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James Reece is an ambitious aide to the U.S. Ambassador in Paris, doing little jobs for the CIA and hoping to get into black ops. On the night he and his girlfriend, Caroline, become engaged, he's told to pick up Charlie Wax at Orly. Charlie is an unorthodox government employee - large, bald and bearded, foul-mouthed and eccentric. Charlie immediately takes James on a wild ride of murder and mayhem, through ethnic enclaves. As bodies pile up, the purpose remains opaque to James. Caroline, unhappy that James has been out of touch for a day, tells him to bring Charlie for dinner. Charlie can be charming - where will it lead? Does the chess-playing James have what it takes?
In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.
Look, I wasn't expecting much here. I wasn't expecting to think, to feel, to experience something "cinematic" that would warrant a review. I just wanted to be entertained. 6.5 rating, aging Travolta, Besson's name attached...how bad could it be?
And it's watchable...for a while. Travolta cusses, fusses, and murders his way through a loosely plotted first half. (The other guy is functionally useless except as a rare barometer of sanity when he whines about all their rampaging and carnage.) The action scenes are so goofy they could almost be parody.
With some fun plot twists and maybe a bit of courage (not to be a xenophobic, sexist sewage-clogger), this could have gone somewhere satisfying. But the last act completely ruins it, turning it into the kind of film thugs would watch to get pumped up before going out and committing hate crimes.
In actuality, your average American action film viewer in the era of Trump will find this enjoyable. Hence the 6.5 rating. That's the saddest part of all.
The body count in Pierre Morel's FROM Paris WITH LOVE is absurd. Half of the film consists of senseless violence. Squibs explode on countless stuntmen, dummies fall down stairwells and things explode. The weak script flirts with some clever ideas but this basically all that really happens.
To accuse an action film of being just a series of energetic set-pieces seems redundant, it's what fans have come to expect, it's just a shame there isn't a little more to it. Any clever moments are lost under absurdities.
The emphasis is exclusively on the killing prowess of the hero, as was the case with similarly ultra-violent flicks like RAMBO (2008), the villains are less than one-dimensional. Great action movies need great villains and this just doesn't have one. RUSH HOUR 3 (2007), with which this film shares the Paris setting and "buddy" dynamics, was nothing special but at least it had Hiroyuki Sanada.
Where once movies like this (about two mismatched white American heroes) would have starred a pair like Clint Eastwood and Charlie Sheen (THE ROOKIE, 1990) or Dolph Lundgren and Brian Benben (DARK ANGEL, 1990), here we have John Travolta and Jonathan Rhys-Meyers. It's unusual casting but just about works. As straight-laced rookie partner to Travolta's seasoned renegade, Rhys-Meyers is better than expected but still curious choice. Perhaps they couldn't afford Jude Law.
Both Myers and Travolta are playing against their common types, but it's Travolta who makes the whole thing work. Having played a number of villains, most notably in BROKEN ARROW (1996) and FACE/OFF (1997), this is his first heroic lead and he's awesome. Drawing on those past performances, he plays a badass agent called Wax. In between gunfights he swears a lot, snorts coke and has anal sex with a prostitute (offscreen and implied by a throwaway line of dialogue). He's far from your typical action hero type.
He's also barely recognisable. His thick head of hair has been shaved off and he's got a goatee, he couldn't look less like the Travolta we're familiar with. As with case of his performances in John Woo's films, he's clearly having great fun, the attitude and energy of his performance is exciting to watch and the main reason to check this movie out.
A ''fun trash'' movie that's more trash than fun.
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