Bonnie And Clyde In Hindi Free Download
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Adrift in the Depression-era Southwest, Bonnie Parker embark on a life of crime. They mean no harm. They crave adventure -- and each other. Soon we start to love them too. But nothing in film history has prepared us for the cascading violence to follow. Bonnie and Clyde turns brutal. We learn they can be hurt -- and dread they can be killed.
Bonnie Parker and together the two form the nucleus of a gang of bank robbers who terrorize the southwest in the 1920s. Based on the true story of a pair of notorious bank robbers, the film personalizes them while still showing the violence that went along with them.
The December 26th issue of Time's magazine, the year Bonnie and Clyde was released, ran a letter from an eighteen-year-old college freshman who maintained that the movie was not a film for adults because she was able to relate to Bonnie and Clyde, and she wanted to be like them before their death at the end of the film. This is proof that this film was made for an audience in the 1960's. As a college student, I do not feel that I related to Bonnie or Clyde in this violent film. Instead, I was able to understand some of the emotions they must have been going through, because of society's knowledge and popularity in the psyche of those who go against the "norm". However, Bonnie and Clyde were criminals to the highest extent. They were able to kill multiple police officers without an incredibly overpowering sense of guilt. Even if I were to find that I killed someone by accident with my car, I would find it very hard to live with myself. In this sense, Bonnie and Clyde seem grossly insensitive to death.
The movie industry found that violence was what the audience wanted. It has escalated to a point of no return. Henry Miller, in Penthouse, states, "I feel compelled to look upon the viewers as even more sick than the killers they are watching." I would agree with him to an extent. The people that are attracted to the bloody red scenes of violence and death may only be curious of a world they are missing out on. Bonnie and Clyde exemplified this characteristic in Bonnie, as she is curious about Clyde's world of robbing and guns. She is able to explore that world, but it comes to a consequence. As viewers in an audience, we are able to explore a world we could not imagine while safely sitting in our seats at a theater or home. Some critics suggest that movies are responsible for all of the violence that goes on in today. That could be true, but it also provides an alternative people who are curious about the world of crime.
The parallelism between Bonnie and Clyde and the 60's is overpowering. Bonnie shows us the feminist thinking of the times. She poses with guns, and is able to shoot one like a man. She was essentially a cowboy with a pretty face. The fact that the viewers are set up to like Bonnie and Clyde provides an outlook into the way of life at that time. It was a time for protests and rebellion. Bonnie and Clyde appeals to the desire for rebellion that the youths were feeling. When the policemen shoot them until they are dead, we are provided the opportunity to see the position of Bonnie and Clyde. The style portrays the policemen, and in a larger picture, the authority in a humiliating context. They seem incapable of capturing a man and woman in a game of violence. The negative light shining upon the authority shows how little respect they received. The idea of placing the bad guys as good guys and vice versa made the world of movies different forever, which makes Bonnie and Clyde an incredible film with high accomplishments, as well as a reflection of the 1960's.
Iconic: Yes; Influential: May be; Great: I reserve my thoughts on that. True stories based on infamous, controversial and spectacular characters are always hot cakes to sell be it Dillinger, Al Capone or D.B. Cooper. If one could get famous actors into the fold, you got yourself a blockbuster. This one is no different.
I would suggest wikipedia for a detailed synopsis as the script sticks to the facts occasionally deviating for dramatic elevations. The mercurial rise and a gut wrenching fall of one of the most talked about real life infamous couple.
Faye Dunaway looks a million bucks and this was an apt start to a fantastic career. It is mostly treated as a fairy tale than a gory biography. Though very brief, it was perfectly conveyed about the boring life Bonnie has been leading and how she gets drawn towards bad, danger and adventure that Clyde provides. Some action scenes in the movie are cartoonish (may be intentional) but the gory climax might leave you spellbound.
Fast paced adventure with beautiful Faye Dunaway in the mix amounts to fabulous entertainment.
So definitive in so many ways, Bonnie and Clyde has become a 20th-century touchstone.
Small-time bank robber Clyde Barrow (Warren Beatty), recently out of prison, meets bored West Dallas waitress Bonnie Parker (Faye Dunaway), and the two of them, along with Clyde's brother Buck (Gene Hackman), Buck's wife Blanche (Estelle Parsons), and not-so-bright gas station attendant Clarence "CW" Moss (Michael J. Pollard), embark on a legendary crime spree, robbing banks all over the Midwest during the Depression era (early 1930s), all the while pursued by Texas Ranger Frank Hamer (Denver Pyle). Bonnie and Clyde was based on a screenplay co-written primarily by American screenwriters-directors David Newman and Robert Benton, with script doctor Robert Towne and principal actor Warren Beatty receiving uncredited contributions. Eugene (Gene Wilder) had just let it slip that he was an undertaker. Apparently, Bonnie didn't want to be reminded of her own mortality and the fact that an undertaker's office is where she and Clyde were eventually, maybe soon, going to end up, so she had Clyde kick Eugene and his girlfriend Velma (Evans Evans) out of the car. Another possibility, as evidenced by the next scene in which Bonnie is emphatic about seeing her mother again, is that she realizes that her mother is getting older and, like her, is headed for the undertaker. It's also been suggested that this scene introduces the notion that Bonnie isn't entirely happy with her life as a bank robber, which explains why she began writing poetry and why she wanted to have a picnic with her family. Yes, but not immediately. This was confirmed by his sister Marie in an A&E interview that originally aired in 1994. She claimed that Buck was shot through the head—in one temple and out the other—during the shootout at the tourist cabins in Platte City, Missouri. He was further wounded in the back during another shootout four days later in a field near Dexter, Iowa. He died of his injuries at Kings Daughters Hospital in Perry, Iowa five days after his capture on 29 July, 1933. After recuperating from their gunshot wounds at the home of C.W. Moss' father Malcolm (Dub Taylor) (Note: in the credits, he is referred to as Ivan), Bonnie, Clyde, and CW go into town. When Bonnie and Clyde are ready to drive home, CW is nowhere to be found, having been warned by his father that he made a deal with Hamer. Clyde notices a police car pulling up beside his car and signals to "Gladys Jean" that it's time to go home. They drive off together, while CW watches, believing that they have outwitted the police yet again. As Clyde and Bonnie head back to Malcolm's house, they encounter him on the side of the road changing the tire on his truck. They stop to help, but Malcolm suddenly dives under his truck and Clyde notices a bunch of birds scattering from a tree. Clyde realizes it's an ambush, but it's too late. He and Bonnie are mercilessly machine-gunned down. In the final scene, Hamer and his deputies come out from the bushes and view their handiwork. They were shot down on 23 May, 1934. Bonnie is buried at the new Crown Hill Cemetery in Dallas. Clyde is buried in Western Heights Cemetery in Dallas. a5c7b9f00b
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