Download Hindi Movie Escape From New York
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In 1997, when the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him.
After 1988, the U.S. turned Manhattan, New York into a maximum security prison where the most brutal criminals are residing for life, due to the 400% rise in crime rates. There's no way for them to escape, as the bridges are filled with mines, a large wall is built around the shoreline, and a police force army is based there to take out any attempted escapees. In 1997, Air Force One is hijacked, so the president escapes in a pod, landing in Manhattan. Ex-special forces war hero/bank robber Snake Plissken is offered his freedom if he can rescue the president, who was on his way to a Hartford Summit meeting as well as a cassette tape (CDs weren't around in 1981) that contains important information regarding Nuclear Fission within 24 hours. Just to make sure he goes through the mission, Snake has been implanted with two microscopic capsules that will explode within 24 hours, meaning that he'll be dead if he's a little late.
**** May contain strong spoilers ****
This is a review made by StoneDraim... and that means that if you want to read a probably different kind of review, keep reading....
This is my personal experience, my personal point of view/perspective and my personal opinion... and my opinion is just one of like 7 billions in this world.
Futuristic dystopia. President at large. Crimes everywhere. The worlds most vast prison; an entire island.
The elements that the specific synthesizer music creates is very evocative. The pulses within the music tend to get me on edge. It is like something is soon going to happen.... and at the same time an alarm to show that something is wrong. Brings the thoughts to another motion picture.... "The Thing". Also starring Kurt Russell. Evil lurks somewhere.... at some time.... get ready....... The motion picture about an almost apocalyptic future is highly entertaining.... such as Running Man. Theme songs such as in this motion picture only existed then and there, and that is a sad thing. In the same manner than Michael Mann sets the mood for pictures like Manhunter, this piece of art creates a good flick with help by the modern (of its time) sounds and music. Almost like an video game, with the touch and twist of a music video.
I really understand and grasp why this film has become an classic. There, in 1981, the entire production were of high class. The story follows through and keeps it interesting all the time. Could have called it slow paced and tense.... maybe it is just those things. Anarchy in a future "island prison" lays out the solemn history of the characters, showing the main characters how to survive at the same time as time is running out.
A masterpiece speaking of creating an atmosphere that reached out there and still to this day reaches out and make the followers create new things out of this one.
And....last and maybe the best part; the music....the soundtrack. Three letters: WOW!
Over to the movie as a product: - The production : Nice and dark. Enough to create the environment of an anarchistic prison. Once again; the music....oh, my....! - The actors : Kurt Russell. Lee Van Cleef. Ernest Borgnine. Isaac Hayes. All brings their characters to life... Good work! Snake Plissken.... THE Snake. - The story : Of its time; just plain and simple marvellous! - Entertainment : Keeping me on edge. What is happening....? Will they escape? Will the one eyed crusader lead them to a safe-house? - Age : 15. Raw and a couple of nasty kills and scenes.
7,9 out of 10. (The final rate is based most on my own entertainment of the movie.)
(Short elucidation of the rating: 8 Excellent and a solid production 7 Well made movie. Proper entertainment.)
Reading through some of the other IMDB comments here makes me wonder if some of the folks here have any sense of putting something in perspective. John Carpenter's Escape From New York is very much a product of it's time, that when compared to other big budget movies of today, it just won't hold up (at least for the younger viewer who's really not willing to give a low budget movie a chance). Having a sense of perspective with this film can certainly open you up to it. I was fortunate, I got to see Escape From New York when it first premiered in theatres back in 1981. John Carpenter was building his reputation, and when Escape was announced, it certainly seemed like a novel concept and more original than anyone really gives it credit for- this sort of thing just wasn't done in 1981, and now so many things that were introduced in this movie seem more par for the course. It's a clever concept: a rising criminal population gives birth to a United States Police Force and the idea of turning the entire island of Manhattan into the largest maximum security prison in the world. Air Force One, on it's way to an important world peace summit, has been hijacked by terrorists with the intent of crashing the plane in Manhattan and taking the President's life. The President survives, and the United States Police Force comes up with a plan to save his life involving one very special prisoner newly transferred to Manhattan, former Special Force operative-turned-criminal S. D. "Snake" Plissken.
Bringing proper perspective to this, one can see that John Carpenter was very much ahead of his time. Today, many of the trappings of this movie are pretty standard, but when it was first released, there were things here that just weren't done. One thing I really admire is just how creative a filmmaker with a very low budget can be, and John Carpenter is one of the very best with a low budget. Sticking with a low budget, let's Carpenter come in with a pretty uncompromised vision- and it certainly comes through- action, suspense and comic book sensitivities are all over here, and had Carpenter been working from a larger budget under greater restrictions, you just might not have the film that you have now (and moreso, other movies as they are now- this really is an influence on a lot of other filmmakers).
There's a whole lot of visual style here, and again that's pretty amazing when you take into account Carpenter's limited budget. It is a little eerie to watch it again and see the World Trade Center in such a prominent role in the film- the eerieness continues when the Air Force One is crashed into a building by terrorists. I love the fact that Carpenter composes and performs most all of the music for his movies (I think his score for Halloween remains one of the best horror movie scores ever made), they drive them right and they're neat "signatures" in the end. His score for Escape From New York is a little more varied than some of his other film music, and still just as effective.
