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In an ancient world where monsters rule the land while humans keep to their own kingdom, a baby monster, Wuba, is born to a human father and monster queen. When mortals and creatures alike set out to capture the newborn, Wuba's adventure begins. The cute baby monster Huba is the child of a human man and a monster queen, threatened by both monster-hating humans and monsters attempting to capture the new-born in an ancient world based on medieval China.
As far I remember I've not seen any Chinese or the Hong Kong movies in the past 12 months. So I have heard about this film a lot that it was the China's highest domestic gross movie ever. Since then I have marked it to check it out as much soon as possible and after the watching with a high expectation I'm here right away. I've been watching movies since my childhood, but it became serious after the 'The Two Towers'. So first I'm a fantasy film fan before becoming neutral. But still sometimes I'm very keen on them like I was for this one.
In the present era, we've zombies, superheroes, vampires, werewolves, aliens, robots, so on varieties for making a good entertaining flick. But just half a millennium ago when there was no motion-picture, but literature and the stage play, there were only good vs bad, god vs devil, man vs monster and beasts. So the modern creations were sci- fi and the old ones are fantasies. After CGI is becoming very flexible, the filmmakers are on the race to get on-board into one of those genre franchises. So nowadays we are witnessing head-to-head contest between these two genres, but a great treat for the movie fanatics like me.
The first impression was the film's posters which were done similar to the traditional Chinese paintings. Second, the decent trailer, I was displeased with the CGI characters in the clips, but watching them in the full flow movie it looked so much better. One of the best visually stunning Mandarin movies. Despite setting a record at the box office, the budget was doubled after the drug controversy over the original lead actor who was later replaced by another and re-shot his portions entirely including special effect were redone.
"Monsters are the most cunning creatures in the world. They hide in human skin, dress as human and speak human language!"
The director had a handful experience from working on some Hollywood projects. Literally, it was his first solo, also the first live-shot directional debut movie and he nailed it. Very disappointing when it comes to the story, because it was just a one-liner which is well known since the inception of motion-picture. Set in the ancient period China when the humans and monsters lived together and later went to the war to dominate each other. Drawn a border between the two worlds that brought peace for the centuries until one day some kind of coup happened in the monsters' side. So the confrontation restores after a few monsters hops on the other side with human. How it all will be solved is the remaining action, adventure with lots of fun.
Quite similar to current European migrant crises. People who flee from the civil war in the middle-east is not welcomed by the few locals which led to some violence in the refugee camps. In this movie as well, without realising they brought the same environmental situation between man and monster.
Of course it is a children-cum-adult movie, but killing the cute monsters and cooking them, all of them are kind of gave me a sceptical feeling. Besides, it had romance as a sub-plot and Baihe Bai was so cute. Usually movies from this part of the Earth reminds martial arts. Since the director worked in 'Shrek' films, easily noticeable that some contents influenced from the other industries as well. The human skin thing reminded me the MIB and the song Indian films. The comedies are the uplift along the exciting stunts which fought among the live and CGI characters.
There are some thing that does not make sense, but in fantasy films those are logical that we can't consider as a flaw. But explanation needs, especially the inspired mythical story from another culture and that is where it quite failed. Overall movie passes the entertainment and quality test, but it is more a family movie and less a youngster's. Definitely a sequel is on the card after the tremendous success, if they fail to bring another movie, it will be their loss. For the foreign audience, especially the western world, it might be an average or an okay movie because of quite familiar with this kind of theme. Anyway, I recommend it for those who enjoy comedy-fantasy films.
7½/10
This movie is sometimes serious. Sometimes action. Sometimes outright hilarious. Sometimes even a musical, for absolutely no reason. This movie tries to hit every genre, and fails pretty much at doing so, and instead leaves the critical viewer with a confused and forgettable impression.
The story is simple. Man meets woman meets monster. Then there's some in-your-face standard romance, an evil protagonist and a sword. That about seems to be it. Oh, and the man inexplicably becomes pregnant with a monster. But not really in a woman-empowering way, but more like in a he-has-a-fat-tummy way. And this inexplicable event carries most of the narrative.
Then there's the animation. There's nothing wrong with it, per se. Thankfully, it doesn't look like sock puppets, but it doesn't fit into the traditional Chinese narrative at all. The monsters don't really add much to the story. They look like green and blue blobs with big eyes, and they don't make much sense. There's not really any explanation of why they're there, why people want to get rid of them, or anything else about them really. They're not shrouded in mystery for the viewer to figure out. They're just there. Let's not forget that "monster" is half of the movie's title.
All in all, it mostly felt like a meat-and-potatoes mass-produced Disney production shoehorned into Chinese lore. The kids will surely have a laugh, but more mature audiences (read: 5+ years) should probably look elsewhere.
It should be mentioned that this is a milestone in Chinese animation and technical prowess, as lackluster as it may be in other departments. However, since Chinese moviegoers also have access to Transformers, Avengers and other blockbusters, it makes Monster Hunt seem lackluster in the technical department as well, and the only thing that seems to keep this movie afloat is some sort of patriotism for homegrown material. It can't possibly be because of the Chinese people's genuine appreciation of such a terrible flick, can it? For the sake of China's future entertainment industry, I hope not.
Monster Hunt combines a lot of qualities from the other items on the all-timer’s list: epic action, elaborate special effects, broad comedy, and a style that could best be described as “exhausting.”
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