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Download Buffy The Vampire Slayer


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A flighty teenage girl learns that she is her generation's destined battler of vampires. Buffy is an air-head cheerleader who is chosen by a guy named Merrick to fend the world of Vampires. When Merrick first informs Buffy that she is the "chosen one," she thinks he's crazy, but then strange things begin to happen. First, Buffy's friend Cassandra and many other kids form her school turn up missing and are later found "dead" with bite marks on their necks. After many other strange ocurrences, Buffy then realizes that those bite marks were made by vampires, and that they really are out there. She comes to to horrifying truth that she is the "chosen one." "I usually enjoy lameness, but this is leaving me kind of cold.") -- Daniel "Oz" Osborne ("Buffy the Vampire Slayer", the television series: "Earshot")

I watched the original movie on cable. I didn't particularly enjoy it. This lack of enjoyment even bordered on hate. I'm not a avid fan of campy humor. I do in enjoy it when it's being used in the right movie and when it's being used in the right doses, but this wasn't the right movie and, even if it was, the doses were way too high. I still am not completely happy with it, but I do like it better.

What changed? The series. When I heard that there was going to be a television series based on "Buffy the Vampire Slayer" I thought it would be one of the worst series that could possibly ever be envisioned. Of course, I watched the pilot episode just to see if I might be mistaken. It turned out I was. The pilot episode didn't have the campy humor of the movie. Instead, it was scary, filled with action, and had humor that was based on the characters trying to deal with the insanity of what was going on around them.

About a year later, I learned that the original movie had little resemblance to Joss Whedon's original script and that his script was as a blend of horror. action, and humor. I had a hard time reconciling the version that I had seens on cable with what was supposed to be there before the directors or executives massacred Whedon's vision. In the original version, Buffy burns down the gym to defeat the vampires. Cool.

A few years after that, I watched the movie on tape and tried to view it through Whedon's original vision. I had three major contentions with the movie: the campy humor, the action sequences that happened throughout the movie, and the climax which many have said was anti-climatic. First, I downplayed the campy humor and tried to focus on the scenes that seemed less campy. This allowed me to enjoy the scene between Pike and his friend who is floating outside his window and the scenes between Merrick and Buffy even more than I did before. Second, I viewed the actions sequences as if they had been shot by the crew from the television series. This allowed me to view the action as faster and scarier. Third, I viewed the end as if Buffy had burned down the gym and the crew from the television series shot it. I thought, "Now that would be cool."

If you don't like the movie and like the series, try this method. It may help. Let me just list the cast here for you: Kristy Swanson in her best role, Donald Sutherland, Paul Reubens, Rutger Hauer, Luke Perry, Hilary Swank in her debut role as a crimped-hair Valley girl, David Arquette, Stephen Root, Thomas Jane, Ben Affleck in a very early role, Seth Green and Ricki Lake.

Now, do I still need to convince you? The show is better, of course, with its blend of humor and serious plots (more serious as it went on), but this film really captures the early 1990s in all its glory, and Swanson before her downfall. Some have said this film opened the door for "Clueless"... I think that is entirely possible.

Catch this if for no other reason than to see Donald Sutherland as a great slayer trainer and Pee-Wee Herman as a weird vampire. Those two performances alone make the film. Oh, and Rutger Hauer is interesting, too... very refined. In short, when Buffy starts getting fangy, it stops being tangy. It gets all serious and earnest and flops as a teen-age love story and as a vampire thriller and even as a parody. It's not even a "Fright Night," much less a "Near Dark," and only hints at a "Lost Boys" ambience. [31 Jul 1992, p.38] In the film Buffy is a senior, while she is a sophomore by the start of the TV series. She lives with a neglectful mother while in the show, her mother is thoughtful and careful even though Buffy becomes the distant one, due to her Slayer routine (Joyce comments in the series that she's not the 'social butterfly I used to be').

In the movie vampires can fly or at very least levitate, don't transform into 'vamp-face' and they don't 'dust' when killed as they do in the TV series (the special effects simply didn't exist yet). In the movie Buffy's vamp-sense is more pronounced whilst in the series she largely relies on her 'keen fashion sense' perhaps it is more intense shortly after a Slayer inherits her powers. There is no indication that Faith, Kendra or any of the other Slayers we meet have the Slayer birthmark Merrick refers to. Merrick refers to himself constantly being reincarnated, if so this appears to be something unique to him as in the series being a Watcher is a family tradition. The movie is much more overtly Christian than the series with Buffy declaring 'I am his (Christ's) sword', possibly a scene rewritten by Donald Sutherland given Joss Whedon's self-professed atheism. No, she just experiences the past memories of the other Slayers who came before her in first person, seeing their experiences through her eyes. According to the Buffy]/i] comics he and Buffy split up in Vegas, as he fears he will endanger her if she has to be constantly worrying about his safety rather than concentrating on Slaying. He makes a return several issues later, for the "Note from the Underground" uncanonical story arc set between seasons Six and Seven. He comes to Sunnydale and rescues a felled Buffy from a horde of demons, which makes clear for him that, in addition to vampires, such creatures also exist.

This comics, however, are not considered canon and Pike is never mentioned throughout the television series. The Buffy episode "Normal Again" suggests that Buffy Summers is a schizophrenic in a mental hospital and her being the Slayer is simply a hallucination caused by her illness. This means that her delusion starts during the Buffy movie when she first meets Merrick and ends with the last scene of the TV series where she destroys Sunnydale, defeats her 'demons', triumphs over the ultimate evil (symbolicaly represented by herself) and is told from now on she must 'live like an ordinary person', Buffy regaining her sanity once more after 7 years, still only 23.

Another theory is that both Asylum Buffy and Sunnydale Buffy are real and have some sort of psychic link across the dimensions which drives Asylum Buffy crazy. After the end of the TV series Buffy is only one of thousands of Slayers so her calling no longer dominates her life, allowing Asylum Buffy to regain her sanity in her early 20s and for both to live a more or less ordinary existence. a5c7b9f00b

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