The Taking Of Pelham One Two Three Movie Free Download In Hindi
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In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away?
A tense situation develops in a New York subway when a group of unidentified gunmen hold the passengers of a subway car hostage in exchange for money. A veteran detective attempts to track down the identities of the gunmen in this offbeat crime film.
One of the best thrillers of the 1970s, this gritty urban thriller concerns itself with four extremely dangerous men, led by an incredibly ruthless Robert Shaw, holding seventeen passengers and a conductor hostage on a New York subway train. They phone in their threat at 2:13 P.M., giving the city of New York exactly (and I do mean EXACTLY) one hour to deliver a million-dollar ransom or, starting at 3:13, they will begin executing one hostage for every minute the money is late. It is up to a hard-nosed transit cop (the late, great Walter Matthau) to work his way out of this problem while dealing with, among other things, a loud and foul-mouthed boss (Dick O'Neill).
Shaw and Matthau are extremely well-matched adversaries, and there is plenty of hilarious humor and profanity on display here. Joseph Sargent, who directed the underrated 1970 sci-fi drama COLOSSUS: THE FORBIN PROJECT, directs very efficiently once again; and David Shire's score is top-notch. Not to be missed, especially since it is a precursor to the DIE HARD movies and off-shoots like SPEED.
"White Lightning" director Joseph Sargent's "The Taking of Pelham One Two Three" ranks as an exciting, intelligent, white-knuckled suspense thriller about the most unlikely hijacking in criminal history. Walter Matthau heads up the cast as an unlikely but shaggy dog hero while Robert Shaw is extremely focused and ruthless as the nefarious villain. They qualify as brilliant adversaries. Anybody that watches New York based dramas, television shows, and/or movies will recognize the ensemble of seasoned New York City actors that flesh out each scene. The chief drawback of "The Taking of Pelham One Two Three" is that its protagonist and antagonist stay holed up either in the subway train or in some downtown command center for long periods of time. Nevertheless, Sargent and scenarist Peter Stone manage to keep things pretty taut as this formula fare unfolds with flavorful dialogue, crisp performances, and five-time Oscar nominated lenser Owen Roizman's atmospheric cinematography.
A quartet of heavily individuals decked out in disguises with submachine guns occupy the eponymous New York City subway train and hold 17 passengers hostage for a million dollar payday from Gotham. Mr. Blue (Robert Shaw of "Custer of the West") looks like he is on the way to a concert with a musical instrument case, while Mr. Green (Martin Balsam of "Hombre"), Mr. Brown (Earl Hindman of "Silverado") and Mr. Grey (Hector Elizondo of "Valdez Is Coming") climb aboard the Pelham One Two Three at different intervals and take up positions. Mr. Blue sticks a .45 caliber, automatic pistol into the motorman Denny Doyle's face (John Broderick of "Alice's Restaurant") and takes control of the train with the help of Mr. Green, a former motorman who was fired for supposedly participating in a narcotics ring operating on the subway. Initially, nobody wants to believe that they are serious about their demands, until the trigger happy Mr. Grey riddles Transit Authority supervisor Caz Dolowicz (Tom Pedi of "The Naked City") with a burst of machine gun. The irate Dolowicz warns everybody that he is going to get to the bottom of this incident and he winds up face down dead in a subway tunnel. Lt. Zachary Garber (Walter Matthau of "The Odd Couple") passes along their demands to New York City Mayor (Lew Wallace) who is battling a terrible case of the flu. The Mayor's Deputy Mayor (Tony Roberts of "Annie Hall") convinces everybody from the Mayor to the Police Commissioner to cough up the dough. Nevertheless, with the clock ticking, Mr. Blue refuses to accommodate a desperate Garber as the city struggles to meet his demands and get the money to him on time.
On route to deliver the ransom, the NYPD cruiser crashes and the authorities have to scramble to deliver the money in the nick of time. Meanwhile, the hijackers kill the conductor and Mr. Green begins to sweat because he doesn't believe that he will survive the ordeal. Meanwhile, the NYPD has assembled an army of snipers and other policemen and they line the subway tunnel twenty yards behind the occupied subway train. The catch is that on board the subway, unknown to the hijackers, is an undercover cop. Nobody knows if the undercover cop is a man or a woman. This revelation adds to the suspense since there are several scenes between the hijackers and the passengers. The former subway motorman Mr. Green has a surprise up his sleeve after the villains receive their million dollars.
