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Jupiter Jones was born under a night sky, with signs predicting that she was destined for great things. Now grown, Jupiter dreams of the stars but wakes up to the cold reality of a job cleaning other people's houses and an endless run of bad breaks. Only when Caine Wise, a genetically engineered ex-military hunter, arrives on Earth to track her down does Jupiter begin to glimpse the fate that has been waiting for her all along - her genetic signature marks her as next in line for an extraordinary inheritance that could alter the balance of the cosmos.
A young woman discovers her destiny as an heiress of intergalactic nobility and must fight to protect the inhabitants of Earth from an ancient and destructive industry.
When you get down to the world of science fiction, there are two distinct types of films about space. One are films like Gravity, Interstellar and The Black Hole that give off the size and scope of the universe while making it clear that the Earth is such a precious land that we humans take for granted. We rarely see these kinds of movies because these are visually boring stories, even if the characters are interesting and the philosophical ideas are groundbreaking. These don't seem to click with a mainstream audience the same way it probably would with Neil deGrasse Tyson.
The safer route of space, and being the second kind of space movie we see, shows the universe as full of life with planets full of many types of species and advancing technologies. This we see often with Star Wars, Flash Gordon and the recent favorite of mine, Guardians of the Galaxy.
The more "cosmic and awesome" route is something that I've always preferred as the field is science fiction (emphasis on fiction). Entire franchises have evolved out of these notions, yet few remain iconic. The Wachowski siblings, the same team behind another famous series The Matrix, try to have lighting strike twice with Jupiter Ascending.
We open sometime in the past where a Russian couple, are about to give birth to a girl named Jupiter, though the father is killed in a home invasion when robbers shot him. We cut to the modern day where Jupiter (played by Mila Kunis) and her mother have immigrated to America along with the rest of their Russian family as they make a living cleaning homes. She's about to sell her eggs to buy a really nice telescope, but horrors as she realizes that the doctors operating turn out to be aliens trying to kill her. An ex military hunter barges in, gunning down the creatures and telling Jupiter that they need to leave.
He introduces himself as Caine Wise (played by Channing Tatum) and starts referring Jupiter as "his majesty". After an escape from Chicago, they go to a farm where they meet up with Caine's old friend Stinger (played by Sean Bean). They reveal that the Earth shall belong to Jupiter as she is an heir to space royalty. She's taken into the cosmos and is revealed that the queens children, Balem (played by Eddie Redmayne), Kalique (played by Tuppence Middleton) and Titus (played by Douglas Booth all have different ideas on the humans of earth and who the planet should belong to.
Jupiter Ascending has a lot ready to go here. The set design, costumes, and the visual effects all look great here. It all looks large and grand, matching the size of the universe. This is stuff that I could see ranking in the same grounds as Star Wars and Guardians of the Galaxy. But in order for all of that to become memorable, you need a great story along with some likable characters. This has none of that.
The journey that Jupiter goes on is a cross between Cinderella and Wizard of Oz
in space. This is fine, but the screenplay is really bad here. Rather then becoming a fun road trip story, we get a lot of uninteresting dialogue that mostly consists of "the great things Jupiter will do for Earth" and "what humanity is". Much of it sounds forced and something that looks better on paper then film format.
The acting here is very stiff and wooden. It's ironic that given Eddie Radmayne is nominated for an academy award as his performance is like a cross of a bitter old man and a Doctor Who villain. If none of these humans or aliens ever become excited for fearful of something, then why should I care? It's just kind of boring that begs for better direction.
I'll give this four sets of anti-gravity boots out of ten. Jupiter Ascending is a grand idea that's simply too large for one movie. It probably would have better played as a Game of Thrones style show on HBO or Netflix. Even so, the Wachowskis have revealed how their better at directing action then juicy dialogue. Unless their interested in making another Matrix movie, Jupiter Ascending shall only descend the duo further into career doom.
Reviewed by: Dare Devil Kid (DDK)
Rating: 3.5/5 stars
I should state upfront that my two main - really only two - grievances with the Wachowskis' "Jupiter Ascending" are that the fight scenes almost without exception stretch a tad too long, and the romantic track seems completely forced if not totally unnecessary. That's my way of telling you straight off that I am not in the anti- "Jupiter Ascending" camp. "Jupiter Ascending" delivers exactly what critics and film fans have been clamoring for – a wholly original, visionary science- fiction thrill ride that doesn't rely on a long-standing brand like "Star Wars" or "Star Trek", neither does it derive its material from any comic- book series. However, I feel that precisely because the film isn't on that familiar ground, it is suffering and struggling to find an audience. The days of seeing a trailer, some colorful poster art, and the basic excitement of knowing that we're getting a new film by a filmmaker or star we like are long gone, and I do not think we - or the movies - are the better for it.
