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Memphis Raines must return to the world of auto theft after his brother breaches a contract with a Russian crime lord to deliver high end cars. Memphis must get a gang together for a one night 'boost' to grab all the cars while avoiding apprehension by the auto theft cop who trailed him years before.
Car theft in Long Beach went down 47% when Randall "Memphis" Raines walked away from the life. He gets dragged back into it by assuming the job his brother Kip screwed up for stolen-car broker Raymond Calitri: steal 50 exotic cars and have them on a container ship by 8 AM Friday morning, and he got this news on a Monday. With Calitri threatening to kill him and Kip, and the police GRAB unit breathing down his neck, Memphis reassembles his old crew and attempts to pull off the logistically impossible.
In recent years, or at least the recent year, I've become attuned to such issues as sexuality in movies and such things that only come from studying film in a college environment. So little things tend to leap out at me when watching even movies intended for consumption with popcorn, such as this one, Jerry Bruckheimer's (producer of The Rock, Con Air) latest MTV-edit action offering. The issue here that struck me was that the one female character in the movie - Angelina Jolie's 'Sway' - was barely onscreen for the film's duration. Here we have a major star (she stands on the poster with Nic Cage, only a little smaller than he), a major actress (a recent Oscar winner), a beautiful woman (watch 'Gia') ... but she's almost literally pushed off the screen by actors like Robert Duvall, Delroy Lindo, Giovanni Ribisi, not to mention of course, Nic Cage. Considering the screenwriter in question is Scott Rosenberg, who wrote the incredible female-character-oriented screenplay, 'Beautiful Girls', the blame for this blatant sexism can only fall to the obvious culprit, Mr. Bruckheimer, who is known for his testorone-fuelled blockbusters from Top Gun through Crimson Tide up to Armageddon and finally this (not to mention the forthcoming Pearl Harbor - in which I cannot imagine many strong female roles will appear).
That aside, the movie is fine. I've always liked Bruckheimer's movies, and I liked the director, Domenic Sena's, last movie 'Kalifornia' ... however, the formula becomes tired. A quick comparison to 'Armageddon' is easy - the gathering of 'the old guys' who have been scattered across America, the family bond (here brother to brother, there father to daughter), the all-too familiar score style, the flashy and often inane use of editing. It's easy to slip into liking, but easy to slip out to hating. So torn between a positive and negative opinion, I'm going to just sit on the fence because hey, this movie stars Nic Cage and Angelina Jolie and if you like these actors as much as I do, then you're going to go and see it. So go see it. It's worth it.
My opinion: it's Bruckheimer, go figure.
180215: First time I've watched this film in many, many years. Not quite the classic I once felt compelled to purchase. Has not stood the test of time and features some pretty weak acting. Of course, Eleanor's performance is still the highlight but even she has lost some glow. Next.
I'll tell you what's gone in 60 seconds, all right: my attention.
Nearly five years after the first release of this movie on DVD, Buena Vista Home Ent. released an Unrated Director's Cut that features not only several new scenes - altogether 45 - but also alternate angles of existing shots. a5c7b9f00b
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