Academy Award winning scenarist Peter Stone of "Father Goose" as well as "Mirage" and "Arabesque," based his riveting screenplay on author John Godey's bestselling novel. The principal differences between Godey's novel and Stone's screenplay consist of the chief villain's demise, the racial identity of the New York Transient Authority detective, a booby-trapped subway train crash, and a police cruiser crash when delivering the loot to the hijackers. Ostensibly, Stone adheres rather closely to Godey's novel. Instead of being brought in alive, the villain commits suicide by stepping on the third rail and electrocuting himself. The Walter Matthau Transient Authority detective in the novel was an African-American. Moreover, the man who shot the villain in the book was in a subway train trailing the hijackers. As a precursor to Quentin Tarantino's "Reservoir Dogs," where the criminals adopted colors as nicknames, the felons in "The Taking of the Pelham One Two Three" use names such as 'Mr. Blue,' 'Mr. Gray,' 'Mr. Green,' and 'Mr. Brown.' Finally, unlike Godey's novel, Sargent and Stone open the movie with the villains occupying the train and the response of the authorities to their demands. In his novel, Godey relied on flashbacks to flesh out the characters. Instead, Stone incorporates important exposition about these characters while they are on the train negotiating with the authorities.
"The Taking of Pelham One Two Three" isn't the greatest thriller ever made, but it is very good. The sneezing gag is tremendous. Godey didn't have it in his book, but it is truly a stroke of genius. People who want to see more blood and violence may be disappointed because blood and violence is held to a minimum. Indeed, when "The Taking of Pelham One Two Three" came out, the MPAA gave it an R-rating, primarily for its profanity.
Throughout, there's a skillful balance between the vulnerability of New Yorkers and the drastic, provocative sense of comedy that thrives all over our sidewalks.
Four men, who go only by the names Mr Blue (Robert Shaw), Mr Green (Martin Balsam), Mr Gray (Hector Elizondo), and Mr Brown (Earl Hindman), hijack New York City's Pelham 1:23 subway train, take 17 passengers plus the conductor as hostages, and demand $1 million dollars in ransom, and they want it in exactly one hour or they will execute one hostage each minute that the money is late. Lt Zachary Garber (Walter Matthau) of the NYC Transit Police must negotiate with the hijackers, contend with City Hall red tape, and try to identify the hijackers and figure out how they intend to escape, since they are in a tunnel surrounded on all sides by police. The Taking of Pelham One Two Three (aka The Taking of Pelham 123) is based on the 1973 novel (same title) by American author Morton Freedgood, writing under the pen name of John Godey. The novel was adapted for the movie by American screenwriter Peter Stone. There have since been two remakes: The Taking of Pelham One Two Three (1998) (a television release in 1998) and The Taking of Pelham 123 (2009) (2009). "Pelham" refers to a local Manhattan train that departs from Pelham Bay Park. The 1-2-3 refers to the time that it leaves: 1:23. In order to assure the safety of the hostages, the mayor (Lee Wallace) agrees to pay the ransom. Unfortunately, it took them almost a half hour to come to that decision. Now they've got only 30 minutes to get and deliver the million dollars. The dead man feature is a device built into the train that requires a motorman's hand to be pressing the throttle at all times. If it's released, the train stops cold. Once the money is in their hands, the hijackers start up the train, having found a way to circumvent the dead man feature. They get off the train and backtrack through the tunnel while the train goes forward, picking up speed until the passengers become alarmed and realize that no one is driving the train. On a hunch, Lt Garver and Inspector Daniels (Julius Harris) backtrack to the 17th Street station where the train made a short stop (that's where the hijackers got off). Meanwhile, the train has tripped a red light and stopped at the South Ferry Loop, and all of the passengers are safe. Mr Blue has shot and killed Mr Gray for refusing to relinquish his gun, Mr Green has exited the subway with his share of the money, and a plain clothes policeman, who was among the hostages and managed to get off the train, has shot and killed Mr Brown and been shot by Mr Blue. Just as Mr Blue is about to finish off the policeman, Garver shows up and pulls a gun on Mr Blue. Realizing that he's been caught and learning that New York does not execute criminals, Mr Blue steps on the hot rail and electrocutes himself. Three hijackers accounted for, but who is the fourth? Armed with a list of nine ex-motormen, one of whom could possibly be the fourth hijacker, Garver and Lt Patrone (Jerry Stiller) visit each man on the list, checking their alibis. Harold (Mr Green) Longman's alibi sounds a bit shaky ("I was here sleeping until an hour ago"), and Garver and Patrone are about to leave when Longman suddenly sneezes, and Garver replies "Gesundheit", just as he did several times earlier when he heard Mr Green sneezing over the radio. a5c7b9f00b
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