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An Army sergeant stationed in Germany is tasked with bringing a corporal to the US for court martial. But after they arrive, the sergeant is attacked and the man he is responsible for escapes. He then asks his ex-wife who is an intelligence officer to help find him. He goes to see the man's wife and discovers that the man he was escorting is not her husband. So he asks his ex to help him find out who the man he was with actually is. The sergeant is later confined to the base. Later, when one of his ex's people is killed and fearing that she's in danger, the sergeant gets away and saves her just as some people are trying to kill her. The sergeant and his ex learn that something is happening in Chicago, so they go there and the sergeant asks a cop he knows to help him. It turns out that disarmament talks are taking place in Chicago.
Johnny Gallagher, a sergeant, is sent from Germany with a prisoner. The prisoner escapes from the men's room at National Airport and Hackman begins his search for his man. Enlisting the help of his ex-wife and various old friends, he finds that the prisoner is part of a plot by senior military personnel on both sides to kill a very high-ranking world figure in order to sabotage arms control talks.
Johnny Gallagher (Gene Hackman) is a sergeant guarding the peace negotiation in Germany with his men. They get attacked by a well organized group. Col. Glen Whitacre (John Heard) blames him for the failure as well as the failed hostage rescue in Iran. He suspects a group is aiming to assassin the President. Gallagher is ordered to take a prisoner (the package) disorderly sergeant Walter Henke (Tommy Lee Jones) back to the States. Henke escapes from the men's room at the airport with the help of several accomplices. Gallagher discovers that the man isn't actually Walter Henke. He enlists his ex-wife Eileen (Joanna Cassidy)'s help. Henke's wife is killed by an assassin and Gallagher is detained. Eileen discovers the package's true identity is Thomas Boyette. There is a conspiracy from both militaries to stop the treaty. Gallagher and Eileen enlists his old friend Chicago Police Lieutenant Milan Delich (Dennis Franz)'s help.
The basic scheme doesn't make too much sense. It seems to be way too complicated and it would be simpler to leave Gallagher out of it. If they want Henke as the patsy, then they need to kill Gallagher at the airport or use one of their own men to transport Boyette. It's obvious the scheme is fashioned after the premise of Hackman and TLJ is hatched by the writer. By letting Gallagher go at the airport, he's obviously going to look and find out that the prisoner isn't actually Henke. The story needs a few more passes to iron out these problems. If one turns off the brain, this thriller goes on auto pilot and does a good job with that. Hackman is always capable in these kinds of tense thrillers. As a historical oddity, the movie was released at around the same time that the people were circumventing the Berlin Wall signaling the end of the Cold War. The movie is overtaken by history just as it was released.
To my mind this is a brilliant formula picture. It employs all the language and visual iconography of contemporary world history and political subterfuge - threats to east-west 'detente'; international treaties; renegade generals and shadow armies; assassination attempts (complete with Oswald-type patsies); and lone heroes intent on exposing the truth - and assembles them into a coherent and gripping thriller that balances action and tension in suitable measure.
Gene Hackman plays army Sergeant Gallagher, stationed in Berlin but ordered to escort a human 'package' (Tommy Lee Jones) back to Washington. After his prisoner's escape soon after their arrival back in the US, Gallagher begins to suspect that all is not as it seems, as the world awaits the signing of an historic agreement between the superpowers to put nuclear weapons beyond use. Realising that the threat to the peace process resides in the very organisations charged with implementing its aims - and to which he is supposed to report - and that his life is now in jeopardy, Gallagher begins to investigate, aided only by his estranged wife (played by Joanna Cassidy) and former Vietnam buddy-turned-Chicago cop Milan (Dennis Franz).
And it is in the windy city where the bulk of the action now plays out. This being director Andrew Davis' usual turf, it is no surprise that the wintry locations have a particularly authentic feel, adding to the film's steely atmosphere. The picture is perfectly paced for the viewer's excitement. In fact, it might have benefited from one or two slightly longer breathers between bursts of kinetic excitement. Other minor quibbles are the limited role afforded to women (even the fairly feisty Cassidy is quickly heard apologising for the quality of her scrambled eggs) and Hackman is, at this point in his career (1989, when the film was released) approaching a point where he may have to accept that his action heroics are almost behind him.
Nevertheless, this is exciting, intelligent, familiar stuff - which is a tough combination to pull off, yet one done expertly here.
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