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The Amazing Spider-Man follows the origin story of Peter Parker's beginnings as the world-renowned wall-crawler. After being bitten by a radio-active spider, Peter acquires amazing abilities which will help him achieve things one could only dream about. In a life-threatening fight for the city, Peter will strive to protect New York City from the threat of his friend-turned-enemy, Doctor Curt Connors: whom has transformed into The Lizard.
Teenage social outcast Peter (Andrew Garfield) spends his days trying to unravel the mystery of his own past and win the heart of his high school crush, Gwen Stacy (Emma Stone). A mysterious briefcase belonging to his dad's former partner, Dr. Connors. The discovery of his father's secret will ultimately shape his destiny of becoming "Spider-Man" and bring him face to face with Conner's villainous alter ego, the Lizard.
This is my favourite film this year, so far anyways.. I really enjoyed the scenes of SM swinging through the building at night way above the traffic.
I did think it was quite jumpy at times, especially towards the end. Not completely sure that the 17 year old grad was the idea cast selection for someone of this age, but hey its the movies, anything goes right.
I will be looking out for this on DVD when it is released, one for the collection. Also interested to see more from SM in the near future.
Great entertainment and cool visual elements.
SO NOW, WE have the conclusion of the Toby Maguire chapter of the SPIDER-MAN franchise; but not without the passing the torch to new era. One series' having lived out its life and relevancy, it finds it being superseded by another version. Indeed, leads and casts come and go; but a SUPERHERO goes on and on and on and.......
BEING DEFINITELY WHAT one would have to classify as being, perhaps, old lone purists, we are seldom totally satisfied with any adaptation of a Comic Strip/Comic Book character to another medium; be it Radio, Television or the Movies. This may well seem to be an obvious sort of difficulty and yet one that is unavoidable and inevitable. Yet, we (that is I) always find myself giving any super hero cinematic project the closest of my microscopic vision's scrutinies.*
MOST FREQUENTLY, A PRODUCTION has had more positive elements than negative; hence, we usually can learn to accept the new version; at least for what it is. For if we want to see a completely true to the original comic adaptation, we should stick to the 4 colour, printed page.
IN DEFENSE OF this latest celluloid Web-Slinger, we appreciate the tone that was set early on. Peter Parker is a young man with a tremendous power; which has been thrust upon him, all without his asking.** Even though he is now a truly super-powered costumed Super Hero, that does not mean that he won't be having his own lion's share of problems in his personal life.***
THE PRODUCTION TEAM should be congratulated for giving the Spider-Man legend a well thought out, serious treatment; without abandoning an occasional infusion of much needed humor,"comic relief", if you will. They do so without causing an awkward bump in the scenario; rendering it as just a normal part of life. Afyter all, if we cannot have an occasional laugh, even in the most dire situations, we would not be human.
IN THAT AREA, we must mention that a high spot in the film came late in the action. It was the sequence that gave Spider-Man writer/editor/co-creator, Stan Lee his traditional Hitchcockian practice of doing an on screen cameo appearance. With this scene-stealer, Stan not only made his latest in film (coming toward the end during the big fight), but also his best, most substantial and most amusing guest shot!
ONE POINT THAT we have to mention is the establishing of Spider-Man's web slinging abilities as being a technological augmentation; rather than being a biological mutation; as had been previously shown in the last three SPIDER-MANS. (Perhaps you find this as being just a trifle picayune, but remember, after all, we are first and foremost a Comics Puirst and Hard Line Traditionalist!)
THAT THE VENTURE took us into area hereto for unexplored, was both a fine plot device and an area in the life of Peter Parker/Spidey that needed to be looked at. The retro-plot provided plenty of energy to drive the story forward and will certainly figure in the plots of future Spiodey sequels.
WE MUST COMMEND the producer and the casting department for a fine job in casting in not only in the leads of Andrew Garfield, Emma Stone & Rhys Ifans; but also for the inclusion of Sally Field, Martin Sheen and Denis Leary in the primary supporting roles. (One knows that Father Time has been active when we have the former GIDGET and THE FLYING NUN, now portraying Aunt May!!!)
