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In Mexico City, the powerful and violent magnate of steel Oscar Cabos catches his daughter Paulina having sex with her boyfriend and his employee Javier "Jaque" and he works Jaque over. On the next day, Jaque pays a visit to Cabos in his office and the angry man comes with a golf club to hit Jaque again. However, Cabos accidentally trips on a golf ball, falls on the floor and faints. Jaque calls his best friend Mudo to help him, but the janitor Nacho finds his boss fainted on the floor and he steals and dresses himself with Cabos' clothes and jewels. Meanwhile, Nacho's son Botcha and his friend Nico have planned to kidnap Cabos and they are waiting for him in the parking garage. When he walks in the parking garage, the two kidnappers hit him on the back of the head, believing that he is Cabos, they cover his head with a bag. They head with the abducted man to the house of Botcha's girlfriend Lula. Meanwhile, Jaque and Mudo calls their wrestler friend Ruben "Mascarita" and his midget partner Tony 'El Canibal' to help them to get rid of Cabos in his birthday party. But both plans do not work well along the night.
A dark, offbeat comedy about a group of Mexico City teens embroiled in a kidnapping involving a retired wrestling legend and a parrot.
In a visual style reminiscent to "Snatch" and cultural references similar to "Pulp Fiction", Mexico does an attempt at making a neo-noir smash hit comedy. It worked! Having a classic but very funny mix-up plot, you add excellent in-jokes and situations that crack you up all over the night. Average acting, like Tony Dalton's, added to Kristoff Racynsky's humorous persona makes this a very good piece of Mexican cinema. My favorite scenes were the cross-eyed "microbusero", the bar brawl and the "damned bird" that wont shut up. As it was expected, the dialog is plagued with cursing, sometimes being funny and others exploiting some curse words way too much. Anyway, the car chase scene in the Ztec stadium is beautiful. The only thing that kept me from praising completely was the ending. It was very disappointing. Tony "the cannibal" was a completely useless character, and all we see him actually do (the bar brawl not included) is him sleeping with Cabos' wife. I personally would have enjoyed him kicking Cabos' ass when he encounters him in the bedroom, instead of beating his poor friend up. That was more cruel than funny. And I would have loved to see the cross-eyed "microbusero" once again.
With some minor flaws, this is the best Maxican film recently. Too bad the same production company was the same to give us "Km 31"
Matando Cabos is a complete tribute to Pulp Fiction and some other American movies, that if it wasn't for the language (spanish) and the little parody of El Santo (which is one of the few highlights of this movie)I wouldn't know that this is a Mexican film. Those dialogues extracted literally from Taxi Driver in one scene? a shame. This movie is done by some fancy kids with the intention to glorify the Tarantino style and a type of American cinema that doesn't need more cheers than the one that has already been giving in the USA, but if you are already out of ideas and you wanted to do a Tarantino dirty stylish Mexican film at least you should have written those typical adapted Reservoir Dogs dialogues strong and smart enough to keep out that boring "we already seen that and better" feeling.
Why all this new self-made Mexican film-makers can't come with original ideas or at least with a homemade tribute? The movie felt like a sequel of Nicotina (a Mexican copycat of Snatch and Smocking Barrels), it makes me feel like there is no Indio Fernandez, no Almada Brothers, no Pedro Armendariz's father! to honor so we have to honor foreign concepts. All right, there is some good earn funny moments, very chilango moments too, in the movie but where is no substance there is nothing good enough to make our film industry a worthy one, let's not say a good representation of the Mexican way of life with all those cartonish characters like the ones in Matando Cabos.
A grimly unfunny and stupefyingly inept comedy.
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