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In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war.
The Interpol Agent Louis Salinger and his partner are investigating the International Bank of Business and Credit (IBBC). This investigation is with with the District Attorney, Eleanor Whitman, from Manhattan in a two hundred million dollars illegal business of weapons trading. They schedule a meeting with an insider informer from IBBC at the Central Station in Berlin; however his partner is mysteriously killed after the encounter. Salinger finds the identity of the informer when he sees that the Vice President of Acquisitions André Clement had died in a car accident. Salinger and Whitman head to Milan where they meet the politician Umberto Calvini, who is a big arms manufacturer, and he explains that IBBC is interested in buying the missile guiding system that he produces in his factory. When Calvini is murdered by a sniper in a political rally, Salinger and Whitman head to New York following the killer and later to Istanbul, and disclose a scheme of arms supply and destabilization of governments to make their nations slaves of debt. Further, the bank is protected by legal systems and only if Salinger crosses the line he might bring some justice to the corrupt system.
A story about a gov't agent trying to bring down a corrupt international bank. Anyone know of such a thing these days? But, it was a good yarn pretty well told, all in all, and very topical.
The story was a bit slow in developing and was too intelligent for most action film fans so most may likely be bored through some of it. I liked it mainly for its timely story and great technicals, cityscapes and sets(the Guggenheim? Wow!) and not much for its humanity, which was quite sparse and sometimes almost robot like. Character development was nil and without that, who cares much about the participants? Everything was sacrificed for the story, even the individuality of the characters. Taken was a more satisfying film to me and perhaps a better one, as it had humanity, love and care for others in it. The International did not.
Clive Owen as the lead is an intense actor reminiscent to me of Richard Burton. He does well in these in-your-face films requiring "terrible sincerity" as did Burton, but is he an actor of varied talent in any another film form? Claire Danes was acceptable in yet another of her wasted, anyone-could-have-done-it roles. When will she stop doing that and get a decent role?
I liked the ending as it truthfully showed that one man cannot ever stop or even affect much the international corruption of man or his businesses, in this case banking, as it will go on and on mostly unchanged no matter the wasted efforts of possibly the most totally committed, skilled and persistent man who ever tried to bring it down(in movies, that is).
The International feels like the result of a compromise. As if the financiers said to Tykwer, "Yes, we'll allow you to make a serious sober movie about what the scale of debt and munitions is doing to the world, but 50% of it is required to be action-packed." There are times that the film is merely going through the motions (Barker smashes a friends phone to prove that he's being bugged, and pulls out an indistinguishable diode that not even he would know is an eavesdropping mechanism). The action set-pieces (including the Guggenheim one) feel gratuitous, as if the film is too smart for them. The effort to place everyone in a sexy new city every twenty minutes feels forced. The plot contains too many dumb coincidences.
Tyker's lovely, precise technique (seems like the cameras are computer-controlled here and there) is much more interesting than the atlas of modern architecture he wants to shoehorn into the picture. The sequence under the end-credits has more gravitasd and nightmarish implication than anything in the movie, but half the audience will miss that as they troop out of the theater. The female lead is utterly gratuitous. Clive Barker is sort of a thinking man's hero.
Some of this seems borrowed from the Brit-noir 'The Assassin ('52).'
I couldn't help feeling that The International was stuck in second gear, like it couldn't decide whether to be fun or meaningful and so settled for being neither.
The International is an original screenplay by screenwriter Eric Singer. The screenplay is supposedly based on two financial corporations—the Canadian-based Permindex Trade Organization and the Pakistani-based Bank of Credit and Commerce International. The title refers to the International Bank of Business and Credit, a powerful international bank that is involved in illegal activities and corruption. a5c7b9f00b
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