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Captain America: The First Avenger Tamil Dubbed Movie Free Download


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During WWII, Steve Rogers constantly tries to enlist himself into the Army with the intention of protecting mankind. After being denied in several cities, Rogers is finally enlisted through service for a special military division dubbed the Strategic Scientific Reserve. Proving his worth, Rogers is selected by kindly Dr Abraham Erskine to take part in his Super Soldier experiments. Transformed, Rogers is super strong and fast and is dubbed as Captain America. After a brief career in propaganda and saving his best friend, Rogers begins to take the fight to the evil forces of the Nazi organization HYDRA and its dictatorial leader Red Skull, who seeks a source of dangerous power to help him destroy the world. At the outset of World War II, Steve Rogers wants nothing more than to join the army. The only problem is that he can't pass the physical. He's tried several times under different names without success. Dr. Abraham Erskine notes his eagerness and recruits him for an experimental project. Rogers is soon transformed, both mentally and physically, into a super soldier where he eventually faces off against the Nazi organization Hydra and its head, known as Red Skull. Let's start with the good stuff first. The basic Captain America story is a good one and makes for a solid movie. Marvel ALWAYS does well with casting, and it's flawless again here. Evans, Atwell (wow), and Weaving (Elrond) are all spot on, Jackson in a limited role and Jones are also good if not at this point overused. In my opinion Stanley Tucci steals the show in his early appearances as the gentle scientist who prefers the spunky but skinny Rogers for his project. And the CG action scenes which crop up during the movie are a little more realistic than the cut-action/rock video Michael Bay style, where you can't even tell what's going on most of the time. It also does well in projecting the WWII atmosphere. That being said, this movie suffers from two major flaws shared with other Marvel entries - it's TOO DAMN LONG and it is too derivative in its story line. These movies really don't work at over 1:30, it often seems like there's filler thrown in to stretch the time for network resale (or whatever the reason is). There's very little flow from one scene to another. The plot turns are almost formula, this one has elements of Spiderman I & III along with some Star Wars and Lord of the Rings thrown in. Maybe II will be better, I'm not giving up on this yet, but they need to step it up a little. Given an 8 just because this had the potential for a 9 or 10 but didn't hit the spot. Considering how fundamentally 'safe' the superhero action film has become in terms of box office and reasonable standards of entertainment, selling Captain America, age-old icon of American propaganda on cinema screens in cynical and economically unstable times could hardly have been a more difficult endeavor – tellingly, the film was marketed simply as The First Avenger in Russia, the Ukraine and South Korea. Indeed, skepticism and uncertainty have riddled the development of the project, which was first pitched as a Jon Favreau "action comedy" and later as a brutal, gritty, self-critical postmodern war epic. Such tonal fluctuation mirroring the social/political climate demonstrated that having a successful film with such a politically entwined protagonist, was anything but 'safe' – it's hard to imagine Peter Parker being subjected to the scrutiny of "military propaganda" or "patriotic cheese" that beset Steve Rogers.

With this in mind, all the more credit can be given to Spielberg-cohort Joe Johnson for delivering what is ultimately the first comic book film that properly feels like a cartoon brought to life. Pitching strictly for nostalgia, Johnson bravely girds his film with the unabashed gee-wiz charm and heart of a 1940s Saturday morning adventure serial. In the process, without consistently tripping over political correctness, Johnson neatly circumvents concerns of propagandistic exploitation by delivering a film too bombastic, too colourful, too cheerily old-fashioned to be taken seriously enough as any kind of coy ideological manipulation. It's hard to imagine any contemporary audiences, cine-literate or not, being swayed to join the army by witnessing Captain America's hilariously cringe-worthy war bonds tour, arguably the film's strongest and most self-aware sequence. Even a couple of brazenly Spielbergian montages - conflating Captain America's early triumphs or the Red Skull's past crimes into a series of dramatic snapshots - somehow function as endearing and in keeping with the boldly cheerful feel, as Johnson keeps the pace whipping along with an engaging sprightly bounce, accompanied by Alan Silvestri's soaringly heroic musical score.

Indeed, Captain America comes across as more of a vintage science-fiction adventure than war film, as Johnson channels the sort of deliriously cartoonish aesthetic, weapons and technology of 1940s serials, including lavish set design that would do any James Bond evil mastermind proud. Curiously, Johnson's film works in some surprisingly intense action, (including one of the more unexpectedly gruesome deaths in a comic book film), exploring Captain America's comparatively 'grounded' superhuman abilities to the effect of some of the most gripping fight scenes in recent memory, alternating tightly choreographed beat downs while adding the intriguing new dimension of his ricocheting shield to keep the action nuanced. Between the tidily doled out combat (including unique, visually dynamic showdowns between Nazi-scientist sect Hydra and the US army) and the film's encompassing virtually every form of chase scene (car, foot, submarine, motorcycle, train, helicopter, airplane and even zip-lining), there is ample material to appease any expectations for summer spectacle.

