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Free Download Tomorrowland


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Bound by a shared destiny, a bright, optimistic teen bursting with scientific curiosity and a former boy-genius inventor jaded by disillusionment embark on a danger-filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as "Tomorrowland." Casey Newton is a genius who dreams of one day going up into space. She's sure she'll get her chance because her father works at the NASA launch center at Cape Canaveral. But when the place is being closed down, Casey sneaks in and tries to stop them from doing that by sabotaging the equipment. She is caught and thrown in jail, when she's released and her personal effects are given to her, among them is a pin which she says is not hers. When she touches it, she finds in a futuristic city. When the pin runs out of energy, she wants to go back so she finds online someone who might know something about it. She goes there and when she talks to the people there, they ask her who gave it to her. When she says she doesn't know, they don't believe her and refuse to let her leave. Eventually they reveal themselves to be armed with advanced weapons. They try to shoot her but someone saves her and she discovers the ones who attacked her are robots. The one who saved her introduces herself as Athena. She says that Casey needs to help save the future. She takes Casey to meet a man named Frank Walker. When she sees him, he refuses to help. But when they are attacked by more robots, they try to go to the place she saw. Reviewed by: Dare Devil Kid (DDK)

Rating: 3.8/5 stars

In the modern world, youngsters are decreasingly optimistic about their chances of having an impact on the world in which they live. "Tomorrowland" hopes to turn that concept on its head by giving the youth around the world a lofty goal to which to aspire.

Casey Newton (Britt Robertson) is a passionate, dedicated young woman. Her father (Tim McGraw), a NASA engineer, is on the brink of losing his job as the premiere-international, space-research agency dismantles one of its legendary shuttle launch pads. Through careful midnight excursions, she disables vehicles and ensures that work will prolong each day just a bit longer. Eventually, she's apprehended. After being released, she discovers a bright pin among her belongings that allows her to see a vision of an alternate dimension for which she craves.

When the medallion loses its power, Casey goes in search of this Utopia, uncovering a strange conspiracy that prevents the world from discovering that this future not only exists, but the real world in which we live is also headed toward a major catastrophe. Alongside an aging conspiracy junkie (George Clooney) and an automaton/super- android from this futuristic world (Raffey Cassidy), she embarks on an odyssey to save the future and ensure that those who can realize it get their inspiration.

Walt Disney may have been a flawed individual, but there's no denying that he always had a profound passion for molding the minds of young viewers and encouraging them to reach out beyond their moribund existences and strive to become something better. Created on a strict budget from 1955 to 1956, Tomorrowland was envisioned as a part of Disneyland that would highlight the future, focus on scientific discovery,and act as a catalyst for impressionable minds. Disney's feature version, directed by gifted action-helmer Brad Bird, strives to encapsulate Walt's massive vision of a bright and optimistic future and Bird, along with co-writers Damon Lindelof and Jeff Jensen, largely succeed.

Aided in no small part by the talented Robertson, "Tomorrowland" keeps the action intense for large parts of the film, slowing down just long enough to give the audience an idea of what's going on. Perhaps a bit too motivated by verbal recitation of backstory, the concept is solid and mostly transcends those minor drawbacks. Robertson infuses Casey with the type of wide-eyed wonder we often envisage our young visionaries having. Her constant perky desire to explore and expand her knowledge is infectious, rooting the audience clearly in favor of her victory, however expected it is. She's a charming, affable presence that frequently boosts her co-stars' scenes, even those she shares with the incredibly familiar Clooney.

Clooney seems particularly well suited to working alongside young actors. As was evident in "The Descendants" when he starred alongside the sublime, Oscar-worthy Shailene Woodley, he recognizes when his scene partners need to shine beyond him, and relinquishes those moments with little concern for his own ego. Clooney and Robertson work so well together that it would be great to see them show up in future features together.

"Tomorrowland's" loving appreciation for the strength of its characters' passions enables the audience to feel emotionally invested in their success. It's a Disney film, so their success is largely guaranteed even if the obstacles in the way are particularly onerous. This inevitability isn't a detriment in this case. It improves the film's credibility as a visionary exploration of bolstered self-confidence. It wants the audience to identify with the characters so that they'll be inspired to break out of the conformity that seems to be constantly pressing in on them in today's society It wants us all to see that the future can only happen if we fight for it. Letting others create and advance our culture while we're perpetually absolved of responsibility creates a passive society, one which can be more easily manipulated by those in power.

I would seldom give Disney credit for subversion, since many of its films are cotton candy commodities designed to rake in boatloads of cash. However, Bird is a byproduct of the Pixar brain trust, a group accustomed to taking on subversive topics in the guise of free- market entertainment. "Tomorrowland" owes a great deal of its inspiration to the works of Pixar, where topics of concern for our modern world are embellished with grand adventures and humor. While not nearly as perfect as many of those Pixar efforts, the influence is obvious and the result all but approaches that level of excellence. I like this movie but I think I will find it hard to explain all the ways why. On DVD from my public library.

We meet real people and we meet advanced robots. There is an element of time-travel. But the core of the story is a teenager who is curious. We see her in various classes, the teachers are explaining a number of different ways our world is headed in the wrong direction. Glaciers melting. People at war. Hunger. She she dares to raise her hand and ask, "What are we doing about it?"

George Clooney is Frank Walker who as a small boy brought his invention, a jet pack to allow a person to fly, to the 1964 World's Fair in New York. When asked why, he responded that if people see other people flying then they will be motivated to do great things perhaps. But Frank has grown up to be a paranoid recluse, monitoring the end of humanity.

Britt Robertson (early 20s) is that teenage girl Casey Newton and the type of person they have been searching for. She is given a type of medallion that will transport her to a future world, perhaps a parallel world where things are right.

The best in the movie is young Raffey Cassidy, maybe 10 or 11, as Athena, a robot that travels between the world we know and Tomorrowland, and looking for someone like Casey.

The movie is a bit long at just over 2 hours but it is all interesting. It begs the question, if all of us put our skills together can't we figure out how to save our world instead of just watching it go downhill?

I think we can but we won't, too many people and countries with selfish agendas. It is the unattractive characteristic of human nature. Tomorrowland may be well-made, but whether you're talking about it thematically or dramatically, this is a profoundly mixed bag. There is a very short scene shown after the credits. See here or here for more info. There was originally an alternate scene planned featuring Samuel L Jackson. For more info see here. a5c7b9f00b

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