So, is "Jupiter Ascending" a masterpiece? No, but I doubt the Wachowskis ever intend to make one of those. Sadly, it was "The Matrix" astronomically raised expectations mold more than 15 years ago, and they haven't been able to recreate that magic. Still, if you're not going in to deride the movie because it's the cool thing to do, then you're going to miss a thoroughly enjoyable ride of pulpy old-school fun.
The Wachowskis told us from the onset that this was a space opera – in other words, a horse opera (cowboy picture) in space. That is also what they delivered. They've given us a big, somewhat gaudy, colorful sci-fi adventure that is tethered to nothing other than their imaginations and influences. This is not to say that "Jupiter Ascending" is – as many have claimed – hard or impossible to follow.
The story follows a young woman named Jupiter Jones (Mila Kunis) who lives with her Russian immigrant family, and earns a meager livelihood through myriad forms of drudgery in Chicago. However, when she stumbles onto an apparent alien abduction, she soon learns that she is intergalactic royalty, being hunted by several different bounty hunters. One of them, a lycan-soldier hybrid named Caine (Channing Tatum) saves her life, and takes her to the stars to claim her birthright ownership of the Earth. Of course, her intergalactic royal family are also scheming and fighting among themselves to seize control of the planet for sinister developmental purposes. The threat to their dominance comes in the form of Jupiter, who – through a fluke of nature – is the exact re-creation of the deceased mother of the bickering corporation heads, and also – by right of deed – owns Earth, a most desirable piece of real estate because it's ripe for "harvesting." (According to the Wachowskis' myth, it was always planned that mankind – the herd, seeded on Earth by the corporation — would exhaust the planet's resources. It's at that point that the planet is ripe for "harvesting.")
As stated earlier, one of the most depressing things about the release of "Jupiter Ascending" is the virtual feeding frenzy of criticism surrounding the film. The Wachowskis – who were once considered the golden children of science fiction, destined to lead a city of sequels, reboots and remakes out of the dark ages – have become two of the most maligned filmmakers for doing exactly what they're supposed to do: make original and stimulating science fiction cinema.
Yeah, I know a lot of people have taken issue with some clunky writing and poor casting (looking at you, "Cloud Atlas"). I don't deny those things exist in their films. However, there's still a lot of greatness in the Wachowskis' vision.
Kunis and Tatum – while never considered as perfect casting for any of their roles – are entirely serviceable in the film, especially Tatum, with his naturally oozing, laidback star-appeal he so effortlessly brings to all his characters; no doubt he's considered as the next big Hollywood superstar. Kunis's character is sadly underwritten, and some of the silly decisions she makes throughout the film appear to be a result of the aforementioned bad writing that inherently plagues all post-Matrix Wachowski endeavors. The other thing that stands out as silly in this movie is Eddie Redmayne's breathy villain. He chews the scenery as badly as Gary Oldman did in "The Fifth Element," but you can't fault him for his level of commitment. It's an over-the-top performance and a calculated misfire, but I could easily look past it and enjoy the film itself.
"Jupiter Ascending" probably looks more serious than it has any right to. Ultimately, it's a big, goofy sci-fi/action spectacle. I mean, this is a movie where the female lead is in love with a genetically-engineered hunk who just happens to be part wolf, and her entire response to this is a deadpan, silly one-liner: "I love dogs. I've always loved dogs." This is also a movie that so wears its fondness for "Brazil" (1985) on its sleeve that it brings in Terry Gilliam to play a space bureaucrat in its own ministry of information. Yes, it has some serious overtones, but you're most likely to come away from it with images of its fantastical worlds, and the indelible vision of Channing Tatum zipping around on anti- gravity roller blades. In other words, it's meant to be a big, highly imaginative, goofy, eye-popping spectacle, and it more than delivers and succeeds on these accounts. Ignore the snarky, misguided naysayers, grab your popcorn, and zip to your nearest theater to enjoy Tatum zooming across the screen in this lavish, fun sci-fi film.
Even with all its familiar action tropes, less-than-fresh special effects and loopy plotting, the most depressing element in the Wachowski siblings' latest sci-fi mash is that, as they conceive it, human society has been around for more than a billion years but is still presided over by a rivalrous British-style royal family that treacherously behaves as if it were the 1550s.
Much to the surprise of Sean Bean fans everywhere, he does. It is revealed that he was given biomechanical wings when he rose to the rank of skyjacker and after attacking an entitled, he was stripped of his rank and his wings were taken. At the end of the film, he is shown with wings, having apparently been reinstated in the legion and having them returned. Although there is no real reason for his having wings other than to help show him as a metaphorical guardian angel. a5c7b9f00b
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