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In a dystopic future Australia, a vicious violent biker gang murder nicknamed the Nightrider, a cop's family and make his fight with them personal. He escapes from police custody by killing an officer and stealing his vehicle. Max pursues the Nightrider in a high-speed chase, which results in the Nightrider's death by fiery explosion. Following the dangerous chase, which resulted in injuries for a number of officers, the police chief warns Max who thinks nothing of it at the time that now the bandits are out for him because of the death of the Nightrider. The biker gang, which is led by the Toecutter plans to avenge Nightrider's death by killing MFP officers. Toecutter's young protegé, the biker Johnny the Boy, sets a trap for Max's close friend and fellow officer, Jim Goose. When Goose's vehicle is flipped over, the bikers burn him alive in retaliation for the Nightrider's death.
In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.
In a dystopian future Australia, a vicious biker gang murder a cop (Mel Gibson)'s family and make his fight with them personal.
"Mad Max" is, without a doubt, a cult classic and a great showcase for Mel Gibson's talents (and proof that he does, indeed, have some). To think of it as merely a cult classic with little else behind it is a serious mistake. This is the unlikely role that launched Gibson to stardom, and kicked off the long-held notion that he is Australian. He landed the role completely by accident, not even trying out but simply looking the part after fighting "half a rugby team".
What we really have here is a western disguised as science fiction. The science fiction aspect is actually so thin, though, that one could easily look past it if they were not into that genre. Besides being set in the future, there is really nothing sci-fi about it. Yet, if we replace the motorcycles with horses, we have a classic western revenge flick. And seen in that light, this is not only a classic but a masterpiece.
The blood and gore take on a more realistic tone than many films, and that may well be because director George Miller had been a practicing physician before turning to film. Although Miller has directed all four Mad Max films, he has had some unusual detours, too: "Babe" and "Happy Feet", for which he won an Oscar.
George Miller wanted a Gothic, Bernard Herrmann type score and hired Brian May (1934-1997, not the Queen guitarist) after hearing his work for the Australian cult film "Patrick" (1978). His work for "Mad Max" is his most well known, and lead to him getting numerous jobs in cult films, including such titles as "Freddy's Dead" and "Dr. Giggles".
Shout Factory went all out with their blu-ray release of "Mad Max". There is an excellent audio commentary with the art director, cinematographer and special effects crew. We also have two featurettes, with one focusing on the film and the other on Mel Gibson. These were probably on the MGM release. But along with that, we have improved picture (1080p high=definition widescreen) and some great new interviews with Gibson, Joanne Samuel and DP David Eggby.
For the record, I watched The Road Warrior first in high school, and Fury Road in theaters with a friend before watching this film. I did not know what to think of it just yet, and now, just having watched it, I still don't know entirely what to think. I admire it greatly, as it brought back the cynicism and grimness of a lot of the film output from the first half of the 1970s, just as the blockbuster age was starting, as Star Wars had only come out a couple years before and Superman the previous year, but it is not as well filmed as its successor. As an action film, it does drag somewhat, mainly in the beginning, unlike in The Road Warrior where the films starts by giving the exposition on the end of civilization and the death of Max's family from this film first, then opening with Max being chased by road thugs, but the first car chase in Mad Max does go a bit slowly. Also, my other main problem is that I felt no satisfaction in the main villain, Toecutter's death. I think that audiences want to be satisfied when the hero defeats, or even just upright kills the villain, but Toecutter's death was not as satisfying as it could have been, as he just runs into an rig and his bike is torn apart. Johnny the Boy gets the worse death, being caught in an explosion and given the possibility to saw off his own ankle to get away, and I feel the situations should have been reversed for both Toecutter and Johnny the Boy. Also, a couple of the characters make unintelligent decisions in my eyes. Even though the film has these problems, Mad Max still feels like a grim and independently-filmed art house action film, and the film does work in that regard, as it has very good car chases, and one does feel sorry when Max's family and Goose are killed, showing how unfair and revealing the future world is.
Hackneyed at exposition, Miller demonstrates breakneck prowess at chase sequences and terrifying shock effects. [29 April 1980, p. B1]
Yes, Max's boss mentions that "Goose bought it.". The Doctors talking about Jesse are convinced that she will die because her injuries are severe. The doctor instructs the nurse to re-assure Max that Jesse will be pull through. However, Max was right outside the room and overheard them talking about the extent of her injuries and that she won't survive. Basically no, but there is one version with two audio differences; the first being the original Australian accented soundtrack and the second being the American dubbed soundtrack.
Apart from dubbing the entire movie because Americans might find Australian accents difficult to understand, "Mad Max" in North America was completely the same cut. The original Australian dialogue soundtrack was released for the North American DVD premiere in 2000. The Night Rider probably experienced an acute onset of depression because he'd finally met an opponent who might catch him or matched him for driving ability. Also, he probably felt he couldn't escape. It actually adds another element of humor to the scene.
It is also likely that he was relying on his reckless nature as an advantage to outmaneuver the police. Along comes an officer who beats him in a game of chicken, and who is also driving a patrol car that can catch up to the one he is driving from a dead stop, and he knows that he isn't likely to get out of this alive. Max' wife mentions that he has been on the news several times, it is also possible that Nightrider recognized the notorious Max in his rearview mirror. Barring all else, Nightrider is shown to be quite psychologically unstable, screaming like a lunatic in nearly every shot in which he appears. Merely losing the game of chicken may have been enough to damage his fragile psyche to that degree. "A FEW YEARS FROM NOW..." but a specific year is never mentioned and so the exact year is left ambiguous, with signs of society breaking down. The film was influenced by fuel shortages in Australia in the mid-1970s due to the 1973 OPEC Oil Crisis, which led to several violent incidents throughout the country. No. It's an original story by director George Miller and his writing team. However, it's believed Miller did base it on riots that took place in 1970s Australia over fuel shortages and the muscle car culture that was popular back then. The UK theatrical version was cut in one scene . This version was used for the old VHS by Warner from 1986. All other VHS and DVD releases are uncut. Approx. 50 seconds are missing in this version. The title could have a double-meaning, some viewers interpret Max as Mad-angry, while others find he is mad-crazy. Both interpretations could be correct. Throughout the film Max tells his boss that he feels that he needs to quit the Bronze because he's starting to enjoy the carnage and mayhem that the job entails. Max feels that if he starts to enjoy it, he's gone crazy and is no better than the criminals. At the end of the film, after his wife and son are run down, Max snaps and likely becomes infuriated at their deaths, which prompts him to seek revenge on the Toecutter gang. After dispatching everyone in the gang, he handcuffs Johnny the Boy's ankle to a wrecked vehicle with a leaking gas tank, he then sets up a fuse, and gives Johnny a hack saw, telling him he can try cutting through the chain or cut through his ankle. Johnny screams at Max, calling him a bloody mad man. a5c7b9f00b
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