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Broadway gambler Gloves Donahue wants to find who killed the baker of his favorite cheesecake. He sees nightclub singer Leda Hamilton leaving the bakery. When her boss Marty's partner Joe is murdered, Leda and her accompanist Pepi disappear. It turns out that beneath all the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor.
Runyonesque Broadway gamblers turn patriotic when they stumble onto a cell of Nazi saboteurs.
Vincent Sherman's "All Through the Night" has a feeling of a B picture, although probably was not intended to be that way. This 1942 Warner Bros. film is much more enjoyable than we suspected, because even though the film was supposed to tackle a serious problem, it has a lot of fun moments that make the film much lighter in tone than perhaps the film makers intended.
At the center of the story we find 'Gloves' Donahue, a small time gangster and his crew. They are a fun group that are drawn into an international spy story right in their own backyard. Ma Donahue comes to ask her son's assistance in trying to solve the murder of her baker neighbor, and the fun and games begin in full force.
There are a lot of good moments in the film, but it is dominated by Humphrey Bogart who runs away with the picture. His crew is also a great asset to the film, Frank McHugh, a fantastic actor, no matter in what picture is excellent, as well as William Demarest, one of the best character actors in the movies of that era. A much slender Jackie Gleason puts in an appearance as Starchy, a member of Donahue's team.
The heavies are amazing. Conrad Veidt is wonderful as the Nazi spy trying to blow up a ship in New York's harbor. Mr. Veidt was such an elegant figure in everything he did. Judith Anderson is seen as the mysterious assistant to Mr. Veidt's character. Ms. Anderson had a way about her that she dominates the scenes in which she appears. Peter Lorre does a lot with his small piano player, Pepi.
The film never ceases to entertain. Thanks to Mr. Humphrey and the wonderful cast assembled for the movie, it will not disappoint anyone with an open eye for a lighter take on a serious matter.
Gosh, how times and movies have changed! There is probably no doubt that when "ALL THROUGH THE NIGHT" was released in 1942 it was a very popular film, but it has not stood the test of time in any way - many movies made in the early Forties are still believable, but this is not one of them. The cast headed by Humphrey Bogart are quite good when one considers the rubbish they are served up with to say - the script in the German saboteur's meeting was abysmal. Poor old Humphrey made this film after the brilliant "Maltese Falcon", so one wonders why! Conrad Veidt tried his hardest to keep a straight face, while Judith Anderson was completely wasted, and Peter Lorre was his usual self. I have to wonder if Frank McHugh (who had the same line to say 50 times in the film) had it is his Warner contract that he had to appear in every 2nd movie they made. I know now why Karen Verne never really made it! Be thankful that "CASABLANCA" was only a year or so away, Humphrey!!!
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