Meteor Movie Download
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After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading toward Earth. If it hits, it will cause an incredible catastrophe which will probably extinguish mankind. To stop the meteor, NASA wants to use the illegal nuclear weapon satellite "Hercules," but soon discovers that it doesn't have enough firepower. Their only chance to save the world is to join forces with the USSR, which has also launched such an illegal satellite. But will both governments agree?
The USA must join forces with the USSR in order to destroy a gigantic asteroid heading straight for Earth.
I love it - the ending scene showing connery, malden, wood, etc., being rescued along with two NYC hookers. Meanwhile, we're left to imagine NYC reduced to a burning wreck and Hong Kong as an underwater amusement park. And how 'bout them haircuts - truly scary.
Films like 'Meteor' are like a time capsule, not just of a cheesy 70s sci-fi but of cold-war, pre-glastnost US-USSR relations, i.e. the "big deal" made of the two countries helping each other, and the world, escape certain destruction. This is corny, good fun.
I remember watching METEOR way back when it was released. I remember it being considered a "big budget" film with a top notch cast. Truth is, METEOR isn't as bad as many here might tell you. The problem is the thick sheen of "cheapness" stamped all over its production values and its TV dialog script. By 1979 we already had STAR WARS, SUPERMAN, CLOSE ENCOUNTERS and ALIEN (also from 1979). These movies raised the bar in terms of realistic special effects and most of these effects (frome these movies) still hold up in most cases. In METEOR, they are decidedly "bad" and (at least to me) it really is a distraction from an otherwise decent premise and plot. After all, better conceived movies like DEEP IMPACT and Armageddon got their cues from METEOR. The effects look like if they were made for a TV movie: the space shots, the spaceships and the devastation caused by meteor splinters look decidedly like amateur hour. Hell, even the FX from BATTLESTAR GALACTICA looks far superior than this, and THAT was a TV movie!
Although the cast is first rate, their lines don't give them much to chew on and their performances look like they could've been easily done by other, far less experienced actors. Being one of Natalie Wood's last performances, she looks decidedly lifeless in the role of a Russian interpreter. Only Sean Connery, Karl Malden and (to a lesser extent) Martin Landau give off some sparks to their otherwise dull roles.
Despite its more than apparent downsides, I must confess I still enjoyed METEOR. Call me nostalgic but there's something about movies from the late 70's and early 80's that I simply enjoy on the spot, although I'll be the first to admit that most of these movies are not masterpiece theater.
Enjoy and let the cheap sheen go by!
As the title implies, Meteor is a disaster movie about a meteor about to hit the Earth in seven days. The only way the American experts can think of to stop the meteor is by hitting it with their orbital nuclear missiles, dubbed Hercules, which are currently pointed at the USSR. The problem is that the combined power of the Hercules missiles is not powerful enough to stop the meteor, so the US wants to unite their Hercules missiles with the missiles from the USSR's secret Peter the Great project, which are currently pointed at the United States. An additional problem is that neither government wants the other government to know that they even have such missiles. Meteor is based on a screenplay by screenwriters Edmund H North and Stanley Mann. However, it was inspired by Project Icarus, a report written by students at the Massachusetts Institute of Technology for a hypothetical systems project. The report focused on the concept of using missiles to deflect an asteroid that might become threatening to Earth. The project was described in the June 1967 issue of Time magazine and published as a book, Project Icarus: an MIT Student Project in Systems Engineering, in 1968. The chain of events started when a never-seen-before comet appeared from the other side of the sun and passed through the asteroid belt, hitting a large asteroid known as Orpheus. Orpheus broke into chunks. Several of those chunks started on a trajectory course with the Earth. Most of the pieces were small, but one particular chunk was five miles wide and could do serious damage to the Earth if it hits. This chunk, now known as the Orpheus meteor is projected to hit the Earth in six days. The Russian missiles are launched. While waiting for the 20 minutes to pass until they can launch the American missiles, Dr Bradley (Sean Connery) receives a message from Sir Michael Hughes (Trevor Howard) in England informing him that another chunk of Orpheus has been spotted heading for New York. Moments after the American missiles are fired, the chunk hits New York, causing massive destruction and destroying the World Trade Center. Because the control center is located in an old subway shaft under the Bell System building, it is not completely destroyed, but the rubble traps the survivors underground. Bradley leads out the survivors through the subway tunnels, enduring muddy water from the East River and breaking through blocked tunnels. When they get almost to the top, they are able to listen to a news broadcast saying that the missiles were successful in breaking up the meteor, just as someone breaks through the last pile of rubble from the outside, freeing them all. In the final scene, Bradley and Harry Sherman (Karl Malden) are at the airport, seeing off Tatiana (Natalie Wood) and Dubov (Brian Keith). Tatiana kisses Bradley. As she boards the plane, Dubov says to her in Russian, "I think you'll come back one day." Tatiana replies in Russian, "Perhaps." Yes. Natalie Wood (born Natalia Nikolaevna Zahkarenko to Russian immigrant parents) spoke fluent Russian, as did Brian Keith. 646f9e108c
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