Hindi Thunderbirds Free Download
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Having narrowly averted a major disaster on an oil rig, the Thunderbirds have just returned home to their secret base when TB5, their space based station, is critically damaged in a suspected meteor strike. Unbeknown to them, the attack on TB5 is a deliberate ploy by international master criminal Aristotle Spode to get them off the island. He takes over the island and forces Brains into submission, using the power of his mind. But Spode has overlooked one key factor: Alan, Fermat and Tin Tin are still on the island.
The year is 2010. Teenager Alan Tracy, sent off to a distant boarding school, is the youngest of the sons of Jeff Tracy, a retired American astronaut. Jeff, a widower, has formed International Rescue, and raised his sons to act as a secret, volunteer organization which uses highly advanced technology to save lives worldwide. Jeff and his older sons John, Virgil, Scott, and Gordon, who like Alan were named after the Mercury Seven astronauts are joined in this effort by Lady Penelope and her butler/chauffeur Parker. Their futuristic hardware is largely developed by a genius scientist known as Brains, who lives at the International Rescue base on Tracy Island, somewhere in the Pacific.
I had high hopes for this movie, but it seems the makers did not. They could have had faith in the source material. They could have hoped that preserving the wonderful legacy of the original TV show (albeit with modest adjustments for a contemporary audience) would have been worthwhile, and delivered a hugely enjoyable action adventure movie. Instead, they either did not understand the value of the source material they were handling, or did not appreciate it. Whichever was the case, they jettisoned it, threw away most of anything that would have made this a creditable movie, and re-made 'Spy Kids'.
If trying to be fair (and perhaps fairer than the makers deserve), there are two potential audiences for this movie - those who have fond memories of the original TV show, and those who don't. The latter group may find it passably enjoyable. They may wonder why anyone wanted to make a 'Spy Kids' clone. They may wonder why the producers think an action adventure movie for kids has to be ABOUT kids having adventures, when the rest of Hollywood has moved on and realized this need not be the case. They may wonder why they are sitting through a strictly formulaic movie-by-numbers flick with dial-it-in performances, promoted as if it's meant to be a big summer hit. But they might find it averagely OK.
But the first group - those who not only remember the Gerry Anderson TV show but remember it fondly - will feel sick that such wonderful potential has been wasted. Gerry and Sylvia Anderson created a marvelous action adventure fantasy world, with a great premise and endless potential. The show had warmth, humour, fun, thrills and spills and a unique tone which endeared it to millions and made it Anderson's biggest ever hit show. The producers of this lame movie have not only paid no heed to the spirit of the original (even telling Anderson that his services were not required), but actively trampled all over it. A modest tinkering with the material to bring it up to date would have been fine, welcome and appropriate. Instead they have comprehensively missed the point of the original TV show, messed around with the characters, invented characters that never existed and put them centre stage (Brains has a son?) and otherwise treated their source material with utter contempt.
It is a great movie? No. It's isn't even a good one. The first duty of any film-maker is to find a good story worth telling, and to tell it well. They haven't. The story is dull, flat, predictable and lamely paraded before us. At the same time, they have treated the Thunderbirds concept with disdain and contempt, and soured what could have been a great new franchise.
I am sorry but this movie SUCKS! The story is uninspiring and the characters are not very well played.
However I do think Ron Cook as Parker works perfectly. And speaking as a teenage boy I enjoyed Vannessa Hudgens as Tintin though her part was again, unexceptional.
When it comes to the ships I have to admit they did a good job with each one looking quite good. However the scenes within the actual ships such as the scene where Alan and Fermat are inside Thunderbird 1 it is clear to see the strings attached to them. Unrealistic.
As well as this the enemies of the film are gimmicky and quite simply, unbelievable.
Would I recommend, no. Instead I would recommend the watching of the original series of Thunderbirds. Avoid this particular movie.
Watching a misfire like Thunderbirds illustrates how impressive the "Spy Kids" movies are.
According to publicity material, the film is set in 2020, six years before the first episode of the series. This may appear not to be canon to the TV series, and in fact isn't, but this is not a fault of the filmmakers. In the Christmas episode "Give or Take a Million", we see a calendar with the year 2026. It has since been stated that this year was a mistake by the propmaker and should have been 2065, the year that Gerry Anderson wanted the series to be set in, and is generally accepted to be the case. But where Alan Tracy is 21 in the series, in the film he is 15, so the year corresponds correctly. Yes, there are quite a few:
Characters' ages: Many of the characters are younger in the film than in the show. As this film is supposedly set six years before the series' pilot (ignoring the fact that the episode features International Rescue's first mission) then this is feasible. However this is not applied to everyone; Lady Penelope and Parker are clearly around the ages given to them in the show (27 and 55, respectively) and Brains is also older - although that may because of another change; he's a father!
New characters: Yes, Brains has a son in the film, Fermat. Along with Onaha, wife of Jeff Tracy's manservant Kyrano, these two characters were created specifically for the film, as were The Hood's associates, Transom and Mullion.
Pilots: Jeff Tracy is seen flying Thunderbird 2 at the beginning of the film, with Virgil seemingly his co-pilot. Virgil is never seen flying her solo. The most obvious change is that Gordon Tracy is shown here to be the pilot of space rocket Thunderbird 3. In the series he was the aquanaut in charge of submarine Thunderbird 4, a role apparently given to Alan at the end of the film, going by the yellow colour-coding of his International Rescue uniform.
The Hood: Sir Ben Kingsley's character actually calls himself by this name in the film, as well as being referred to as The Hood by other characters. The Hood was never mentioned by name in the TV series, only in other media such as comics and publicity material.
FAB 1: Lady Penelope's famous pink Rolls Royce limousine of the TV show becomes a modified Ford Thunderbird car in the film. This is due to BMW, holders of the Rolls Royce marque, refusing to allow the filmmakers to use it. The new version does bear some trademarks of its TV counterpart, such as the glass canopy, six-wheel drive, and "special features" - although the version in the series did not fly...
Tin-Tin's powers: Unlike the TV series, in the film Tin-tin is shown to possess and use the same telekinetic/mind control powers as her uncle, The Hood.
Uniforms: International Rescue uniforms are completely different in the film than the TV series, although they are colour-coded like those in the show. Also, there are no hats, although an ice cream seller (a cameo by the film's visual effects supervisor, Mark Nelmes) can be briefly seen to be wearing a white version of the original TV series hat in the sequence where Thunderbird 2 lands in London. Jonathan Frakes confirms in the DVD commentary that this was a deliberate reference.
This footage was originally part of the sequence in the film where FAB1 approaches Tracy Island by sea. This scene originally concluded with The Hood firing a missile and destroying the car, forcing Lady Penelope and Parker to make the rest of the journey in the pedalo, but this was cut, and the pedalo footage moved to the end of the film. Simple answer: because Ford paid a lot of money for them to be there! The company struck a product placement deal with the filmmakers, which included Lady Penelope's car, FAB 1, being a modified Ford Thunderbird as opposed to the original series' Rolls Royce, though this was as much the fault of the marque holder, BMW, not allowing it to be used. The placement of Ford vehicles throughout the film is so blatant and almost absurdly extensive that director Jonathan Frakes even suggests on his DVD commentary that it is detrimental to the film as a whole. He has a point. a5c7b9f00b
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