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Bad guy Craig Allen, gambler and town boss, tries to take a gold mine inherited by innocent Chip Williams on her seventeenth birthday. Roy and his pal 'Teddy' Bear ride to help the girl and her cousin.
Chip has inherited a supposedly worthless gold mine from her father and Craig Allen is about to buy it. Roy suspects the mine may be valuable and using a clue left by Chip's father, investigates. He finds the hidden shaft that contains the gold and with the posse chasing him on a trumped up robbery charge, races to town with ore samples hoping to get there before the ownership is transferred.
"Cowboy and the Senorita" is the very first screen pairing of Roy Rogers and Dale Evans, and it comes across surprisingly well. The film title is also the name of the opening and closing musical number, and even if not meant to be prophetic, the eventual marriage of Roy and Dale proved to be a wonderful union for film goers and fans of the Western duo.
The story involves a missing runaway Chip Williams (Mary Lee), who is revealed to be Ysobel Martinez' (Dale Evans) half sister. Chip needs to find out what her deceased father left her in a box buried in an abandoned mine on the Martinez property. The mine is soon to be sold to Ysobel's fiancé Craig Allen (John Hubbard), and that should give you an idea where the story is headed. Allen and his henchmen have already begun excavating the mine for it's hoard of gold, while busily setting about to frame Roy and his sidekick Teddy Bear (Guinn "Big Boy" Williams) for Chip's disappearance, and later for the theft of two thousand dollars from his personal office safe.
To be sure, there are manufactured elements that defy coincidence in the story; Chip discovers her father's missing treasure on the eve of her sixteenth birthday, the day on which her father specified it should be opened. In a letter accompanying the discovered box, it states that a bracelet she already owns (and lost, conveniently found by Roy and Teddy Bear) is her only inheritance, but she should examine it closely for the treasure to reveal itself.
Bad guy Craig Allen, Ysobel's fiancé furiously denies his complicity in any cover-up scheme. In an interesting response by Roy, the film's date is put into historical perspective - there's enough gold in the assayer's office to make Allen the biggest liar in 40 states!
Since most of Roy's films offer Gabby Hayes or Andy Devine as the comedic sidekick, it's a refreshing change of pace to see Guinn "Big Boy" Williams in that capacity here. The clumsy Williams spends a lot of his time falling down, but he also has a highlight line in the film; when Craig Allen's henchman Ferguson wavers in admitting their role in the mine cover-up, Big Boy offers to "take him to the memory room".
The film ends on a quite lavish musical number that starts out with dancers circling a huge sombrero. It's a fitting end to an engaging story, with Roy's arms clasped around not one, but two pretty senoritas - Dale Evans and Mary Lee.
Cowboy and the Senorita (1944)
** 1/2 (out of 4)
Roy Rogers and 'Teddy Bear' (Guinn 'Big Boy' Williams) show up in a small town looking for jobs when they're befriend by a young girl (Mary Lee) and her keeper (Dale Evans). Rogers and Bear are given jobs looking after the young girl and it turns out that she has a valuable mine, which a greedy man (John Hubbard) is trying to con her out of. After several double crosses Rogers tries to get evidence to show what's going on. COWBOY AND THE SENORITA isn't the best film Rogers ever made but it's a decent "B" Western that is also remembered for being the first film between Rogers and his future wife Evans. Overall the story here certainly isn't anything too special as the entire "ripping off someone for their mine" had been done to death by the time talkies came into play. With that said, the director and cast do good enough of a job to at least make you care for the characters and want to see the bad punished and the good walking away without any trouble. It certainly doesn't hurt that the cast members are in such fine form and this of course starts with Rogers who once again plays that kind-hearted soul just doing what's right. That laid back style really comes across good here and that chemistry with Evans is on full display. The two really seem to be flirtatious throughout the film and they manage to mix it up quite well. Lee is also very impressive in her part as is Hubbard as the hissing villain. It was pretty funny seeing Williams in a Western like this as he was often seen in gangster pictures from the likes of Warner. There's certainly nothing ground breaking to be found here but if you're a fan of low-budget Westerns then this here is a decent time killer. It should be noted that the most common version out there is missing nearly twenty-minutes worth of footage most of which is song and dance numbers.
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