Nonetheless, Johnson's film is not, despite its glossy cartoon finish, without its faults. Despite the thundering action, the film may prove too over-the-top for those disinclined to filter through a haze of charming nostalgia. Similarly, throwback cartoonish fun and self-aware irony aside, some viewers may still find it impossible to shake the notion of watching a distasteful two hour army recruitment video. Additionally, like predecessor Thor, the film does lose its footing somewhat as it approaches the climax, and its juggling the emotional demands of a stand-alone narrative while still bridging the transition towards the upcoming superhero epic The Avengers may prove unsettling for non-comic fans. Nonetheless, Johnson admirably reconciles the two, grinding the whiz-bang cheerfulness of his film to a halt with a jarring, quietly tragic ending that, miraculously, proves oddly appropriate in spite of its discordance. Either way, if ever there were a film this year worth sitting out the ending credits, this would be the one.

Chris Evans as the iconic "star-spangled man with the plan" proves the film's greatest boon. Muting his customary swagger without sacrificing his overflowing charisma, Evans concocts an effortless blend between earnestness and underhanded humour, that makes his transition from good-hearted scrawny loser to unexpected patriotic icon somehow feel incredibly believable, sympathetic and appealing, thus selling the whole film. The fact that Evans can tackle moments such as a "this is why we fight" speech, saddled with a nearly absurd CGI- shrunken body, with a straight face and without a false note, and transition to asking his best buddy "Are you ready to follow Captain America into the jaws of hell?" with a perfect a quiver of world-weary, witty, self-mockery in his voice, demonstrates a masterfully conscious and nuanced performer delivering his most assured work yet.

However, Johnson wisely surrounds Evans with a truly impressive supporting cast, each inhabiting their cheerfully one-note characters with enthusiasm to spare. Hugo Weaving masticates scenery with appropriate preening oiliness as the dastardly Red Skull, and Hayley Atwell and Sebastian Stan inhabit love interest Peggy Carter and best buddy Bucky Barnes with laudable presence and credibility. Tommy Lee Jones has a ball wryly clashing with the film around him as Rogers' military superior, and scene-stealer Stanley Tucci infuses the film with warmth and wit as the scientist behind Rogers' super soldier transformation. Dominic Cooper triumphantly bubbles over with charisma, charm and quirky humour worthy of his superheroic son as master inventor Howard Stark, while Toby Jones slithers with welcome relish as the Red Skull's chief scientist Arnim Zola.

While the true make-or-break of the character will depend on his exploration in a contemporary context by Joss Whedon in The Avengers, it is hard to imagine a more appropriate or enjoyable character introduction. Consider Captain America as Indiana Jones' square-jawed uncle – bold enough to demonstrate, by example, the role and function of a national icon, yet retrospectively wise enough to stick to its guns and striving for pure entertainment. Such an unabashed dash of fun is worthy of 'recruiting' viewers everywhere.

