The Sicario Full Movie In Hindi Free Download Hd
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When drug violence worsens on the USA Mexico border, the FBI sends an idealistic agent, Kate Macer (Emily Blunt) on a mission to eradicate a drug cartel responsible for a bomb that had killed members of her team.
Kate Macer leads a Phoenix based kidnap response unit for the FBI. Following Kate's team leading a raid on a known drug den in nearby Chandler, Kate is recruited to work on a special ops team led by Matt Graver of the CIA, he who is on special assignment for the Department of Defense. They recruited her because they wanted someone with tactical procedures knowledge. Outwardly, the team's mission, which works behind a Delta Force team as its primary gun power as required, is to decapitate a Mexican drug cartel by capturing or dismembering the workings of the main players, cartel head Manuel Díaz, his second in command Guillermo Díaz (Manuel's brother), and drug lord Fausto Alarcón. Kate agrees to the assignment as she feels the work of this team would be more effective in stopping the drug trade in the US than the piecemeal work of her current kidnap response unit. The third on the team is a mysterious Hispanic or Latino man Kate only knows as Alejandro, and who she does not fully trust as she can tell that he is suffering from a very traumatic past. When Kate and the team arrive in El Paso for their first mission, Kate learns that the team's workings are not all they appear on the surface - many of the proceedings which would not be considered above board or legal - despite the end goal being as she knows it to be. Still largely in the dark and only given information on a need to know basis, Kate decides to stick it out with the team if only to discover all that she is not told while still believing in the end goal. She may have changing or at least mixed emotions as she learns more and more about what is going on, including the specific reason why she was recruited.
After getting awestruck by Denis Villeneuve's Incendies (2010), I told myself I will see anything made by him. The spellbinding Prisoners (2013) came next followed closely by the only slight misstep Enemy (2014). Villeneuve is no flash in the pan. He has a terrific knack of grabbing you by the neck and slowly wringing it until you go white hot with nerve- wrecking tension.
I think the armrest of GV@Suntec Cinema 6, Seat G10 might have been broken by me because I had practically gripped and shaken it for 2 hours straight. This is one taut, lean and mean thriller. Every shot by DP Roger Deakins holds so much indescribable menace. Even a shot of a boy rolling a ball across table had my heart in my mouth thinking that a shot would ring out and his brains would splatter all over the dining table. A slow building wide shot of a looming mountain feels like it could explode anytime. Innocuous delicate scenes become fierce, primal and shattering in scope. They are almost Hitchcockian but yet they are their own entity. Nobody does white-knuckled mounting suspense like Villeneuve.
Our heart and mind is aligned with Kate Macer (Emily Blunt) as she leads a tactical team to storm a house near the Mexican border which ends up blowing in the faces of the team, literally. She is our moral compass as she becomes continually torn in how justice is not meted out by the book. Blunt is great in the role and she continues her amazing streak as a steel-edged lady justice figure with aplomb. As much as she is our 'go-to' character in the story, it is Alejandro (Benicio del Toro) who is the spanner in the works, the winning wild card. His intriguing role outshines Blunt's in spades. When he finally becomes the namesake in the film title (in Mexico, 'sicaro' means hit-man), your jaw would have dropped to the floor. Villeneuve's superb foreshadowing is masterclass. At one early point he says to Kate: "Nothing will make sense to your American ears. You will doubt what we do. But, in the end, it will make sense." As much as these slightly condescending words are meant for Kate, they are also meant for us.
Unlike the rest of Villeneuve's oeuvres, the action scenes here are more explosive than the drama. There are a few stupendous highlights like the fugitive extraction scene and the tunnel storming sequence, which any action movie cinephile would happily deconstruct with schoolboy glee. Villeneuve is helped by Roger Deakins' superb cinematography. His deft play with light, shadows and washed out colours is itself a character in the movie. If this doesn't earn Deakins his thirteenth Oscar nomination, I won't watch any movie for one year! Coupled with Jóhann Jóhannsson's pulsating score, Sicario is one of the essential must-sees this year. Perhaps the only quibbles I have is its doggedly opaque story that requires some work from you and its lack of a higher meaning. It is still not quite the perfect marriage between pure adrenaline action and high cathartic drama that I had wished for. Maybe, the Bladerunner sequel will be the one. I await its arrival in reverence.
A masterpiece.
Just came back from a late night session and I have to say, it's one of the most believable and accurate movies about the World's infamous border Juarez/El Paso, which was last seen last year, in the good but short lived FX TV series "The Bridge".
The plot is simple: CIA + private contractors versus Mexican cartel drug lords.
But the execution is the key over here. Canadian director Denis Villeneuve (responsible for two other masterpieces in 2013: Prisoners and Enemy) makes the night, aerials and panoramic shots look great, the thermal and night cams sequence are amazingly well done. If you enjoy fps games, you will be thrilled in the tunnel sequence.
From the awesome overture until the final act, it's tension all over and if you don't jump from your seat, at least 3 times, during the 120min, you are as dead as Jon Snow!
The cast is another success factor here: Blunt, Del Toro and Brolin all deliver good scenes, being Benicio the MVP.
To blend everything together, the engaging soundtrack composed by the always good Jóhann Jóhannsson.
Impossible not to remember of "Traffic"or "NARC" but Sicario might go top of the list in the next few years.
No doubt, one of the best movies from 2015.
The violence of the inter-American drug trade has served as the backdrop for any number of films for more than three decades, but few have been as powerful and superbly made as Sicario.
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