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In a world where superheroes have been real for decades, an accountant with no superpowers comes to realize his city is owned by a super villain. As he struggles to uncover this conspiracy, he falls in league with a strange blue superhero.
I think the words that can best describe this are
"Oh my God, oh my God, oh my God, oh my God!"
The Tick HAS RETURNED. Unlike the lackluster and horribly feeble attempt at a series in the early 2000's, this, my friends is the true "The Tick"! (Wait
is that even proper grammar?)
In 1997, I was hanging on every single preview and commercial for the next Tick episode. Sadly, my hopes were crushed when I realized that the show which made my initial college years enjoyable, was cancelled due to
low ratings?
The Tick has always had a bit of an identity crisis, only, it knew full well what it's identity is. The problem is, Hollywood/Network TV has no clue what the hell to do with it! They aired it relatively early, placing it in the Saturday morning cartoon slot, when the majority of its fan base was still nursing the underage-party- hangover from the night before. It's a cartoon that had an art style that fit well with the morning cartoons, but humor that flew well above the average cartoon watcher's head.
Some friends and I used to spout out "Tickisms" randomly throughout the day. When you go to jump something and land wrong, or fall - "Gravity is a harsh mistress". When you're playing an online game and the other players start talking in another language? "I can't understand your crazy Moon Language!" Even after these years, I still remember a few of them!
The 2017 return of The Tick has kept those Ticksims in all their glory! "Destiny's on the line, Arthur, and she's calling collect
accept the charges" There. You see? Right there. THAT is a Tickism! This Amazon release of the series is rife with them and, my God, is it a glorious thing! Ben Edlund, the original creator of The Tick is also responsible for writing this series as well and it shows.
As for the specifics of this show, when I first heard Peter Serafinowicz's voice in the role, I did a tremendous double-take. "Is that? No
it can't be! But wait
is it?" Turns out, no, it is not Townsend Coleman, but holy hell, is it close!
So you have "the voice" of The Tick, reciting "the lines" of The Tick, being portrayed in the original writing style of The Tick. This is absolute gold!
If the cartoon had one issue, it was the lack of a plot that could span more than the typical episode. Characters and even their various situations would play out over a season or so, but the stories were all kept nicely in their allotted space. This makes it easy to watch an episode here or there, but after you know what to expect, you can miss a few and come back for some more quick entertainment here and there without needing to follow the whole thing. This may be good at times, but it can really affect the longevity of a series.
I was relieved to see that the entire story gets told along the Arthur lines, providing some real drive and purpose to the story over the episodes. The episodes, which can easily degrade into pure silliness, if not kept in check, are held together tightly with the "grounding" the Arthur story provides for them. Good move on their part.
Unlike the cartoon series and the short live-action, this one also starts to create a true "origins" story that it mildly delves into with the Tick and the entire backstory of superheroes and the city in general.
There is one divergence from the animated series that has to be noted: This is written like the comic book. The comic book was written for a more mature audience than the Saturday cartoon was. On Amazon, it has a TV-14 rating, which falls towards the more mature side of a PG-13 rating, possibly right on the "R" line. But they can get away with that on Amazon, so expect blood, frequent swearing (mildly) and an f-bomb here or there. But fear not, The Tick does not stoop to those levels
yet. They are primarily reserved for his villains.
So any Generation X-er, growing up in the 90's, definitely needs to watch this show! Trust me, this "The Tick", is the real deal!
The first attempt at a live action The Tick was underwhelming because it skewed more towards sitcom for lack of a budget for superhero hijinks. Amazon's The Tick is disappointing in the opposite direction. This show takes itself way too seriously. It feels like yet another standard superhero show(Can you believe we're now at a point where we've got so many to choose from?)that just happens to have the Tick in it. So far this show is just playing superhero tropes straight rather than comically sending them up. Where has its absurdist satire gone?
Peter Serafinowicz puts in a good performance the titular blue titan, but he has the legacies of Townsend Coleman & Patrick Warburton against him. Some of his delivery seemed too fast & sarcastic. He still gets the best dialogue, but the episode was so gritty that Tick's ramblings felt tacked on rather than the zenith of its kooky spirit. The scene where bullets bounce off him was cute & a welcome action upgrade from the last adaptation, but it still wasn't enough. Whereas the previous live action Tick costume missed the built-in mask, this one is missing his distinctive lantern jaw. A jaw prosthesis really should've been part of the costume to give Serafinowicz the most heroic visage possible. For a comic book character with so few details, why can they never get his face perfect?
Arthur is more of the central character, & he is a depressing PTSD mess after watching his dad die during a super-battle. Now he's investigating a sinister conspiracy by the killer too. Arthur doesn't need a tragic origin! (The Tick comics weren't quite as upbeat as the cartoon, but Oedipus getting non-fatally stabbed was its darkest moment.) It was more novel when Arthur just decided to wear a costume without a personal tragedy motivating him. He doesn't even choose the moth suit; the Tick foists it upon him.
How did the Tick know were Arthur lives? One theory is that the Tick is a figment of Arthur's imagination made into an independent corporeal being like Abbey from Misfits. This would be like Dr. John Watson imagining Sherlock Holmes into existence. This is suggested by a blue nightlight talking to Arthur in the Tick's voice, although it could just be a dream instead of a childhood flashback. Creator Ben Edlund has directly called the Tick a parasite, so maybe this version has the power to psychically leech onto Arthur's mind instead? Or perhaps there is no explanation because it's a continuity error? The mystery of the Tick is going to be a big piece of Edlund's proposed multi-year master-plan, but I'm not convinced we needed a massive reinterpretation of the Tick to begin with since a complicated backstory doesn't subvert genre expectations. I'm fond of "The Luny Bin" where it reveals that instead of being a guy in a costume with an origin story, the Tick is simply the Tick. I'd be delighted if that was what these possible red herrings were leading up to, but I imagine everybody else would feel cheated.
If anything, the first episode was too tonally consistent. Director Wally Pfister, cinematographer to Christopher Nolan's pretentious Batman movies, grounded everything so that even Edlund's jokes fell inert. The Terror's ship looking like a flying Titans' Tower isn't inherently hysterical, especially when its appearance is surrounded by multiple traumatic homicides. The Terror remains a mean old coot (Jackie Earle Haley is always fantastic), but merely blinding Flag Force Five & shooting them in their faces felt so pedestrian. They missed a golden opportunity for giving them a ludicrous death that you could only get from a superhero comedy. Shooting your enemies in the face may be effective, but it's not whimsical escapism. It comes off like cynically laughing at comic books rather than laughing with them. The only genuinely funny part in the entire episode was when The Terror stole Arthur's ice cream because I am a terrible person.
This new version of The Tick definitely does things differently than the prior adaptations, but in doing so it feels homogenized. It has better production values than the Tick's last TV outing but with even less of its unique charm. Just because Ben Edlund can make a dour version of The Tick doesn't mean it's worth paying to watch it as an ongoing series.
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