Under The Hood In Hindi Movie Download
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A television interview with Hollis Mason, The first Nite-Owl, about his life and the superhero community.
This is a 36-minute fake documentary from 6 years ago. It's so far the most known from director Eric Matthies and I have to say that I have never seen the "Watchmen" movie. Yet I am off the opinion that no piece of film should necessarily require you to have seen another film. Sadly, this one does. If you don't know about the film or don't care about it, you will basically not care for this one here either. The constantly interview characters in their roles from the "Watchmen" film and there are references about the film and everything that happened after it from start to finish. The only thing I really liked is how they managed to make this look way older than it actually was. As I wrote earlier, this is from 2009, but it looks like it's from the 1980s. Unfortunately this cannot make up for the negative aspects and also for the fact that i did not know a single actor in the cast. Not recommended unless you really like the "Watchmen" film.
Saw this last night and it was a chore to get through. It would make a mildly diverting extra feature on a WATCHMEN DVD but as a companion piece to "Tales of the Black Freighter," and considered on its own terms, it feels forced and cheap. And more than anything, overt and obvious. Performances are uneven, with Matt Frewer being the most evocative and Steven McHattie trying hard but coming off bland. Jeffery Dean Morgan has a whopping single line that is silly and on the nose, like much of the piece. Almost everyone employs the "stare pensively at hands to convey being lost in deep thought" style of unrehearsed acting.
Most of the production seems grabbed between takes on set during principal photography. Compositions are tight and cramped so as not to reveal set edges and lack of extras, and costumes are the same as seen in the film. Scripting is open with room to improvise, but goes nowhere beyond the familiar, and tends to bludgeon subtle points in the book and film (Hollis had a crush on Sally, the Comedian was a rapist, etc). "Archive photos" look poorly photoshopped and "archive footage" fakely aged with scratches and altered frame rates. Nice to see the Silhouette though :) Seemingly told from the POV of the mid-80s, a "re-presentation" of a classic news show from the 70s, other obvious opportunities to present plot threads lost from the film are glaringly absent. Big Figure gets some much-needed extra screen time, as does Lawrence Shexnayder, but their character moments are trite ("I'm a respectable businessman " BF says from his cell, while Larry declares, "Sally was my biggest earner.") And Hooded Justice, a prominent subject of the comic's UNDER THE HOOD, gets short shrift and no development further than what was touched on in the movie. Lots of coverage of the Minutemen, but no mention of, or elaboration on their fates, something the film had no time for, so why not here instead? Mention of their HUAC troubles was a welcome addition though.
Bernard the newsvendor finally gets some lines, but other minor characters suffer from goofy, awkward and obvious improvised dialogue, such as Rorschach's psychiatrist dreaming of the day he "gets to analyze one of these super heroes." Gee, do you think that will ever happen? Promisingly, early on we go into a fake commercial break advertising NOSTALGIA perfume, which seems to be a fan-made contest winning entry? (I recall seeing a few dozen fake Veidt TV ads on Youtube months ago.) Sadly it looks like it was shot last week and is hardly the sort of cheap production a man of Veidt's means would produce. Other commercial breaks follow throughout, but are, bafflingly, legitimate TV spots for actual 80s products. A Seiko digital chronograph ad is a lot of fun showing the "future of watches," but a toilet bowl cleanser? Why? Seems like they could have sprung for some fake Veidt action figure spots or at least a Gunga Diner lunch special promo.
Ultimately, an opportunity lost. Instead of further developing the world of WATCHMEN, like the original UNDER THE HOOD did, this short instead ends up treading familiar water and winds up as a result feeling repetitive, not complementary, to people familiar with the WATCHMEN film.
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