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Michael Mason, a pickpocket living in Paris, steals a bag with a teddy bear in it. Not realizing the toy contains a timed bomb, he tosses it aside on a busy street. A few seconds later it explodes, killing four people. CCTV footage reveals Mason's face and the French police tag him as a terrorist threat. The explosion, although botched, was set up by a select group of the French Interior Ministry as a decoy so they can make a half billion dollar digital transfer from a bank (closed on French National Day) -- hence the title Bastille Day. In a separate CIA investigation the unruly agent Sean Briar discovers the real story behind Mason's "terrorist attack". The two men, on different sides of the law, collaborate to bring the corrupt members of the Ministry down.
A young pickpocket and an unruly CIA agent team up on an anti-terrorist mission in France.
In recent years, Idris Elba has been mentioned as a possible candidate to play James Bond, but after watching Bastille Day, I think that the role of Jack Bauer would suit him better. What that means is that Bastille Day feels like an extended episode of 24, with echoes of Die Hard and a weak political message to simulate relevance. Nevertheless, I found it an entertaining film, with an interesting screenplay full of complications for the main character to overcome in order to obtain information which will take him to the terrorist group which planted a bomb. But, was it really a terrorist group? The answer is complicated, and that's the only thing Bastille Day has in its favor in order to be differentiated from uncountable action movies with a similar style and manufacture. And we also have Elba, who displays conviction and an imposing presence in the leading role, helping us to overcome the improbable situations in which his character gets constantly involved, as well as the forced coincidences implemented by the screenplay to ease or obstruct his mission. The performances from the rest of the cast are adequate, and Bastille Day makes a good use of the Parisian locations, adding a European taste to season the Hollywood formulas exploited without any shame. On the other hand, I don't see the sense of hiring an English and a Scottish actor (Elba and Richard Madden, respectively) to play North American characters. It would have been better to employ European agencies, instead of the worn-out presence of the CIA and its well-known intrusions in foreign territory. But, well... Bastille Day is co-produced by Amazon, so I comprehend the necessity of reinforcing the idea of the United States as a worldwide police which doesn't obey rules, but obtains results. In conclusion, it isn't a very memorable experience, but I can give a moderate recommendation to Bastille Day as a vacuous entertainment with the adequate doses of action and suspense to justify the investment of our time.
This film (unfortunately) is most famous because it was set to come out at the same time as a Islamic terrorist attack in France, and one of the reasons I waited a while to watch this film was because I was wary of how Muslims would be portrayed in it etc. Let me without spoilers tell you this film is almost entirely unpolitical, with the 'Islamic threat' so far down the radar it can't even be said to be a theme.
Now on to the film! Do you like Idris Elba? If you don't, stop reading this review and never watch this film. This is his film. He plays a bad-ass CIA agent (there is an irony of a British actor playing a CIA man stationed in France) who does not like to follow rules, and he is on the trail of a master pick pocket (Richard Madden) who gets wrapped up in a plot to blow up France. Cliché, yes, but the film does avoid some obvious ones, surprising pleasantly at some points.
Elba is menacing, cool and always fantastic, and all of his co-stars pull their weight, but none are particularly likable, and they just have very little chemistry together. But, this is an action, thriller, so who really cares about that. The action is solid, but not mind blowing. The balance between action and thriller is about right, and the director does not get distracted with too many side characters or plots.
This is about as standard a movie as you can get, with the only real plus being Elba. He needs to do more action movies, he needs to be the next Bond. 6.5, but IMDb won't let me give it that score so I bump to a 7 on Elba's performance!
It’s a bit silly maybe, with a plot that requires you to overlook the implausibility of a certain smartphone with no passcode protection. But there is a nifty premise.
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