Grindhouse Full Movie In Hindi Free Download Mp4
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A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics.
An homage to exploitation B-movie thrillers that combines two feature-length segments into one double-bill designed to replicate the grind house theatergoing experience of the 70s and 80s. In "Death Proof," a psycho named Stuntman Mike stalks and kills beautiful women with his car. In "Planet Terror," a small-town sheriffs' department has to deal with an outbreak of murderous, infected people called "sickos." A gun-legged woman named Cherry and her martial arts-wielding partner take on the zombie army. The two films will be fused together by fake movie trailers.
This movie was probably the greatest movie I have ever seen in a theater.(maybe even in my life) I loved every second of it. I laughed my head off, squealed of disgust, and suffered cardiac arrest all at once.
Planet terror was gruesome, disgusting, and nauseating and i loved every second of it. Never thought i would like it so much considering i can't even sit comfortably while learning about biology and what not because i'm so squeamish.
Death Proof was at first a little boring and seemed like it was going no where until the action started, and that was extremely, extremely exciting. I never cheered for justice so much in my life. And one of the best parts about it were the fake advertisements and missing reel messages which just made you even happier to not be anywhere else.
This was everything i was looking for in a movie. Even the fact that it was three hours no longer bothered me as soon as i sat down. I never wanted it to end but when it did i immediately stood and applauded. I didn't even mind the fact that i payed double to see it because i lost my first ticket. $18.00? Screw it, it was sooo worth it. If you didn't like this movie then your just plain boring.
I've been looking forward to seeing Grindhouse since I first heard about it. From Dusk Til Dawn is my all time favorite movie, and that was the earliest and still best collaboration between directors Tarantino and Rodriguez. I was expecting something mind blowing, something so original that it would knock me flat on my ass, but overall, Grindhouse didn't do that for me.
I will say, the fake trailers are brilliant, and I am completely going to buy Machete the day it hits DVD, and the others were hiliarious and dead on satires of their respective genres. What was killing me throughout this whole experience, however, was the nearly ruined picture quality, and the completely ruined sound quality. Now before everyone jumps down my throat, I know this is all an homage to the good old days back in the 70's where people sat through 3 hours of cheesy popcorn flicks, put up with sticky seats, damaged prints, and unsavory management. I don't really feel the need to relive that. We've evolved beyond it, I suggest we all enjoy that fact. What I did want to see, was two great, cheesy action movies with the trademark brilliant dialog and spot on casting that I've come to expect from my two favorite directors. If I can't understand half the words, what's the fun in that? Given the fact that Planet Terror was relatively dialog and story intensive, the indecipherable sound didn't help much. I enjoyed that movie as a whole, but once again, the missing reel... Sure it sounds like a good idea as a whole, but people really must be mindless idiots to say that made the movie better. I'll tell you what, if I paid to go see puss spewing zombies get blown away by a stripper with an M16 for a leg, I expect a little bit of a pay off in the way of a storyline. They just discarded all of that, and I'm left with one still in the chamber. On a positive note, all the casting was great including El Wray, Cherry, and Michael Biehn's re emergence after 23 years fighting Terminators in the shadows. I also love the references to previous films, which is just a fun little addition that makes the movies better.
As for Death Proof, it makes me really sad to say that I was very disappointed. I've seen every movie Tarantino has made at least 3 times, and I loved each one, being just different enough from the last to make them completely unique and re watchable. Death Proof is still a great concept, but the delivery was just 3 feet off the mark, in my opinion. It may just be me, but watching 4 girls engage in frivolous conversation is about as entertaining as being constipated on a public toilet. The first sequence with Kurt Russel was just awesome, and there's no denying that. However, lag time in the middle with more jabber by Tarantino's trademark sassy black woman dragged down my buzz big time. The climax, while at time's thrilling, just completely lost it for me, and for the sake of argument, I'll chalk that up to my inability to look past reallllly big plot holes, raise my fist high in the air and say "girl power!" I'm sure more than a few people liked the ending, so I'll leave it alone. What made me really sad was that the sound quality in this movie was just absolutely perfect, when I would soooo very much preferred to not hear the dialog, whereas in Planet Terror I want those precious words to be loud and clear. AND again with the missing reel. Now I'm fully loaded with no where to shoot. Where are those hot Greek babysitters when you need them? Overall, this thing is worth seeing. Especially if someone else pays. The hilarious trailers, the above average action scenes, and at times downright disturbing scenes of gore will do well to placate the lowest among us. However, those of us looking for a real MOVIE experience, rather than a movie-going experience complete with artificial and IMO detrimental ambiance, might feel hindered and ultimately disappointed.
P.S. Nicolas Cage has totally redeemed himself for Ghost Rider. Putz.
If you were keeping score, it would be Quentin Tarantino 1, Robert Rodriguez 0.
