Cleopatra Jones Movie Mp4 Download
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DOWNLOAD: http://urllio.com/r40d7
During the 1970s, U.S. Special Agent Cleopatra Jones proves to be an invaluable asset to the local police forces in the war on drugs.
Cleopatra Jones is a United States Special Agent assigned to crack down on drug-trafficking in the U.S. and abroad. After she burns a Turkish poppy field, the notorious drug-lord Mommy is furious at the loss of her supply and vows to destroy Cleopatra Jones. Mommy uses her connections with bad cops on the force to cause trouble for Cleopatra's friends and set her up for an attack. Meanwhile, Mommy is having trouble with some of her pushers, like the renegade Doodlebug.
It deserves to be seen because it features the incredible Antonio Fargas, as a mob little boss, with cool clothes and hilarious jive talking. In my opinion Antonio is a great actor, each time i saw him i was stunned by his rhythmic talking and the way he moves. It deserves to be seen because it features Shelley Winters as Mommy, a lesbian red-head old mob chieftain whose angriness and sadism are really funny to see (in my European DVD, there is no scene in which she receives a feet massage!). Plot, kung-fuish fight scenes are not fantastic, Tamara Dobson who plays the leading role is a nice-looking tall woman who does not play very well and does not do really sexy stuff (she does not match with Pam Grier), but i nevertheless had a good moment seeing this movie, and i hope you will too. Cleopatra drives an awesome car, the car chase scene is good, and she wears a majestic afro haircut, and like Pam Grier in Foxy Brown she changes clothes before each scene, it's like a fashion review, it is cool.
I suppose that as a conservative, I should give this movie points for avoiding the normal anti-establishment "blaxploitation" theme (you can't get much more establishment than being a federal agent during the Nixon Administration) and showing blacks working within the system to effect change.
But I can't.
The only thing that makes John Shaft the cultural icon that he is, is the fact that he was meant to frighten middle-class white people. Without the whole "black man standing up to whitey's system" aspect, *Shaft* is just another dime-a-dozen, derivative private-eye flick (and the sex scenes, effective in the 70s as a play on the "oversexed black man" stereotype, seem pretty sleazy now).
And *Cleopatra Jones* is just another dime-a-dozen, derivative supercop flick. Here, the "black thing" is merely a gimmick. It could have been made with an all-white cast with very few changes.
Even considered purely as an action movie, it fails. Even the cool car chase has some editing problems, and Tamara Dobson, though a stunningly beautiful woman, simply doesn't have the moves for the fight scenes.
About the only really enjoyable scenes are those involving Doodlebug (Antonio "Huggy Bear" Fargas) and his henchmen.
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