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Set on the future earth, Johnny rico is a young student dating a girl named Carmen. When Carmen decides to join the military in order to become a class citizen (citizenship is only achieved through serving your country), Johnny follows and joins as well. He soon realizes that he joined for the wrong reasons but just as he is about to quit, an asteroid that originated from the orbit of planet "klendathu" hits Buenos Aires (his home town) and kills his family. Johnny and his fellow troopers set out to destroy the planet's inhabitants: a type of deadly and very large scaled space bugs. Through a seemingly ordinary action flick, director paul verhoeven creates a subtle anti-war theme, that shows us a fascist and military world far more frightening than WW2's Germany, Italy or Russia, the kind of world that is actually functioning.
Humans in a fascist, militaristic future wage war with giant alien bugs in a satire of modern world politics.
I think a lot of people don't understand that this movie uses a lot of revolutionary propaganda techniques brought forth by Leni Riefenstahl in Triumph of the Will. This was a WWII piece that helped Hitler maintain favor of his people despite the long and terrible fighting. Some of these are, for instance, large assemblies of troops in formation, military speeches given before large audiences, and icons/flags waving before the camera.
The reason that Triumph of the Will was so popular was that it showed a reunited Germany after the disappointing defeat at the Treaty of Versailles (WWI) and the shame of a nation that ensued. This movie (among many others) brought together the Germans against the rest of the world, joined together in a 'Thousand Year Reich'. In Starship Troopers this timeline is subtly referenced. For instance, you can see that even before the bug meteor many of the older citizens have the scars of war (Rasczak, the anatomy teacher, and the paper-pusher at the enlistment station) - this sort of earlier war would conceivably fuel the fire to 'Destroy the Arachnid threat' whatever the consequences. These techniques help to anger the viewer towards the unfeeling, merciless enemy who threatens civilization.
It's a different type of film that appeals to a lot of people who don't appreciate it for what it's worth. I'm glad that this futuristic tale of space cowboys and killer aliens was done by the director of RoboCop and Total Recall, because anyone else would have settled for inferior special effects. This is definitely is definitely Paul Verhoeven's best work in recent years because it employs all the best CGI special effects for all the blood thirsty groundlings, but it pays homage to great a European director whose work affected his life. Imagine growing up during WWII in the Netherlands - he was born in 1938 in Amsterdam.
I love this movie. It's set in quite a realistic future, and the story is told in an interesting way; at parts like a documentary, a newsflash or a love-story. That combined with awesome special effects, limbs flying everywhere and impressive action that doesn't get boring i think this movie has fully deserved the 10 i gave it.
What Ed Neumeier's script provides instead is a cheerfully lobotomized, always watchable experience that has the simple-mindedness of a live-action comic book, with no words spoken that wouldn't be right at home in a funny paper dialogue balloon. Not just one comic book either, but an improbable and delirious combination of "Weird Science," "Betty and Veronica" and "Sgt. Rock and His Howling Commandos."
There are two songs, both performed by Zoe Poledouris (daughter of the film score's composer, Basil Poledouris). First, "Into It" was composed by Poledouris herself, and is available on the Starship Troopers soundtrack CD. The second song is a cover version of David Bowie's "I have not been to Oxford Town", with the word "paradise" instead of "Oxford Town". Zoe's version is unavailable; Bowie's original version is on his album "Outside". The Workprint is a pretty final cut of the movie. Some scenes, which focus on Carmen's love life have been removed for the Theatrical Release. In the Workprint it is clear that she sleeps with Rico, but after his supposed death shares some intimate time with Zander and finally gets back to Rico at the end. These scenes were removed because they caused a lot of animosity towards Carmen during test screenings(according to Paul Verhoeven, some viewers even asked him to "kill the slut"). Otherwise there are minor extensions/alternate scenes. Yes, Rasczak's provocative dialogue about Hiroshima has been cut out. Yes, and Paul Verhoeven proudly confirms this fact on the commentary track of the dvd, saying that "everything you've heard about this scene is true".
Verhoeven wanted to show that equality between men and woman in the military had come to the point where they even shower together. For realism, he therefore demanded that the actors leave their modesty behind, and do the scene together and completely naked. However, the actors kept stalling and when Verhoeven kept insisting, they dared him to do the same. Without hesitation, Verhoeven and director of photography Jost Vacano undressed and the scene was filmed. Yes and no. It is true that Paul Verhoeven was interested in doing a sequel, so leaving the movie open-ended was partially intentional. However, Verhoeven intended the sequel to be a big-budget movie comparable to the original. Due to the somewhat disappointing box office result of Starship Troopers (1997), this idea was scrapped; the two sequels that have since been released were produced for the direct-to-dvd market on a significantly lower budget.
But more importantly, on the dvd commentary, Verhoeven explains that the final scene was primarily intended as a very cynical coda: it shows that Johnny Rico has become a full-blown mindless war machine just like Lt. Rasczak (he has even copied his war cry "Come on, you apes, you wanna live forever?") and that mankind still thinks they can win this war through superior firepower. In this context, the final tag line 'They'll keep on fighting' can be read as 'They still haven't learned anything'. Verhoeven admits that many viewers and critics entirely missed this subtext of the movie, and misinterpreted the final scene as a statement of militarism, or a simple allusion to a sequel.
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