock ticking in the context of workers getting lined up for work. The towering shot of the glass tiles of a building just before the protagonist enters his office also evokes the same parallel. The shot counter-shots of the protagonist sleeping/dreaming/waking up and the tracking shots of him running can be paralleled to some shots of "Down by Law" (1986) by Jim Jarmusch. The sound design juxtaposed with the shots give a sinister, Lynchian effect. Altogether this film has the appeal of a cult film.
The outcry of the baby merging into the wide aerial shot of the heart of London depicts the holistic view and the journey the filmmaker wants us to take into this boiling pot of conflicts occurring in London. The outcry of the microcosm throws light on to the macrocosm and vice versa. The motif of piranhas and the bull prepares the viewer to delve into the unconscious to get a better understanding of the crises at hand. At one point we see that the protagonist with his peers seem to blend in the same frame with the fishes.
The film does not privilege one over the other. The protagonist and the rioters are both at the mercy of the faulty system in which they both dwell. We see the protagonist running along with the rioters. At one point it seems like they are chasing him, but the next moment that assumption is broken. There is an inter-play of the real and the unreal depicted as the protagonist's awakened state versus dream state, the two of which get blurred. The use of channel-switching blurs together with its sound aid the blurring of the real and the imagined (fear) of the situation from the POV of the protagonist.
The use of audio vox-pops of the public opinion regarding the riots with the end credits reveal the various facets of the riots, the last one being prominent saying that in a revolution, one attacks the corrupted elite and not the local Poundland stores...
This film indulges more than one viewing...
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