A "Grindhouse" was a type of inner city theatre that would play all night marathons of low-budget exploitation films in the 1960s, '70s and early '80s. These down 'n' dirty theatres would often show offbeat ultraviolent and sexually charged films under the categories of Kung Fu (Shaw Brothers films), Hixploitation (White Lightning, Gator Bait), Blaxploitation (Shaft, Coffy, Superfly, Dolemite, The Mack), Sexploitation (Supervixens, The Swinging Cheerleaders), Zombie and Cannibal films (Dawn of the Dead, Zombi 2, Cannibal Holocaust), Biker films (The Wild Angels, The Glory Stompers, The Savage Seven, The Losers) among hundreds of other subgenres. In the suburbs during the 1960s and '70s, Drive-ins were the equivalent to the inner city Grindhouses. You could see many of the same kinds of films from the convenience of your car. The title of Robert Rodriguez and Quentin Tarantino's first collaboration From Dusk Till Dawn (1996) was named after the catch phrase for the all night Drive-in movie marathons. Both Robert Rodriguez and Quentin Tarantino grew up watching these kinds of films in Grindhouse theatres and drive-ins in the 1970s and early 1980s. When they became friends in the early 1990s they often held Exploitation film double features in their own home theaters (and also at QT's Film Fests in Austin, Texas). Flash forward to 2006, the two moviemaking pals decided to recreate these wild nights for movie audiences around the world by making their own traditional Grindhouse-Drive-In double feature extravaganza complete with two raunchy horror films, fake exploitation film trailers, ads and other cool treats. First: Robert Rodriguez brings us "Planet Terror" in which a town is overrun by disease infected sickos. Then comes Quentin Tarantino's "Death Proof", in which a serial killer named Stuntman Mike murders people by the use of his stuntcar instead of a knife or machete. "Robert's film is Horror, it couldn't happen, but mine is Terror because it could."–Quentin Tarantino Before or in between the movies, there will be a series of fake movie trailers (as it was customary in old grindhouse theatres to show coming attractions in the double features). Robert Rodriguez presents a Mexploitation trailer starring the hard boiled actor Danny Trejo in the title role of "Machete". Edgar Wright (director of Shaun of the Dead) presents "Don't", a "70s style British horror film". Rob Zombie presents a Nazisploitation-sci-fi-horror flick "Werewolf Women of the S.S.", starring Sherri Moon Zombie, Sybill Danning, Udo Kier, Bill Mosely and Nicolas Cage as the legendary Asian mastermind Dr. Fu Manchu. Eli Roth's (Hostel) fake trailer is an ultraviolent homage to 1970s/'80s holiday themed slasher films called "Thanksgiving". An additional fake trailer called "Hobo with a Shotgun", created by Dartmouth, Nova Scotia filmmakers Jason Eisener, Rob Cotterill, and John Davies for Robert Rodriguez's SXSW Grindhouse Trailers contest, has been included in Canadian theaters. "Hobo with a Shotgun" is attached to the other regular trailers played before the main feature presentation which begins with "Machete". (1) Jason Eisener's, Rob Cotterill's and John Davies' "Hobo with a Shotgun" trailer [Canada only?], (2) Robert Rodriguez's "Machete" trailer, (3) Robert Rodriguez's "Planet Terror", (4) Rob Zombie's "Werewolf Women of the SS" trailer, (5) Edgar Wright's "Don't" trailer, (6) Eli Roth's "Thanksgiving" trailer, and (7) Quentin Tarantino's "Death Proof". Contrary to popular rumor, the missing reels idea in "Death Proof" and "Planet Terror" were not true staples of Grindhouse moviegoing. While many Grindhouse films would be missing frames, they were never missing entire 20-30-minute reels. The concept for this came from a film Quentin owns ("The Sell Out" starring Oliver Reed) which had a missing reel. He found he enjoyed watching the film with a chunk of the film's plot missing because it created an interesting mystery about what actually happened in that part of the film. This idea was then transferred to the two Grindhouse features. It also helped cut down the runtime for the movie's theatrical run. There was some controversy in the distribution overseas for Grindhouse. Because most non-English speaking territories might not understand the tradition behind a double feature, the underlying concept might be lost. There were decisions being made as to which countries will get Grindhouse, and which will get "Grindhouse: Planet Terror" and "Grindhouse: Death Proof" After the Boxoffice flop in the North America, Weinstein decided to split up the movie in all other countries, including earlier announced double feature countries like the UK and Australia. Although some people have criticized, sometimes harshly, the look of the film because of its manual "aging" process, it is actually a good thing. First of all, they helped in the rating procedure of the Motion Picture Association of America (MPAA). There had been a concern about the nudity and violence during one of the deaths in Roth's segment "Thanksgiving". Before the final submission to the MPAA, "age" spots were strategically placed on the area of frame where it showed the nudity and violence, where it suddenly became implied instead of being visual. Secondly, it keeps with the presentation as Tarantino and Rodriguez intended the film to look like, as if you got a well worn print of a film that had been making the distribution rounds for a good while and decided to show it one day. Since the theatrical version of the film is what they strived for to presented to the public, it would be considered their "director's cut". The DVDs will have two versions of each film: the theatrical version and a "restored and remastered" version of the film which is basically the films before undergoing the "aging" process. Also, take into account there are versions of both films pushing 2 hours, due to the fact they are being split up in other countries. So, the DVD may incorporate these versions as well, making a 250-minute version. Only 18 seconds is supposedly deleted from the original cut from an interview on G4TV. a5c7b9f00b
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