SO, AS FOR the report card on this THE AMAZING SPIDER-MAN flick, we cannot give it an "A"; but we don't think a definite "B+" is out of order.
NOTE: * Origins, for example, don't have to be exactly as originally written, just as long as the main elements and the spirit of the character is retained and maintained.
NOTE: ** Recalling the old axiom that: "Some men are born great, some men have to acquire greatness and some men have greatness thrust upon them!" (Do you suppose that Spidey falls into the latter category?)
NOTE: *** In his 1966 book, THE GREAT COMIC BOOK HEROES, cartoonist Jules Feiffer referred to Spider-Man as being "the Woody Allen" of the Comic Book Suoer Heroes; reasoning that just because some guy has these preternatural abilities and wears a really neat costume, that it doesn't mean that he won't have acne and problems with the females of the species!!
While the two leads deliver the goods and manage to combine a frisky sense of first love with the movie's gloomier arc, they are well-served by a terrific supporting cast.
No more than the two already made. It had been stated that there would be four movies, with the planned release dates being 2 May 2014 for The Amazing Spider-Man 2 (2014), 10 June 2016 for the third movie, and 4 May 2018 for the fourth. However, as far as the latter two are concerned, this did not pan out (perhaps to unsatisfactory performance or reception of the second movie) and instead the rights/license to the pertinent movie franchise were sold to Sony Pictures who decided to pursue the third reboot of the Spider-Man cinematic franchise. Mary Jane is not the love interest (or one of them) in this film adaption of Spider-Man. Instead the love interest is Gwen Stacy. Gwen was an earlier love interest for Peter Parker, after his failed attempt at a romantic relationship with J. Jonah Jameson's secretary, Betty Brant, and before Mary Jane in the original comics. Rhys Ifans told Ain't It Cool News that the man was not Norman Osborn (Green Goblin), but is a representative from Oscorp and someone the fans are familiar with. The man was later revealed to be Gustav Friers, aka the Gentlemen, who is known to have formed the Sinister Six in the comics. Stan Lee is seen in the library at Peter's high school as The Lizard and Spider-Man are fighting behind him while he is oblivious to the action because he's wearing headphones with the volume turned up. In the comic books, Peter's spider powers he got from the spider bite do not include any ability to shoot webbing like in the earlier series made by Sam Raimi. Instead, Peter invented a special spider web-like adhesive and the wrist guns to fire it which are referred as his web-shooters. That is where the imagery of Spider-Man typically folding his third and middle fingers into his palms with the other fingers are extended comes from; he is pressing down on a trigger extending to the palm of his hand with a double tap which allows him to form a fist without causing an accidental firing. The reason you don't see these in most versions most of the time is that the web-shooters are completely hidden under the costume with only the nozzle being visible. Otherwise, they are fully visible when Spider-Man removes his gloves to deal with technical difficulties with them or to reload. Likewise, Spider-Man in the comics also wears a utility belt which is also completely hidden under his costume. It carries additional web cartridges for reloads, little electronic tracking devices called spider-tracers, his camera, and a special flashlight that projects a light pattern resembling his mask. This element of the character has been the norm for decades in the comics and most of its various other media adaptations. The idea of Peter being able to shoot webbing from his own body (the media referred to this ability as being "biological web shooters") was first developed in a draft of the first Spider-Man movie script by James Cameron; this idea was later used by Sam Raimi in his films because he felt it would make for more sense than a high school student creating a wonder adhesive, despite the fact that Peter is known for his gift of knowledge in science. This film takes the opposite track to show how Peter was a special kid long before he was bitten by the spider in being able to invent such devices. There's a short scene in this film that shows Peter discovering a secret lab at Oscorp where spider webs are being studied for some unnamed research. No. It is of its own fictional reality; e.g., separate from the Marvel Cinematic Universe (by Marvel Studios), separate from the X-Men cinema (by 20th Century Fox), separate from a number of other movie series/franchises adapted from Marvel Comics titles or based upon characters thereof. a5c7b9f00b
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