From A Whisper To A Scream Full Movie In Hindi Free Download Mp4
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In a small Tennessee town, an historian relates four horror stories to a reporter.
The uncle of an executed murderess relates four stories of his hometown, Oldfield, to a reporter: an elderly man pursues a romance with a younger woman, even to the grave and beyond...a wounded man on the run from creditors is rescued by a backwoods hermit with the secret to eternal life...a glass-eating carny pays the ultimate price for looking for love on the outside...and Civil War soldiers are held captive by a household of orphans with strange intentions for them.
"Vincent Price has stated that this is to be his last ever horror film" trumpets the advertising "He could hardly have chosen a more fitting cinematic epitaph to his legendary talents for terror". Actually, I was more perturbed by the poor guys appearance, he looks like a zombie but without any of the make-up. Besides, he's only in it for a few one minute segments, in the bookends sandwiched between four short horror tales of highly variable quality. Below are my capsule reviews, which contain SPOILERS:
Part 1: A loner who looks after his disabled sister secretly lusts after his sexy co-worker but when she turns him down, he responds by suffocating her in his car. But that isn't the end of it.. Mostly lame and hammily acted, with some unnecessary middle age nudity. (Yuck!!) Livened up however, by a shock ending (even though the special effects are very dodgy). Overall, could do a LOT better. 4/10
Part 2: A criminal on the run from loan sharks is shot but has his life saved by a black hermit. The rouge discovers his rescuer holds the key to eternal life, and makes it his mission to find it out. The best of the lot in my humble opinion, it isn't a masterpiece but it is pretty suspenseful and has another horrific conclusion.. but this one is VERY disturbing. My recommendation: watch the first two, but skip the others. 5/10
Part 3. A circus freak who eats glass and metal for a living tries to escape with his girlfriend, but his "owner" won't hear of it and threatens violent revenge if he does attempt to flee. Despite a nice messy digestive explosion, this is still extremely silly stuff with the the worst performances yet and a very dull plot. Not worth your time. 3/10
Part 4. If someone could decipher what happens in this atrocious waste of 15 or so minutes, I'd be most grateful. The broad outline is: three soldiers coming back from a war are attacked by a bunch of kids who are the only ones left alive in a small town after the conflict. Characters disappear with no explanation, dead ones return to life and motivations are non-existent. It's a mess. A complete and utter shambolic mess. 2/10
Throughout all this in the prologues, Price mugs and gurns and vaguely attempts a Deep South American accent. It's all pretty embarrassing, which may explain his state of mind in signing up for this project. His appearances are blatantly pointless, and further add to my view that the horror legend was only tacked on for financial reasons. But fans of the icon will be disappointed by his meagre screen time despite his top billing, and no doubt concerned about his poor appearance throughout. In other words, don't hunting down a copy for him.
As you've probably guessed, the actual horror content also leaves a lot to be desired. Only half the stories are passable, the others should have been thrown off a deep, dark pit during post production. You might find this film lurking on late night TV, and my advice in my write-up of Part 2 stands: Watch the first two, then switch off. As an actual movie experience, it ranks as a 3/10. Till next time.... BAHAHAHAHA (Fade out)
One of the most richly cherished memories of my gloriously misspent adolescence stems from seeing this right-on horror anthology flick in some scuzzy second-rate shoebox theater with my younger brother. We both quite enjoyed watching it and today it holds a special place in my heart for the simple reason that in our current depressingly restrictive blockbusters only multiplex monopoly this modest indie fright feature would sadly never see the light of a projector; instead it would be directly dumped straight to video and cable TV. And that's everyone's loss, man.
A snoopy reporter (an oddly restrained performance by the usually more manic Susan Tyrell) visits the seedy podunk burg of Oldfield, Tennessee and interviews a kindly librarian (the late, great Vincent Price, who makes the most off his small, yet pivotal role), who informs Tyrell about the town's sordid, depraved, blood-spattered history by relating a quartet of spooky stories. First tale, "Zombie Love Child" - Clu Gulager gives an excellent, gut-busting turn as a clumsy, cloddish, middle-aged milquetoast dweeb who kills a young woman he's been pining for from afar and makes love to her fresh corpse (gross!). A hideously misshapen, murderous mutant zombie baby is the result of this twisted tryst. Second yarn, "The Secret of the Bayou" - A two-bit crook (well played with customary slimy aplomb by Terry Kiser) gets mortally wounded by two hoods he doublecrossed and is brought back from the brink of death by a wise, reclusive ex-slave old black man (a fine, mesmerizing Harry Caeser) who has discovered the secret to immortality. Third opus, "Of Glass and Geeks" - A carnival glass eater falls for a winsome young missus and decides to bag out on the freakshow scene, thus incurring the wrath of the carnival's formidable voodoo priestess owner (juicily hammed to villainous perfection by "The Omega Man" 's Rosalind Cash). Fouth anecdote, "Wrath of the Civil War Orphans" - A ragtag group of brutish, no-count Confederate Civil War soldiers led by a sadistic captain (the ubiquitous Cameron Mitchell in peak scurvy form) seek refuge in a dilapidated mansion inhabited by seemingly harmless, deformed orphan kids.
Very capably directed by Jeff Burr, with a pretty warped and imaginative script by C. Courtney Joyner (who later penned the terrific haunted penitentiary pip "Prison"), nicely disgusting make-up f/x by Rob Burman (said splatter includes such choice nasty stuff as splashy gunshot wounds, gory stabbings, a torso being shredded from the inside out by sharp shards of glass, and, most gruesome of all, a severely burned-up limbless body), a generally serious tone with appropriately perverse touches of pitch-black humor, and nifty cameos from Hammer horror scream queen Martine Beswicke as a convicted murderess who gets executed at the very start of the film, the ever-imposing Lawrence Tierney as the grim-faced warden who presides over Beswicke's execution, and Angelo Rossitto as an antsy carny midget, "The Offspring" rates highly as pleasingly ghastly and ghoulish omnibus horror fun.
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