-9/10 The fourth comic book movie of the summer is the best comic book movie of the summer. Johnston has delivered a light, clever and deftly balanced adventure picture with real lump in the throat nostalgia. Only some of them. All cinematic material made under the Marvel Studios banner, e.g., Iron Man (2008) (2008), The Incredible Hulk (2008) (2008), Thor (2011) (2011) and Captain America: The First Avenger (2011), are all set in the same universe (known as the Marvel Cinematic Universe), with the characters crossing over (most notably SHIELD personnel—Fury, Coulson, Romanoff or Barton), culminating in The Avengers (2012) (2012) which ties these films together. Marvel Studios also owns/owned The Punisher and Blade, however The Punisher (2004) (2004), Punisher: War Zone (2008) (2008), Blade (1998) (1998), Blade II (2002) (2002) and Blade: Trinity (2004) (2004) are/were not in the Marvel Cinematic Universe (MCU). Other Marvel-based films owned by other studios are not set in the MCU, due to differing ownership. This includes, for example: Spider-Man (2002) (2002) and Ghost Rider (2007) (2007) (both owned by Sony); X-Men (2000) (2000), Fantastic Four (2005) (2005), and Daredevil (2003) (2003) (all owned by Fox). Johann Schmidt, the Red Skull, is the villain, played by Hugo Weaving. The Red Skull is a Nazi German officer and the head of HYDRA, the special sciences branch of the Nazi SS. In this movie, he forces Dr. Abraham Erskine to develop a Super Soldier serum in order to make him the pinnacle of human perfection. Erskine reluctantly complies, but when Schmidt takes the serum, it does not work as planned; it gives him enhanced strength like Steve Rogers but it also has side effects; his face turns a grotesque blood-red and mutates into a hairless skull. As a result, Schmidt has his current head scientist, Arnim Zola, design masks for him which look like his old face which he wears in public to hide the mutation. Erskine later explains to Steve Rogers that the Super Soldier serum enhances the core of whoever takes it; therefore, Rogers, a "good" man in-and-out, becomes a greater man, while Schmidt, a "bad" man in-and-out, becomes even more evil and hideous. Stan Lee appears as a military dignitary at a press conference and speaks one line of dialogue. This is somewhat breaking with tradition considering Lee had nothing to do with the creation of the character, but he did come up with the concept of Captain America using his shield as a throwing weapon in a 1940s text story, wrote many of Captain America's most famous comic book story-arcs and is co-creator of The Avengers, which Captain America is a member of following the events of this film. Captain America was created during World War II, using the "Super Soldier" serum, then being bombarded with "Vita Rays", an early form of radiation which activates the serum in his body. This formula effectively turned Steve Rogers into the perfect human, with abilities beyond those of the best Olympic athletes including enhanced strength, agility and reflexes. However, he does not have "super powers" per se; he has the best strength, agility and reflexes that any human can have without being considered superhuman, i.e., any form of supernatural influence with grants him his powers. His immune system allows him to resist most diseases as well as gives him incredible endurance. For example, his metabolism operates at a rate of four times the normal human; as a result, his muscles build up lactic acid at an extremely slow rate, allowing him to have almost limitless endurance and operate at peak performance for far longer than any conventional human being. Additionally, the Super Soldier serum has effectively been metabolized into Rogers' body; it is that enhancement that somehow allowed him to be frozen in ice in suspended animation for decades (as opposed to dying from hypothermia) until rescued by SHIELD. The film version of the treatment also gives him heightened mental acuity; he is able to accurately memorize a map of HYDRA bases after only a few seconds of looking at it during a raid.

This movie version uses more the abilities of the "Ultimate" universe Captain America. In which he is super strong and agile, but not to the extent of Spider-man and nowhere near Hulk or Thor. This is demonstrated in the movie when he is easily lifting a motorcycle while three women sit on it for an extended time. That should be between 800 and 900 pounds (360 and 400 kilograms). Olympic class power lifters can lift around four and a half times their body weight, with a great amount of exertion. That means a non superhuman Captain America, at peak performance could only lift around 800 pounds under optimal conditions and with a great deal of exertion. If he didn't have some superhuman ability, the movie version could never do this, unless he had some amount of super strength, even with an enhanced metabolism. Perhaps the motorcycle was just fake, made of very light material as a tool to allow the girls to sit on it, and Rogers had to lift barely more than them (which would have constituted an acceptable weight of around 350 pounds [160 kilograms]). In addition, he is able to leap over a roughly 10-foot fence (roughly 3-meter fence) while running, clearing it easily. Finally, as his metabolism expels toxic substances very quickly, he can't get drunk.

