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In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.
When mankind found an ancient spore, they began to preserved until nearly 15 years, it hatches. Now with maloevent terrestrial organisms threatening the existence of man kind, an ancient creature from the depts of the ocean, will rise again to fulfill natures order to restore its balance, while also making sure mankind never makes the same mistakes again.
I had been a fan of Godzilla ever since I watched the 1998 movie. Don't get me wrong, I was then 6 years old and it was one of the very few Hollywood movies that released at my place. After 10 years, when I had a second watch of 1998 Godzilla, I understood why it was panned so deeply. Still, that movie made me research through the Godzilla mythology and I was pretty much impressed. That's why I visited the movies for this 2014 take on the Alpha Primate. I must say, as a movie fan I'm not quite satisfied with it, but as a classic Godzilla fan, it was more than merry.
The technical side is the most note-worthy on this take, since the creature design was so much rooted with the 1950 classic. The scenes which depicts the menace of Godzilla was nearly breath-taking, and the roar was something special. The design of MUTOs were also appreciable, and the CGI works and 3-D effects are also passable. At least, the 3-D didn't made me scratch my head.
Considering the story side, it was a weak script, though pretty strong for a disaster movie. It wasn't a throughout smack-smash, or a 2-hour collision of the giants, but had a good human point-of-view over the subject, which takes me to the weak point of the movie.
The acting section wasn't that bright. It had a good platform for the actors even though the concentration was on the monster. Bryan Cranston proved it with his charismatic performance. He didn't had a major part on the screen, but was a core element on the script and with the high-voltage sentiments and rage he portrayed the lone crusader for truth brilliantly. Sad thing was, nobody, including Aron-Taylor Johnson and Ken Watanabe, was that much competing. It made me to long for the creature sequences more. But considering the script and the director's intentions, the final product is an adequate one to pass both fans and casual users.
As a final note, Godzilla is a classic incarnation of Gojira movies with appropriate human emotions. If you are a classic Gojira fan, never miss it. If you are a movie-goer who likes movies with a strong mythology, go give it a try.........
Like spilberg's Jaws and Ridley scott's Alien where the beasts were kept off our hungry eyes for the first hour of the film' building tension and anticipation in the progress' the director here apply this approach to almost perfection' giving Godzilla its mythical' well deserved prestige by delaying its entry ' so when it does 'oh boy' it pulls u in and never let go until the ending credits show up.also' i loved the message in this film' that Godzilla is just a symbol for the massive force of mother nature ' as it actually pop up only to restore balance on this planet'.human beings appears almost pathetic in the entire film 'thinking that they can control forces of nature but the truth is....the Complete opposite.so this is not a cheesy B monster film(like the 1998 poor version or even Pacific Rim cool but boring actioner) 'actually it is more like a character study drama and im into this and u only have to take it or leave it .i do believe that special effects are absolutely stunning(and only used in a proper way not like the chaotic Transfomers films) and it deserves an Oscar.and last but not least this film is very atmospheric specially at the final battle 'that was shot in the rainy' foggy mythical darkness which i truly appreciate.it
The best thing about this new Godzilla is that it spares no expense or effort to deliver big, burly IMAX-ified action... The worst thing about this new Godzilla is how that’s the best thing about it.
No, this is a reboot of the Japanese Godzilla series from 1954. This film has no connections with the previous American remake. Godzilla will have several battles with the MUTO (Massive Unknown Terrestrial Organism) monster pair. There are scenes taking place in the Philippines, Japan, Hawaii, San Francisco, California, Nevada and Las Vegas. There are also some scenes that happen on the Pacific Ocean. "Kyrie", from György Ligeti's Requiem (1965). It was also featured most famously in Kubrick's 2001 A Space Odyssey in a few scenes and was most famously the music played right before Bowman enters the wormhole. The budget was stated and is understood to be 160 million USD. This movie was filmed in 2D and utilized stereoscopic 3D conversion in post by the company Stereo D, LLC. This is the same company who converted big creature films Jurassic Park 3D and Pacific Rim. The designers of the opening titles probably wanted to have some fun with the theme of secrecy that's evident throughout the film so they created the credits to reflect that spirit. A full list of them, including the redacted words, can be read here. a5c7b9f00b
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