Moonraker Tamil Dubbed Movie Torrent
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A Boeing 747 carrying a US space shuttle on loan to the UK crashes into the Atlantic Ocean. When the British examine the wreckage they can find no trace of the spacecraft and send agent James Bond to the shuttle's manufacturers, Drax Industries, to investigate.
James Bond investigates the mid-air theft of a space shuttle, and discovers a plot to commit global genocide.
"Moonraker" starts with a thrilling scene where the space-shuttle was hijacked and the jet carrying it is blown up in mid air. It then leads to M asking Miss Moneypenny where James Bond is, and she responds by "he's getting his last leg." Then, it shows him flirting with a woman, which leads to an exciting and daring scene where Bond jumps out of an airplane to avoid his assailants. This is one action-packed prologue that takes this film off to a fast start, and then to the main plot where Bond investigates the mid-air theft of a space shuttle and discovers an evil plan to commit global genocide.
This 007 film is full of brilliant special effects and some neat martial arts type action. The plot is slow at times and drags toward the middle. However, Roger Moore is great, with his hilarious one-liners, like when he utters "Play again" after he throws a bad guy down onto a piano and when he says "Take a one giant leap for mankind" when he throws another out of a spacecraft. Q has another awesome batch of gadgets to help Bond on his daring mission and to deal with a host of villains, including the sharp-teeth super-henchman, Jaws.
The laser-gun fight scene was probably a homage to "Star Wars," which was released the same year, and is definitely the highlight of this film that is not to be missed by 007 fans.
Grade B+
"Moonraker" is the most unfairly criticised of all the Bond films. The 11th film in the series and the fourth starring Roger Moore, "Moonraker" works very well for a number of reasons. As Ian Fleming's original novel (written in 1955) had become too dated to translate to the screen, the producers decided to capitalise on the sci-fi craze started by Star Wars, and so created a spectacular space-age adventure where Bond himself journeys into outer space.
Whilst this film was certainly inspired by Star Wars, this is not meant to imply that "Moonraker" copies directly from the former. Don't forget that only the last 20-30 minutes of the film takes place in space. Although the laser battle looks dated by modern standards, it is still a classic slice of Bond action, that, as one reviewer has stated, compares with the underwater battle in "Thunderball". And on that level it works superbly.
What I especially like about "Moonraker" is the way it glides smoothly from one action sequence to another. This way, there's not only no shortage of thrills, but an overall level of consistency in the storyline is maintained, where Bond hops across the globe (to Venice and Rio, for example) uncovering clues as to the disappearance of the Moonraker space shuttle. On the way, he survives the customary assassination attempts by the bad guys (Drax and Jaws), and then at the end of the film all the clues piece together to complete the jigsaw. It's steady, consistent storylines like this that prove the key to a successful Bond film.
Purists often accuse "Moonraker" of being too stupid. Although there are some pretty outrageous sight gags, the film still retains its enormous appeal. Certainly, "Moonraker" is the most light-hearted Bond film, and it's quite clear that Roger Moore was enjoying himself tremendously here. His performance in this escapade certainly brought a smile to my lips.
There's also a wonderful cast. Drax is quite possibly the best Bond villain. His one-liners are great and he is certainly not short of ideas on how to dispose of Bond. The beautiful Lois Chiles proves to have the right qualities as an astronaut/CIA agent, and she is a worthy ally to 007. Bond's first romantic encounter Corinne Dufour (Corinne Clery) brings a lot to the film. Richard Kiel makes his encore performance as the steel-toothed giant Jaws. After his superhuman appearance in "The Spy Who Loved Me", Jaws plays more for laughs this time round, but his Roadrunner/Wile E. Coyote-type battles with 007 are still entertaining. There's also another henchman, Chang (Toshiro Suga) who provides more credibility if somewhat less invincibility in a superbly staged duel with Bond in a glass factory.
"Moonraker" also sees John Barry at his composing best. He provides a number of rich, atmospheric tracks that perfectly reflect the film's outer space theme. Shirley Bassey's third title song isn't quite as good as "Goldfinger" but better than "Diamonds Are Forever", and is certainly as good as Carly Simon's song for TSWLM.
"Moonraker" has often been placed at the bottom of the Bond spectrum. It doesn't belong there. It has everything a successful Bond film needs: a great plot, superb villains, exotic locations, beautiful women, brilliant special effects (for which visual effects maestro Derek meddings received an Oscar nomination) and action by the bucketful. There are scenes which generate genuine suspense and which feature awe-inspiring stunts in mid-air and on water. The space scenes are well done and all aspects of the space shuttle look true to life. In summary, "Moonraker" is a brilliant film in its own right and should rank up there with "Goldfinger" and "The Spy Who Loved Me" as one of the best Bonds ever made. I strongly urge you doubters to take a second look.
Moonraker is a movie by gadgeteers, for gadgeteers, about gadgeteers. Our age may be losing its faith in technology, but James Bond sure hasn't.
