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A former L.A. drug dealer has moved to Houston to make a new life for himself as a married architect. Everything falls apart when he is suddenly visited by one of his former cohorts who comes carrying heroin. Discovering the dope, the architect flushes it down the drain. This sets up a series of tough customers seeking the dope including a Rasta hit-man, an ex-lover Dallas who ties him up and rapes him, a criminal called Billy with a penchant for torture, and a rogue cop.
The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover Dallas (Paulina Porizkova) and fellow hitman Billy Hill (James LeGros) are getting impatient and tell him to hurry up. Conflicts between Nick and the cashier (Luck Hari) ensue, resulting in Dallas shooting the cashier dead. Though the three attempt to cover up the crime, they are forced to also shoot a police officer (Bari K. Willerford) when he discovers blood on the ground.
When i watched this movie i had no idea what it was about, and i had never heard of it before. But i must say i was positively surprised. The first few minutes are almost the most funny of the whole movie. The store clerk from India is just too funny! Anyways, the story isn´t really too much to talk about, but i think it´s ok. The acting on the other hand is quite good, and still the only actor i recognized was Mickey Rourke who wasn´t really in the movie until the ending. And the ending is where the turn-off is i think, it´s not bad but i don´t feel like it really ends. I feel like there should have been something more. A final battle in some way. I don´t know. All in all, this was a good movie and i recommend it to anyone into Tarantino-type movies with loads of violence and dark, sinister humor! I rate it 7/10.
Want a film that's hip, loaded with attitude, funny and shocking at once, packed to the rafters with wild lowlifes? Skip Woods has delivered one, but about five years too late. We've seen everything in THURSDAY before, so you'd best enjoy this film without the baggage of seeing PULP FICTION - and that's a tall ask.
Compared to FICTION or RESERVOIR DOGS , THURSDAY is as flawed as you'd expect. Spontaneous raps about Star Trek, the sadistically amusing torture of a helpless, bound man, and drug-dealer flashbacks all ring a bell. It's derivative, but it's still fun.
Against the leagues of Tarantino ripoff's on the market, you could do much worse than THURSDAY. The day-in-a-life saga, and flexible pace are sometimes a blast. The violence makes you squirm and laugh, so at least it hits the mark, even when it aims low. And the havoc sown on the picturesque picket fence suburb is cruelly effective.
Going out of his way to shock, Woods' film goes wrong because for all his youthful arrogance, THURSDAY isn't half as original as he no doubt thinks. And be warned, the ending is a travesty. It's abysmal and uninspired enough to make you reassess the merits of the picture before the credits have even begun.
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