Peter Gunn Full Movie Hd 1080p Download
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The cases of a stylishly cool private detective. Filmed in a film noir atmosphere and featuring Henry Mancini music that could tell you the action with your eyes closed, Peter Gunn worked in style. Known as Pete to his friends and simply as Gunn to his enemies, he did his job in a calm cool way. He got his tips and cautions from Lieutenant Jacoby, a coffee drinking pal from the police. Also providing tips was "Mother" of her self-titled nightclub. Working at the nightclub as a singer was Edie Hart, his girlfriend. I was aware of this show when it first aired but, since I was a baby boomer, it wasn't on my allowed watch list, being an "adult TV series" in the late 50's. Finally got interested in it while listening to Mancini's music album of the same name. To say that this show was ahead of its time and a forerunner of future series is to do it a disservice. Peter Gunn was groundbreaking in the use of jazz to create the proper mood of the action on screen, and in the way it slyly spanked the censors through witty writing and heavy emotional and physical situations. It brings back memories of the old Mae West and W.C. Fields comedies in the way they battered the blue-pencils of censorship while looking oh so innocent on screen. I recall one scene where Pete is convincing a landlady to let him into the room of someone he is investigating. She asks him, "So, are you a cop?" Pete replies, "Not exactly." She says, "Oh, a private dick then?" And Pete says, "Just private." If that doesn't tickle your fancy to go watch this series from start to finish, you are missing out on one of the great treats that life has to offer. God Bless You, Blake Edwards. How many TV themes from 1958 can be instantly recalled and hummed by today's teenagers? This is the only one I know of. Not only is Henry Mancini's Peter Gunn Theme a jazz masterpiece, his (hot, cool, and sometimes even ethereal) jazz scores for the show are still as gripping as they were when they were composed and recorded - over half a century ago. Combine that with producer/creator Blake Edwards at his up-and-coming very best, big-screen quality cinematography, routinely spectacular stunt work, and just the right cast - and you've got an enduring treasure of a TV series. Craig Stevens as Peter Gunn is several notches smoother than James Bond - but also willing to tangle with anyone and also willing to take his licks. Pete wins some and he loses some. but he's always ready to slug it out with the best of them. Stevens is as athletic as any actor around and, supported by the best brawling stunt men you've ever seen, the fights are as real as you're ever going to get. And on this show violence doesn't just appear - it EXPLODES out of nowhere! With some classics of this era, people still debate whether they're truly "noir" or not. There's no debate here - Edwards gives us noir of a purity seldom seen anywhere else. Quirky character portrayals bring dark urban sets to life - alluring temptresses linger everywhere - and without any inclination to hide their sensuality. Pete, the tenacious, hard-nosed foe for low-lifes and gangsters - is a suave, lusty, gentleman playboy with the ladies. Oh, but for Pete, nightclub singer Edie Hart is special. Pete may earn his living competing in the testosterone driven world of the big-city private detective ... but it's a whole different scene when he slips into "Mother's" place where Edie sings every night. There he's welcomed by "Mother" herself and - wow - "Mother" has no problem with what Pete and Edie are up to! Pete moves effortlessly from the macho world of the mean streets to the warm, female environment of "Mother's place". The dynamic is classic and the transition palpable. The technical quality is always superb. You'll not only see close, intense, intimate scenes - you'll see large scale exterior sets that would normally take half a day for a top cinematographer to light so exquisitely. Yet even with the extra limitations of shooting for the limited contrast range of black and white television, these amazing setups have been created somehow at TV production pace, on a TV budget. The atmosphere is delicious - the sensuality omnipresent - the action stunning. This show was way ahead of its time and, as you might guess, the outcries of "too hot for TV" were loud and many. But fortunately "PETER GUNN" delivers several seasons of stunning, delicious, unforgettable period noir drama we can treasure forever. a5c7b9f00b
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