He was trained in nearly every form of unarmed combat as well as gymnastics; as a result he is considered the finest unarmed combatant in the world. He is so formidable that in a recent story when a villain temporarily neutralized Cap's physical enhancements, he took on four guards escorting him who themselves were enhanced with the same treatment and defeats them all within seconds. He also studied military history and strategy extensively, which will establish him as the ideal field leader of his superpowered fellows in the Avengers. He also has his iconic Shield, which is made of a combination of Vibranium and an unnamed metal alloy; although the alloy has been mistakenly identified as Adamantium, Dr. Myron MacClain (the scientist who designed the shield) did not discover Adamantium until years later. The shield is virtually indestructible; additionally, the Vibranium allows the shield to absorb an extreme amount of impact without transferring it through the shield, i.e. Cap gets punched by Hulk and blocks with the shield, he won't sustain any severe injury from the impact like a broken arm. He uses it as a shield, a blunt object, and throws it like a discus which can be angled to ricochet back to him after connecting with its target, or caroming off other objects before hitting its target. In later installments of The Avengers, we see him working in tandem with Thor; Thor hits the shield with his hammer, Mjolnir, causing a massive shockwave that takes down enemy soldiers. The producers of the film decided to give Cap an outfit that would reflect what the army would really have given him in World War II. The colors are similar (the gloves and boots are more brownish-red than pure red) but the material makeup of the outfit is very much like what a regular soldier would wear in the combat zone, with regular boots as opposed to the pirate-like "swashbuckler" boots in the comic, military-style gloves instead of bright red gauntlets, etc. The outfit is not without some enhancements, however; for example, Howard Stark (the US Government's main weapons supplier) designs part of the costume using what appears to be a chain-mail / Kevlar blend with the capacity to stop bayonets from piercing it. Interestingly enough, early in the film Steve Rogers goes on a USO Tour wearing an exact copy of the comic-book outfit, albeit made out of simple cloth as opposed to chain-mail, complete with the "swashbuckler" boots, bright red gauntlets, etc. The final outfit used for the movie reflects the one designed for the Ultimate Captain America comic-book series. In the film, after Rogers has become Captain America, he is sent on an USO Tour to drum up support for US Bonds. He is given a costume with a flag motif (the classic costume as seen in the comics, albeit made out of cloth and not chain-mail) and a triangular shaped shield. The shield is made out of conventional metal with no enhanced properties. Later, Rogers has Howard Stark design him a new outfit and is presented with different shields designed by Stark. Rogers spies a simple round metal disc off to the side, and Stark explains that it is a one-of-a-kind prototype made out of Vibranium, a virtually indestructible lightweight metal which can absorb and disperse kinetic energy such that the wielder of the shield would feel virtually nothing. Stark reveals that the shield is made up of the only known specimen of Vibranium, making it the only one in existence. In the comics, Captain America started out with the triangular-shaped shield that was not indestructible. During World War II, he was given the disc-shaped shield made of an indestructible substance that was accidentally created in a lab. Dr. Myron MacClain was trying to create an indestructible armor out of an alloy of an alien metal and another experimental earthbound metal—the alloy is called Vibranium and was supposed to be a new type of armor for American tanks. The other metal in Cap's shield is mistakenly identified as Adamantium, the same metal with which Wolverine's claws are made and skeleton reinforced, although Dr. MacClain did not discover Adamantium until years later. Thus the shield is both indestructible and absorbs energy, meaning that with it Cap can—for example—take a punch from the Hulk and not break his arm or be sent flying. MacClain was not able to duplicate the result, so Captain America's near-indestructible disc shield is the only one in existence. Yes: Steve Rogers is training on a heavy bag, when Nick Fury interrupts Rogers to inform him that he has a mission lined up. Fury also reminds Rogers that he's not the only hero around, which segues into a teaser trailer for The Avengers (2012). It is a "cosmic cube," a well-known artifact from the comics, here renamed the "Tesseract". Although Schmidt never realizes this, he has tapped only the tiniest fraction of the device's power. Within the Marvel Universe, a cosmic cube is the embryonic form of a Beyonder, one of a race of immensely powerful beings. Those who understand a cosmic cube's nature (which, fortunately, Schmidt never did) and are mentally strong enough can use it to rewrite reality in whatever way they wish. The Tesseract becomes even more important in the next MCU installment, The Avengers. When Captain America finally receives his shield, Howard Stark (Tony Stark's father) gives him the choice of many prototypes. In Iron Man 2 (2010) (2010), Tony Stark is seen in possession of what appears to be Captain America's shield. However, the shield in Iron Man 2 is incomplete and does not look the same as the one in Captain America: The First Avenger. Therefore the shield in Iron Man 2 may have been one of the many prototypes. Another possibility is that a considerable amount of time has passed between finding Captain America in the beginning of this film and the shield appearance in Iron Man and Iron Man 2, thus giving time to Stark to acquire the shield. Another storyline in the mythos of the character tells how Howard Stark had tried to enhance the shield or build a prototype that was fitted with electronic components allowing Rogers to control the shield while it was in flight, possibly increasing it's accuracy when thrown at a target. Rogers abandoned it later, saying that the components made the shield less accurate when he used it in this manner. By implication, Howard Stark is simply incorrect. Captain America's shield, in this incarnation of the myth, is made from pure vibranium, an exotic metal whose properties are not fully understood. In the comics, it has shown many different effects, one of which is the ability to absorb energy vibrations such as sound which serve to harden the molecular structure. The more it absorbs the stronger it becomes. It is not, however, adept at absorbing mechanical energy such as the impacts of physical objects, which is reflected rather than absorbed, thus its ability to bounce off solid surfaces. When Thor struck the shield in The Avengers, its hardness was strong enough that it could withstand a blow from Mjolnir and also becoming stronger due to the energy vibrations of the lightning the hammer emitted. No. The Tesseract converted him to energy and teleported him into the rift it had opened. He does not appear in the sequel, Captain America: The Winter Soldier (2014) (2014). Furthermore, Hugo Weaving said that he is not interested in returning as Schmidt. a5c7b9f00b

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