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A modern day Bonnie and Clyde - with a twist - that follows two lovers down a path of destruction, mayhem, and murder as they live in a world where it is acceptable to take whatever they want with murderous consequences.
I really thought this move started out good, and it wasn't having any problems keeping me glued to the screen...And then the script did a complete 180. It was almost impossible to know what was going on by the end. The thing that gets me is, it didn't have to be that way. The story had a good premise, with plenty of different avenues to go, and the way it was handling Billy's character arc after Betty broke him out of prison was fun and original. In addition, I really wanted to see what they would do with the money, and if Billy would eventually be able to change Betty's outlook on life. Instead, it felt like a cop-out. Either that or they ran out of cash. For example, once they hit the abandoned town, they never left that location. Sure they go in the "diner" and the "church" but those were both pretty lame settings. This, as opposed to the first half of the movie were we go from a jail, to a motel, to a long country highway, to an old gas station in the middle of the desert. Maybe I'm just bummed out because it had so much potential, and it hits act 3 and just craps out. In all honesty, even after reading other people's opinions and input, the ending just doesn't add up for me. I mean, if the directors intent was to make us realize that Billy is really dead, and he has to constantly relive killing the people he loves, well then, the director did a awful job. I say this because, he's completely cu cu and insane by the time he's killing Betty. For god sakes, the guys smiling, and obviously enjoying it! If he is supposed to be in agony, stop having so much fun, and being so sadistic about it. I think it would have been more effective if he would have been more emotional (maybe if he cried while killing Betty.) Also, we don't actually get to see him kill her either, and I was really looking forward to it.
Just a side note, everyone else has mentioned the Tarantino style being evident, and I'm not going to argue that . But, I just want to say that Quentin doesn't have a copyright on witty dialogue mixed with gritty violence. That said, the whole not showing Betty getting killed, reminded me of the cutting the ear off scene in Reservoir Dogs, when the camera pans away instead of showing the act itself, except, in the case of Hide, it was completely ineffective. If your going to throw us a curve ball ending like that, at least let us see the hot blonde get stabbed to death.
In 1994, while working as a waiter in a trendy Hollywood restaurant, aspiring filmmaker K.C. Bascombe was retrieving a frozen dish from the walk-in freezer, when the place was raided and shut down by the city of Los Angeles, after apparently making the mistake of serving Barbara Streisand her main entrée before she was finished with the teaser. (Babs hates that.)
Accidentally locked in the freezer, he's trapped in a state of suspended animation for fourteen long years. Miraculously, when K.C. is thawed out, he's still alive and full of movie ideas.
After a quickie lawsuit against the city, he obtains the funds to finance the quintessential early-nineties independent film, the story of a murderous, philosophical dirt-bag who take off in his 1960's convertible, on a nicotine fueled crime-spree across the truck-stops and greasy-spoon diners of the southwest, with his loud, over-sexed hick girlfriend, who likes to shout, "You sweet on me!" to greasy, fat rednecks before flipping out and offing them.
The problem with KC's script was that time had passed him bye. His ideas, that were once so hip and fresh, had been squeezed of all their potential in the years that he'd been away.
At his wits end, he summoned the help of others, writers more experienced in the modern ways of screen-writing. Those men helped KC a lot, introducing new concepts to the hopelessly behind-the-times filmmaker, modern concepts like having no real action or suspense in the film and adding mindless torture in order to give pimply-faced geeks a chubby.
With the screenplay finished, KC was quite excited. He immediately suggested to the casting director that the two leads should be filled by Woody Harrelson (that funny guy from "Cheers") and Juliette Lewis (whom he loved in Kalifornia), only to be nervously told that those two already made a film together and besides, they're both a bit too old these days. After all, it's been fourteen years!
KC then suggested Christian Slater and Patricia Arquette, prompting the casting director to quit.
With no famous actors in the leading roles, KC soldiered forward with an actor and actress who mimicked Woody and Juliette quite nicely, filming his movie, which he called Hide, and eventually releasing it on DVD.
"What's a DVB?", asked KC, who's last memories of home video were of 1994, videocassettes, and Blockbuster Video.
"It's called a DV-D.", replied the distributor. "It's like a tiny laser-disc!"
And so it was released, prompting sarcastic a--holes like myself much merriment, as it was just too derivative of about a million other movies (Wild At Heart, Kalifornia, True Romance, Pulp Fiction, Natural Born Killers, The Road Killers, Love And A .45, Freeway) from the early to mid-nineties.
However, it's mindless scenes of torture, as well as it's excessive heavy-petting, did give pimply-faced geeks across America plenty of Chubbies!
THE END
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