Superman II Full Movie In Hindi Free Download
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Terrorists have taken over the Eiffel Tower, and threaten to blow it up with a hydrogen bomb. Once again, Superman is there and saves Paris by throwing the bomb into outer space. Unfortunately, the explosion releases the three bad guys,General Zod (Sarah Douglas), and Non (Terence Stamp), Ursa, (Jack O'Halloran) who had been imprisoned years before by Jor-El. Immediately, the 3 criminals, led by the psychopathic General Zod, head to Earth with the intention of enslaving the people Superman protects. The Man of Steel, however, is unaware of their arrival, and is forced to sacrifice his powers for a life with Lois Lane. When he finds out about Zod & his companions, Superman returns to the Fortress of Solitude to regain his powers and confront the horrible Kryptonian criminals - on his terms. Can Superman defeat the 3 villains who are armed with identical powers to his own?
It's certainly campy - even the Donner version has the camp laid on pretty thickly, but Superman II was entertaining at the time it was made and has held up pretty well today. Chris Reeve was a great Superman, and here he has his hands full after being pitched up against three Kryptonian super-villains who have the same powers he has, a Lois Lane growing increasingly suspicious of Clark Kent's sudden disappearances whenever the Man Of Steel shows up and an escaped Lex Luthor out to get even.
Having now seen the Donner version twice I think I like parts of both versions - the Eiffel Tower atom bomb sequence never worked for me, though Donners film also has more strained humour between Lex and his cohorts. The ending of the Donner film is also a complete fudge, though the tone is more even and the scenes between Reeve and Marlon Brando are fascinating to watch after all this time. Terence Stamp is a hoot as General Zod, and Sarah Douglas is a great vampy Ursa. When I compare the chemistry between Reeve and Kidder, and the zero interest Brandon Routh-Kate Bosworth relationship in Superman Returns, there's no contest, really. Gene Hackman gets better and funnier dialogue this time out as Luthor - I also much prefer his showing to Kevin Spacey's.
The highlight of the film is the action duel between Superman and The Kryptonian renegades. It's exciting, splendid stuff, and it's worthwhile to remember there was no template out there at the time for superhero battles. It also manages to develop the story rather than being just all out action, as Zod comes to realise that Superman cares for the human race and can use this compassion as a weapon.
Superman II may not have the epic feel of the first movie but it certainly is a fun entertaining ride, and who can resist Clark Kent's unexpected return to the diner? Certainly not me!
This film features a variety of action because it combines two directors efforts into one film. Superman 2 shows where in its time getting liberal with sexual mores was accepted in American Society (before HIV became serious) & why the comedy was accelerated by Richard Lester.
In the first film, Richard Donner's comedy was understated, & tung in check. "Otis, take Supermna's cape," says Lex Luther & Otis snaps back with "I don't think he wants me to take it, Mr. Luther." While the first has a slower pace than this second one, it develops characters more.
The second one is more action & quick joke like in the opening when Superman saves Lois on the Eiffel Tower. He catches her & then says "I believe this is your floor," to Lois.
Overall, this film has good action sequences & low brow comedy followed up by Superman giving up his virginity to Lois Lane. What is too bad is the opportunity missed here in that Lois could have had the decency to get pregnant & then have Super Boy & Super Girl. Then we could have three movies series instead of one. Where were the good Business Managers when we need them?
Gene Hackman is very good in this film in a smaller but important role. The Eiffel Tower & Niagra Falls are used for back drops. The film is a bit UN-even due to the collision of the 2 directors. If Richard Donner had been used, it could have been better, no doubt.
It boasts a more consistent tone, better special effects (such as villains throwing buses around like paper planes), and even an affecting love story.
Not exactly. The cellophane "S" logo and the multiple holographic projections were traps Superman had prepared for the villains. This is confirmed by a line from the shooting script: "Zod begins to realize that Superman, on his home turf, has powers and devices at his command beyond their comprehension."
As for the villains, the lasers they shoot were intended as heat vision, while their "disappearing" power was not teleportation but super-speed. Although it was written as such in the script, these powers were not accurately depicted on screen.
Yes, but it was rarely used and later dropped. While not specifically stated, it is implied that he drained the power of the green crystal to restore his powers. In the screenplay, and as originally filmed, Jor-El used the remainder of his life force (from that crystal) to give his abilities once again. This was finally shown in the 2006 "Donner Cut". A comparison between the Theatrical Version and the Richard Donner Cut is more than difficult, as both version are very different from each other. Not only the usual additional scenes were added, it is almost a completely new movie. Parts of the story are shown at completely different points in time, other sequences were completely removed and some new sequences were added. In total the Donner Cut is approx. 11 minutes shorter than the Theatrical Version. Due to the humanisation process being spread out all over the vast interior of the Fortress of Solitude, rather than heavily concentrated into one small chamber as it was for Superman himself, it is feasible to conclude that the pain inflicted would be far less noticeable to them. a5c7b9f00b
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