When the space shuttle Moonraker is hijacked in midair while being transported to the United Kingdom, MI6 director M (Bernard Lee) assigns his best agent 007 James Bond (Roger Moore), to investigate, starting with the shuttle's creator Drax Industries, headed by billionaire Hugo Drax (Michael Lonsdale). Aided by NASA astronaut/scientist and CIA agent Dr Holly Goodhead (Lois Chiles), they uncover a genocidal plot to destroy the Earth's population and repopulate it with selected couples currently being housed in an undetectable space-city hovering over the Earth. All of the James Bond movies are based, in some part, upon novels by British author Ian Fleming [1908-1964]. Moonraker is based on Fleming's 1955 novel of the same title. It was adapted for the screen by English screenwriter Christopher Wood. Wood, in turn, novelized the movie in James Bond and Moonraker, published the same year in which the movie was released (1979). Moonraker is the eleventh film in the EON Bond franchise and the fourth movie to feature Roger Moore as James Bond, 007. Moonraker is sung by Welsh singer Shirley Bassey, who is the only performer to date that has done more than one Bond theme. She also did the themes for Goldfinger and Diamonds are Forever. Bond starts out on an airplane returning to London from Africa, where he was just finishing the last leg of another mission. He is then sent to California in order to talk with Hugo Drax, the builder of the Moonraker that was hijacked in midair. There he meets Dr Holly Goodhead for the first ime. When Bond learns that some of the parts for Drax's Moonrakers are being made at the Venni Glassworks in Italy, he flies to Venice where he encounters Holly Goodhead again. Bond figures out that Holly is a CIA operative, and they decide to work together. They learn that Drax is moving his operation to Brazil, so they fly to Rio. After Bond discovers Drax's base in the Amazon jungle, he and Holly commandeer a Moonraker and end up in outer space. Drax is playing Raindrop Prelude, opus 28, number 15 in D flat Major, composed by Frédéric Chopin. In the DVD commentary, it says that the effect was created with high-pressure air jets through a thin nozzle on a tube held off camera by Roger Moore himself. Moore suffered bruising to his cheeks afterwards.As he explains to Bond, one of the six Moonrakers that were needed for him to complete his mission developed a fault during its assembly. He needed to get back the one that was on the way to England because he was breaking down his operation on Earth and didn't have time to fix the ship that developed the fault or build another Moonraker. According to a commercial raiser of snakes, it's a reticulated python, native to Africa. It's the theme song from The Magnificent Seven (1960) (1960). During his fight with behind the glass-faced clock, Bond spots some large crates with the Drax Industries logo and Rio de Jainero stenciled on them. One of the crates is partially broken open and Bond spots one of the globes he saw in the laboratory inside it. Bond and Holly knock out the pilots for the sixth Moonraker and take their place. Flying on a preset course, they eventually rendezvous with the other Moonrakers at a radar-cloaked space station where Drax has assembled numerous pairs of perfect people whom he intends to use to restart the human race. Bond and Holly disable the radar jammer in order to make the station visible from earth. The U.S. subsequently sends a military shuttle to investigate. Meanwhile, Drax has launched the first three of 50 globes carrying the deadly nerve toxin to earth in his attempt to wipe out the imperfect human race. A laser battle in space takes place when the military shuttle arrives, and Bond manages to eject Drax into space after shooting him with a cyanide-tipped dart. The space station begins to break up, so Bond and Holly attempt to get away in Drax's personal Moonraker, but they can't get the release work. Jaws (Richard Kiel), having been convinced to turn sides when Bond points out that Drax won't allow him and Dolly (Blanche Ravalec) to live in his perfect world, agrees to help and frees the Moonraker. As the space station begins to disintegrate around Jaws and Dolly, their module also detaches from the station; they go floating into space just before the space station explodes. Bond and Holly track down the three globes and destroy them. In the final scene, M has gotten visual contact with Bond's Moonraker. Bond and Holly are seen floating in space with only a sheet to cover their naked bodies. "I think he's attempting re-entry," says Q. Bond flicks off the camera, and Holly asks him to "take [her] around the world one more time." After Bond destroys the last globe, a Houston controller states that the American shuttle rescued two survivors "a tall man and a short, blonde woman", indicating that Jaws and Dolly did indeed survive. Bond comes across Drax when M has Bond expose him as a card cheat. Drax has a red beard that covers scarring on his face. The Moonraker is a missile instead of a space shuttle. Jaws and Chang aren't in the book. Dr.Holly Goodhead is instead a Scotland Yard agent named Galatea "Gala" Brand. Drax turns out to be a Nazi named Graf Hugo von der Drache and the Moonraker is secretly aimed to hit London. Drache captures James and Gala and plans to cook them with the Moonraker's rockets. They escape and James changes the gyros then he and Gala hide in the shower turned on full blast. Drache escapes in a Russian submarine but a reprogrammed Moonraker blows him out of the water. Bond and Gala are exiled to France until the event blows over but Gala reveals to Bond that she's engaged to marry another man. Including Moonraker, Moore made seven movies in which he played James Bond: Live and Let Die (1973) (1973), The Man with the Golden Gun (1974) (1974), The Spy Who Loved Me (1977) (1977), Moonraker (1979), For Your Eyes Only (1981) (1981), Octopussy (1983) (1983), and A View to a Kill (1985) (1985). a5c7b9f00b
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