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As World War II nears its end, beautiful women forced to serve as sex slaves in a German officer's club, do what they can to destroy the plans of a cosmic death ray.
Six women from the main Allied Nations battling the German-Japanese Axis in WW2 are arrested by the Germans in Shanghai University, under the false accusation they are accomplices of the killing of a German officer in the Hospital. Two Asian women will join the group, and eventually it is revealed that there are at least three underground spies amongst the small group. Some will survive, others will die heroic deaths for their religious beliefs, nationalist ideals, or the sake of humankind.
This Republican programmer is set in Shanghai during the days between the bombing of Hiroshima and Nagasaki and the Japanese surrender although it was actually filmed in a Mexican hotel. Although the Nazis surrendered a few months before, a few of them are still marching around in full uniform, abducting virginal teenage girls on their way to church from the street and forcing them to serve as 'hostesses' at the German Officers Club. The Nazis are already plotting their return with a dastardly 'cosmic ray' which will definitely win them the third world war in ways the script neglects to explain. The Japs want the Nazis secret weapon but the Nazis don't want to give it to them and keep bombarding them with kidnapped women and alcohol in an attempt to make them forget all about it.
With a title like Women in the Night and a Poverty Row studio providing the finance it's hardly a surprise that this effort is pretty poor, even though it might have been camp fun in the hands of more capable filmmakers. This could almost have been a template for all those whip-wielding Nazi chick exploitation efforts of the 70s. The chief German officer the one who isn't the spy with an undisguised American accent has a thin scar on his left cheek and a monocle glued to his right eye socket. When an underling attempts to stamp out a flaming portrait of Hitler he is scolded by the officer with a fierce, 'you are stamping on ze Fuehrer!' He also has a couple of women working for him who are engaged in a lesbian relationship, although this being the 40s the fact is only hinted at in a couple of lines of dialogue.
As some of the other reviews point out, this is an exploitation flick of sorts, with captive women prisoners and stereotypical German and Japanese antagonists. The production values are generally low with some clunky direction, and the film was obviously filmed on a shoestring budget. But...
Reviews that want to write this off as a sleazy proto-70s women-in-bondage cheapie about a "cosmic death ray" miss, I think, several points. First, the film's apparent mulligan, the death ray, is not the point of the film. Is it real? Does it work? Do we ever get to see it? Maybe, maybe and no. It is a total red herring and, obviously intentionally, has virtually nothing to do with the plot.
Historical note: In the final days of the war, the German Armaments Minister Albert Speer actually named Robert Ley (the rather foolish head of the Nazi Labor Front) as "Commissioner for Death Rays." Ley took it seriously but it was a joke to Speer, who mentioned it in his book "Inside the Third Reich."
The negative reviews that disliked the set-up to this film, in which a group of attractive women are forced to be "charming" to their German and Japanese captors, miss the point. Any supposed salaciousness in the film's premise are outweighed by the film's concentration on showing the women as intelligent protagonists who work together, even if their motives are at cross-purposes, for reasons of survival and solidarity.
Overall the film does feel like it was written very much within the style of wartime propaganda films, even though it was released in 1948. All this said, the film is more layered and has more interesting characterization than some of the other reviews here might lead one to believe.
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