Rigor Mortis Full Movie In Hindi Free Download Hd 1080p
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DOWNLOAD: http://urllio.com/r41he
DOWNLOAD: http://urllio.com/r41he
In this eerie and chilling, contemporary, action/special effects laden homage to the classic Chinese vampire movies of the 1980's, writer-director-producer, Juno Mak makes his feature directorial debut. Co-produced by J-Horror icon Takashi Shimizu, and reuniting some of the original cast members of the classic Mr. Vampire series, RIGOR MORTIS is set in a creepy and moody Hong Kong public housing tower whose occupants we soon discover, run the gamut from the living to the dead, to the undead, along with ghosts, vampires and zombies.
A public housing tenement is plunged into a dark storm of supernatural chaos.
This is a pretty wild film. Though it's twist is evident right from the beginning, the way it's constructed attracts your attention enough, so that you don't think about it until it is corroborated in the end.
Basically, this is a supernatural thriller which combines elements from ghost and vampire tales, based around the occult rituals of a dark shaman, and fashioned within a Japanese context. This isn't your typical vampire story based off of European legends...it's something quite different.
We start off following the former actor- Yau- who is moving into a new apartment, after having lost his wife and son to an unknown accident. To escape from such an existence, he attempts to hang himself...only to be saved by the local cook at the last moment.
Turns out that, not only does his new apartment have a dark past of it's own, but the local cook is, apparently, the sole remaining survivor from an ancient line of vampire hunters. Not to worry, though, as his skills are no longer required, seeing as all the vampires, and other vampire hunters, have long been dead.
Though, little do they know that a happenstance accident involving one of the building's tenants and the black magician- Gau- would lead to a ritualistic undertaking that would bring about the resurgence of these beasts of the dead.
When Gau witnesses Tung- the husband of seamstress Mui- become gravely injured in a fall...his dark nature allows him to finish the job. But he becomes overcome by guilt when Mui comes to him begging, so he performs a ritual that will see Tung become reborn as a vampire, for her.
This type of vampire is particularly Japanese. Instead of returning from the dead to feed on living humans, these vampires are but empty soulless vessels- preserved by the blood of a virgin- that are to be occupied by disembodied spirits, who are stuck in this realm as ghosts. They can be subdued with amulet papers (the darker the colour, the better), bound by blood soaked string- and are said to fear glutinous rice. Apparently it's this reason that vampire hunters have been historically associated with rice vendors...hence why, when there are no more vampires...they turn to cooking.
The apartment that Yao had moved into was already occupied by the ghosts of two female twins, who had killed themselves after being involved in a horrifically violent incident, from the past. To appease the grief of Mui, Gau had planned to revive Tung as a vampire by inserting these twin spirits into his now empty body.
But when the Cook catches wind of this, he knows action must be taken...before it's too late. A final battle ensues, inevitably leading us back to the aforementioned twist (which a keen eye would have picked up from beginning).
Whereas I left confused about a few things (like: was Feng one of the sisters? cause there was also 2 spirits...; was her kid the child of the rape?), and felt that a few loose ends weren't fully tied up....this could be my failure to pick up on some details after only a single viewing. Otherwise, I found this to be one of the better post-millenial vampire films (that I've seen). All the effects are CGI other than the vampire himself, but it works well in this context. I especially enjoyed how the writers oriented the story around a particularly Japanese mythos, instead of the normal European species we are used to. In the end, Rigor Mortis is a pretty cool film that Vampire fans will love. Loses a few points in my book for have a predictable twist, but it's still a cool film I recommend you check out.
6.5 out of 10.
"Rigor Mortis" is a slow-paced but intriguing atmospheric horror movie that honours both classic supernatural Hongkong cinema from the eighties and nineties and Japanese horror cinema of the nineties and the early years of the new millennium. The movie uses mythological elements from both cultures. To dig all these elements, it's suggested to get informed about the mythological background and watch this movie multiple times. You will realize that each character in the movie represents a different kind of ghost from Chinese mythology for example. You might also realize that the strange tall people with the umbrellas that seem to have a random cameo appearance in this movie are actually soul collectors using their umbrellas as traps. You could also see that the cook and the priest are both Taoist priests but while one uses his powers to help people and fight demons, the other uses the same powers for his own selfish acts and helps to awake and strengthen the demons. As you can see, this movie is filled with many lovely little details. If you are looking for explicit gore or an extremely creepy experience, you are at the wrong address.
Something that largely contributes to the atmosphere is the use of lights and shades, camera angles varying from wide angels to claustrophobic short cuts and many special effects that especially use colours very well. The CGI effects never look out of place and aren't overused as in many other contemporary Chinese films, especially action movies. In his directional debut, Juno Mak manages to keep the basis of solid traditional horror movies based on an atmospheric use of lights and sounds, on creepy settings in a dirty public housing tower with old- fashioned apartments and on a menacing score and more contemporary elements such as the use of vivid flashy colours contrasting with the dark settings, computer-animated demons that sometimes look exotically supernatural and at other times disturbingly realistic and slow-motion camera sequences that add a nightmarish touch to the movie.
Apart of its detailed background and its consistent gloomy atmosphere, the movie can actually convince with some interesting characters. Each important character in this movie has a tragic tale to tell and some sort of development. Some of the background stories are actually quite touching and mostly deal with loss in one way or the other. The acting is calm, grounded and actually realistic and a welcome change if compared to the usual hysterically screaming teenagers. There is not really one outstanding acting performance but each actor and actress does an above average effort in this film.
It's hard to talk about the plot itself as several individual fates and different stories end up leading to something bigger and a fatal last fight between some courageous apartment tenants and some evil creatures. The movie also contains some sort of twist or alternate story if you want to which is revealed in the last three minutes. This twist is nothing really surprising after all and maybe the only real weak point in here but you have to understand that what matters in this movie is not really the outcome of it but the way things unfold. The way between start and finish is much more intriguing than the short overture and the grand finale themselves.
Now, if you care for atmospheric, mythological and slow-paced Asian horror cinema where you have to use your brain a little bit, this is definitely one of the most original movies in many years. If you are expecting the usual graphic shocker or scary supernatural film that solely wants to entertain, then you might actually dislike this film. Make sure to be familiar with Asian horror cinema before checking this movie out and you might enjoy your overall experience even more.
The film supplies a succession of hyper-stylized and potent set pieces without ever establishing any sort of internal logic.
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