The Tourist In Hindi Movie Download
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Revolves around Frank, an American tourist visiting Italy to mend a broken heart. Elise is an extraordinary woman who deliberately crosses his path.
A woman sitting in a Parisian café reads a letter telling her to take the train to Venice, pick a man of the sender's height and build, and chat him up. She's being watched: Scotland Yard and a mobster with a crew of Russian thugs are looking for a man she knows. On the train, she talks to an American, Frank, suggests they have dinner, and, once in Venice, invites him to her hotel. The bait is set: the Russians think Frank is the man they want: Alexander Pearce, who stole billions from the mobster. Scotland Yard realizes Frank is a just a tourist, but by now he's in danger, smitten by the mystery woman, and in their way. Can the Yard keep Frank from death and still catch Pearce?
It was pretty interesting at first with the development of the story, but it kind of drifted along for the rest of the film. It wasn't boring to watch, but it was disappointing overall. Also, the ending was way predictable. With the development of movies nowadays, it isn't that easy to fool the audience or wow them any more. This certainly failed to do so.
The acting though was pretty great. Well you can't expect anything less from two A-list stars. They managed to get into their roles well, and Depp always just looks like Depp to me, regardless of his character. The chemistry between the two was somewhat superficial though, and felt more like "because the script says so". Also, the fact that they objectified Jolie's character and her body is horrendous. All the males turning their heads to follow her just makes me want to slap them, or the director. On top of that, she can take care of herself throughout the whole film, but at the end she just needs to be the damsel in distress. Pourqoi?
However, the setting of the movie complemented the film really well. The visuals were pleasing and wonderful. The addition of the Italian culture (boats, language etc) was cool, and makes me want to go there and visit.
That's basically all there is to the film. The story went up and down, and got really predictable and cheesy at the end. The acting was great but the chemistry not so much. The setting of the film and its landscape was the best thing in this film.
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This was an OK film that failed to really ignite much of anything, hence my 6/10 score. Shots of Jolie walking here, there, with men just dropping their jaw, kind of were, yeah, stupid. Elegent scenes in Venice should have been doable, but again, no real sting to them.
Johnny Depp looked fat faced. What was up with that? Was that on purpose? He looked about 20 lbs overweight too, again, on purpose?
Most of all, as I read in another post, there was zero chemistry anywhere in the movie. I must say, this therefore was miscast, or misdirected, because it could have been a good story. But the longer it endured, the more you could start to get a hint for what was what, so in the end, there were no real surprises. You were just surprised that 1\ you spent 2 hours watching this, and 2\ anyone would believe that real police behave the way these departments did.
Failure to excite, miscast, thin plot. I guess I should have rated it lower, except that Venice by itself rates a 6. Good luck with this if you choose to watch it.
There's a way to make a movie like The Tourist, but Florian Henckel von Donnersmarck doesn't find that way.
While on the train from Paris to Venice, American tourist Frank Tupelo (Johnny Depp) shares a seat with Elise Clifton-Ward (Angelina Jolie), a beautiful but mysterious British woman. They strike up a conversation, have dinner together, and Elise invites Frank to share her hotel room. However, Frank is actually being set up. Elise has been ordered by her ex-lover, Alexander Pearce, who stole 2.3 billion dollars from British gangster Reginald Shaw (Steven Berkoff), to board that train, pick out a man who resembles him, and make it look like this man is Pearce in order to throw off Shaw and his Russian thugs, who believe Frank is really Pearce, as well as throwing off Scotland Yard, who knows Frank is just an innocent decoy but also wants Pearce for tax evasion. The Tourist is a remake of Anthony Zimmer (2005), a 2005 French film written and directed by French film-maker Jérôme Salle. The screenplay for The Tourist was co-written by American screenwriter Christopher McQuarrie, English screenwriter Julian Fellowes, and German filmmaker Florian Henckel von Donnersmarck (who also directed). Agents from Scotland Yard have been following Elise, hoping that she would lead them to Pearce. Having no photo of him but knowing that Pearce has recently undergone facial reconstruction surgery, they assume Frank is Pearce and photograph him having dinner with Elise. Yard Inspector John Acheson (Paul Bettany) receives the photo and does a face recognition, discovering that Frank is indeed Frank Tupelo, a simple math teacher from Wisconsin. However, an informer within the Yard notices the photo, concludes that it's a true photo of Pearce, and forwards it directly to Shaw. Shaw then turns around his private jet and heads to Venice. While Acheson holds Frank handcuffed in their surveillance boat, Elise goes to the Fondamenta San Giocomo to keep her rendezvous with Pearce, not knowing that she is being followed by Shaw and his thugs. They take her captive and threaten to kill her unless she shows them where the safe is hidden. Although both Acheson and Frank can see everything that it going on via audiovisual link, Acheson refuses to heed Frank's pleas to get Elise out of there, because he is certain that, if he holds out long enough, Pearce will show up. Elise eventually points out that the safe is hidden behind a wall medallion of the Roman god Janus but she doesn't know the combination to open the safe. Once again Shaw threatens to kill her, and once again Acheson refuses to intervene. Suddenly, Acheson detects movement in the courtyard and sees who he thinks is Pearce attempting to rescue Elise. It turns out to be Frank, having picked his way out of the handcuffs and fled the boat. Claiming to be Pearce, Frank tells Shaw that he will open the safe if Elise is first released, but Shaw refuses to release Elise until Frank opens the safe. As Frank walks toward the safe, Elise mouths, "I love you." Back in the surveillance boat, Chief Inspector Jones (Timothy Dalton) suddenly boards and overrides Acheson's command, giving the police snipers the order to shoot Shaw. Shots ring out, and Shaw and his three thugs lay dead on the floor. Meanwhile, the police report that they have captured Pearce, but he is revealed to be just a tourist who was being paid by someone he didn't know to be at certain places at certain times. With everyone distracted by the tourist, Frank opens the safe, leaving behind a check for £744 milion, signed by A. Pearce. In the final scene, Frank and Elise sail away together. Elise says to Frank, "Twenty million dollars' worth of plastic surgery, and that's the face you choose?" "Do you not like it?" Frank asks. "It'll do," she replies. It's revealed that Elise was sent to Russia as an undercover agent to find Pearce but that she "went dark". Acheson believes that she fell in love with Pearce and couldn't decide whether she was with him or with the Yard.This time she chooses to be "with" him. The song is "Starlight" by Muse. "Map of the Problematique" by Muse from their 2006 album Black Holes and Revelations. a5c7b9f00b
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