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A Swedish arms dealer and a Mexican peon team up to rescue the intellectual leader of the Revolutionary cause, while taking part in numerous misadventures along the way.
Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf agrees to free Xantos, accompanied by reluctant guerilla Basco, but a former business partner of Yolaf's- John 'The Wooden Hand', has other ideas.
Get ready for a run-on... A Spaghetti Western set in the Mexican Revolution about a foreign mercenary played by Franco Nero who makes an uneasy alliance with a Mexican bandito who unwittingly becomes a revolutionary while simultaneously falling in love with a freedom-fighter chick who is really hot, all while being tracked by an eccentric villain played by Jack Palance...directed by Sergio Corbucci, with a score by Ennio Morricone and a few machine gun massacres and at least one scene where someone is buried up to his neck while horses are about to trample on his head. Ummm...haven't I seen this before? Oh yeah, it was called "The Mercenary" and stands as one of the best Spaghetti Westerns of all time. "Companeros", on the other hand, is an entertaining piece chock full of humor and action (although, like the two protagonists, the alliance between humor and action is not always a smooth one). The pacing could use some work and there wasn't enough nudity (ok, I'm joking on the last one...could have used more nudity though)
Where was I? Oh yeah, "Companeros" is bad-ass fun with one of the greatest shootouts of all time (Nero + Machine Gun = Bad-assery at its best). Wow, what a terrible review.
Sergio Corbucci's Vamos a Matar, Compañeros is a Spaghetti Western about a Swedish weapons dealer and a shady mercenary who must smuggle an idealistic professor into Mexico in the midst of a revolution. The movie tries for the epic status of Sergio Leone's The Good, The Bad and The Ugly but falls short by a mile. Where Leone managed to create a poignant, albeit hyper-stylized image of the Old West, Corbucci comes close only in style and fails everywhere else.
Compañeros has some of the makings of a classic: a promising (though unoriginal) premise, a fantastic bad guy played by Jack Palance, a stunning supporting actress, and an excellent score by Enio Morricone. The scenery and costume design are also outstanding. But the story is underdeveloped, disjointed and at times ridiculous. Too many flaws get in the way of what could have been a great movie: the overdone moments of unfunny comic relief, the uninspired performances, and the confused political message make for an ultimately superficial caricature of the epic Western.
Given its potential, it's a shame that this movie turned out how it did. There's a reason this movie was forgotten, while Leone's films are still talked about.
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