It's a great cast, with a career-making performance from Kurt Russell as Snake Plissken. Again, putting this in the proper perspective, this was a big chance in Russell's career at the time- he was still better known for his work in Disney films, and was just starting to break that mold. Escape From New York cracked that mold entirely and I think Russell himself would be one of the first to say that it shaped his career. Lee Van Cleef, Ernest Borgnine, Harry Dean Stanton and Carpenter-regulars like Charles Cyphers, Tom Atkins, and Frank Doubleday are all solid here- very definite character types, pretty two-dimensional, but that doesn't matter, they drive the story. One can really see that Isaac Hayes was definitely in to his part as the Duke of New York, Donald Pleasance genuinely invested something in his performance as the President of the United States. And it was very nice to see both Carpenter's and Russell's wives, Adrienne Barbeau and Season Hubley in this film. Hubley's scene is brief, but very well done. Barbeau is in this significantly more, and she was simply the stuff of dreams then (not taking anything away from her now either), and it's a very confident performance (I just love watching her face down the Duke's car at the very end). I just bought the new Special Edition DVD and it's a lovely package. Although I haven't been able to go through all of the contents yet, one of the must-see (or in this case must-hear) features is the commentary track from John Carpenter and Kurt Russell. I understand that this is from the original laserdisc, so while there's a certain amount of perspective in their commentary, it's not the same as it would be today (especially after the events of 9-11). It's a very enjoyable commentary from two guys who had great memories of this film and who obviously love to work together. Carpenter is quite specific and very telling in all aspects of the film (some of those 3D computer graphics aren't 3D computer graphics- the flythrough of New York? Black boxes with green lines painted on them... and yet it still looks cool)- as much as I admired his skills before, after listening to the commentary, I admire them even more. Escape From New York is a wonderful piece of work. It's an important film in the career of a visionary filmmaker and an important film for one of today's better known leading men. Those of us who are older and experienced this way back when, will certainly appreciate it's craft, now more than ever. For younger viewers though, you definitely need a sense of perspective with this- trying to hold it too the same standards as you would a movie made today is hardly fair, and you're just doing yourself a disservice by not opening yourself a little further. Escape From New York is highly, highly recommended and a proud addition to my DVD library.
The pleasures are right in your face, beginning with the million-dollar idea of turning NYC into a walled-off prison where criminals run free. Even born-and-raised New Yorkers (of which Carpenter was decidedly not) could smile at that histrionic setup; it’s an outsider’s joke made funny by our willingness to be entertained.
The most logical reason is that he did it in retaliation. He felt cheated by Hauk because he was not told about the explosive charges in his neck until AFTER he agreed to take on the mission and the injection, and thereby endangering his life. This is the same as his motive for doing a similar thing in Escape from L.A. (1996) when he shuts down the Earth. In the sequel Snake tells the President, "You better hope I don't make it back." Another reason could be that Snake broke the tape out of respect for those who helped him escape and who died: Cabbie, Maggie, and Brain. Keep in mind, the President (Donald Pleasance) wasn't too appreciative of the others (saying only that they did a "service to their country"), and was more worried about how he was going to look on TV to address the summit leaders. And of course, it could be that being the cynical anti-hero that Snake is, he really doesn't give a f*. The contents of the tape are never explicitly revealed in the movie, but we can make certain assumptions.
Hauk states that the United States is at war, and that the President was on his way to a summit called the Hartford Summit. China and the Soviet Union are waiting at the summit, so the implication is that (in the movie's alternate future) the U.S. is at war with them. Hauk says that the President's arrival is "critical to the fate of the human race," so the summit is most likely a last-ditch effort to put an end to World War III, an all-out nuclear war. Without the President and the tape, Hauk says, the representatives of China and the Soviet Union will go back to their countries, presumably to continue fighting the war.
One possibility is that the tape contains the speech that the President was going to deliver at the Summit. That seems unlikely, since there's no reason the President couldn't have improvised a new speech containing the basic theme of the old one. Besides, the President could have written the speech down instead of recording it on a tape, and his staff would have had a copy of the speech.
When Snake asks what is on the tape, Hauk replies by asking Snake what he knows about cold fusion. Cold fusion was, at the time of the movie's production, a theoretical process to create unlimited energy. At one point in the cab, a brief portion of the tape is played. The voice on the tape describes radioactive elements before it's shut off. So we know the contents of the tape are related to nuclear technology.
This leaves two possibilities. One is that the tape's recording contains a description of some revolutionary form of nuclear power which the President is sharing with the Communist nations. Giving the technology to the enemy might be a goodwill gesture or revealing the technology might have been a condition of Russia and China's appearance at the summit. Another possibility might be that the tape describes all of the nuclear secrets of the United States. Revealing these secrets might be (again) a goodwill gesture to the enemy or part of the terms of the summit. Either way, the President failing to deliver the technology ends all hope of the summits success.
But the boring answer is that it really doesn't matter what was on the tape in the briefcase, as the tape and the briefcase is a 'MacGuffin', a plot device to get the story going. There is a fan-made one called Escape from New Jersey (2010). Set Straight after Escape From New York, we find Snake Plissken stuck in New Jersey with his new found freedom on the line when his path crosses that of Armando Barone, the crime kingpin of the Garden State. With his Presidential pardon in Barone's grasp, Snake is once again forced to re-steal the money that got him sent to New York Prison in the first place. Can Snake pull off the job? Will he ever truly be free? But more importantly, can he escape New Jersey? This one is directed by a fan of the original two movies Chris R. Notarile and stars Hector De La Rosa as Snake. a5c7b9f00b
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